Very Good Hardcover Weidenfeld & Nicholson, 1981. First edition of this illustrated collection of poems focusing on Burns as a peasant poet and connected to the Scottish landscape. Includes numerous photographs in black and white. Green hardcover, color illustrated dustjacket. Some edgewear, good hinges, sound text block, very clean pages free from names or other markings. The mylar protected dustjacket is not priceclipped and has only light edgewear, no chips or tears, light foxing to rear inner flap.. First Edition. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall.
Robert Burns (also known as Robin) was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best known of the poets who have written in the Scots language. He also wrote in English and a "light" Scots, accessible to an audience beyond Scotland.
He is regarded as a pioneer of the Romantic movement and after his death became a great source of inspiration to the founders of both liberalism and socialism. A cultural icon in Scotland and among the Scottish Diaspora around the world, celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature.
As well as making original compositions, Burns collected folk songs from across Scotland, often revising or adapting them. His Auld Lang Syne is often sung at Hogmanay (the last day of the year), and Scots Wha Hae has served as an unofficial national anthem. Other poems and songs of Burns that remain well-known across the world today, include A Red, Red Rose, A Man's A Man for A' That, To a Louse, To a Mouse, The Battle of Sherramuir, Tam o' Shanter and Ae Fond Kiss.
His poetry always makes me laugh. Here he is addressing the devil, telling him to shape up:
But fare-you-weel, auld Nickie-ben! O wad ye tak a thought an' men! Ye aiblins might - I dinna ken - Still has a stake - I'm wae to think upo' yon den, Ev'n for your sake!
As is almost always the case with poetry, this collection improves the more Burns delves into an esoteric whimsy. What starts as arguably banal ‘love?’ poems progresses into heartfelt defences of small creatures and then into the wonder that is Tam O Shanter. I think it is impossible to regard Burns separate from a Scottish identity as it is a nationality which breeds a very specific kind of creativity. Themes of perseverance, community, optimism, the smaller things—are all rendered with a rich imaginative topography. In this way, it’s impossible to refute how Burns stands as a perennial figure of how Scotland breeds creative individuals. The little mouse is smiling down from heaven, I’m sure. 🐁
I don’t love every Burns poem but this collection contains so many favourites. I read this while living in England, and found so much comfort in reading to myself out loud, just to hear my own accent in someone else’s words.