Le Juge et l'Historien: Considérations en marge du procès Sofri

by Carlo Ginzburg

The importance of some books cannot be They help place ourselves in the world, ask the right questions, and maintain useful, strategic credulity in the face of brutal empiricism. Sometimes they shed light on those facts, contextualize them, interrogate them, and so hold them up as empty, mendacious, vicious. The Judge and the Historian does this. As well as a concise and persuasive meditation on the convergence and divergence of the roles of its eponymous professionals, the book offers us a path through the tortuous proceedings that led to what the author portrays as a dreadful miscarriage of justice in a modern European state. Italy has always had a particularly active political Left and in the late '60s and early '70s an extraparliamentary faction that descended into propagandist violence. In the so-called Hot Autumn of 1969, a bomb exploded in the Agricultural Bank in Milan, killing 16 people. An anarchist railway man, Giuseppe Pinelli, was taken in for questioning by the police. Three days later, Pinelli (immortalized in Dario Fo's play The Accidental Death of an Anarchist ) fell to his death from the window of the police commissioner Luigi Calabresi's office. The police claimed suicide but the Left accused them of murder. In 1972 Calabresi was shot dead in front of his home. The far-left Lotta Continua claimed it was an act of proletarian justice but many think right-wing extremists were involved. After almost 16 years of silence, an ex-militant of Lotta, riven with guilt, gave himself up, claiming responsibility for the murder. Leonardo Marino then implicated the leadership of Lotta in the affair. Carlo Ginzburg, a noted and respected historian, draws on his work on witchcraft trials in the 16th and 17th centuries to dissect the state's case in this late-20th-century show trial. He has written a provocative and passionate book that casts a detailed look at the facts of the case, facts that when presented here cast serious doubt on the judgments reached in Italy early in 1999. Justice is inevitably contextual, and we should consider ourselves lucky to have someone as skilled as Ginzburg in deconstructing its various questionable manifestations. --Mark Thwaite, Amazon.co.uk

Genres: History, Nonfiction, Italy, Law, Contemporary History

Paperback

First published January 1, 1991

About the author

Born in 1939, he is the son of of Italian-Ukranian translator Leone Ginzburg and Italian writer Natalia Ginzburg. Historian whose fields of interest range from the Italian Renaissance to early modern European History, with contributions in art history, literary studies, popular cultural beliefs, and the theory of historiography.

Reviews

[Simona Moschini · Rating 4 out of 5]

Più approfondisco l'argomento, meno certezze ho. Più dubbi mi sorgono, più mi sembra di avvicinarmi alla verità, anche se forse la verità non si saprà mai.

[Thodoris · Rating 5 out of 5]

4,5

[Benjamín · Rating 3 out of 5]

Es el primer libro completo que leo de Ginzburg. La verdad es que el título representa muy bien lo que contienen las páginas. A partir del juicio contra Adriano Sofri por el homicidio de Luigi Calebresi, Ginzbur realiza una serie de comentarios sobre la intrincada relación entre el trabajo de los jueces y de los historiadores. Creo que es mucho más interesante esas consideraciones metodológicas que el caso en particular y creo, por la misma razón, que el libro no cumple con las expectativas que yo tenía. Son consideraciones y comentarios muy menores que no alcanzan a justificarse totalmente. El trabajo de judicial e historiográfico, a mí parecer, tiene aristas que no fueron exploradas por Ginzburg y que resultan evidentes por la lectura del libro.
Sin embargo, hay que recordar que Adriano Sofri es un gran amigo de Ginzburg. Como él mismo lo indica la idea es contribuir a declarar la inocencia de Sofri. De lo anterior se entiende las explicaciones sobre el caso y el enconado interés por desestimar el testimonio de Leonado Marino y las decisiones de la Audiencia de lo Criminal de Milán.
Hecha esa aclaración, me parece que el libro de Ginzburg tiene una nula o muy baja importancia para el quehacer historiográfico. El título del libro es, en ese sentido, sumamente engañoso.

[Sharif Youssef · Rating 2 out of 5]

Very smart methodological intervention whose points are buried underneath a flood of examples. I know that the example is crucial both for the court case and histories, but here general claims about the miscarriage of justice constantly fled from larger points to intricate details. To demonstrate his arguments, Ginzburg resorts to the event, and to multiple retellings of it, to the court's rulings regarding these accounts, to the appeal overturning the rulings and the manner in which the witness testimonies were adjudicated, and again to the appeal overturning the overturning of the original ruling. As in real life, the court case here is a mess, but it's also a historian's responsibility to maintain coherence through organization. Despite Ginzburg's superb writing, this was lost several times.

[mira · Rating 5 out of 5]

Eccezionale. Lettura indispensabile.

[6655321 · Rating 4 out of 5]

extremely timely if somewhat burried in block quotes

[Vipul Vivek M-D · Rating 3 out of 5]

The book reads into an Italian state-led anti-communism trial the methodology of Inquisition and witch trials. I am not aware of the Italian judiciary or the history of communism in the country so I can't really figure out why Ginzburg spends so much time on a lower court judgment (apart from the fact, that is, that some of his communist friends were falsely accused and imprisoned). I really liked the methodological defence of the value of conspiracy theories for historiography ('interpretative scepticism' of historical narratives). Ginzburg's interpretation of 'context' as 'an array of historical possibilities' is also interesting. His discussion of judicial error versus a historian's error is on the right track but seemed sketchy to me. There is a growing philosophical literature on inductive risk that goes into what sorts of errors are tolerable based on the scale of their consequences. But the two things that gripped me most were Ginzburg bringing to the fore the role of the stenographer and the repeated invocation of 'grave occurrence' by the state and its collaborators to deflect attention from their shaky reasoning.

[Massimiliano Luca · Rating 4 out of 5]

Il libro è sicuramente interessante. L'autore è una garanzia sia per quanto concerne le riflessioni medologiche e storiografiche sia dal punto di vista narrativo. Mette in luce le problematiche del processo Sofri e quel complesso di errori e menzogne che lo hanno caratterizzato portando all'ingiusta a condanna di Bompressi, Pietrostefani e Sofri. Per quanto riguarda il parallelismo tra il giudice e lo storico se vi aspettate una lunga trattazione non la troverete, anche se è più volte esplicata la differenza (e le vicinanze) tra le due professioni.

[k.braverman · Rating 2 out of 5]

i understand what he’s going for and it’s really interesting it’s just that his writing is so freakin dry and hard to pay attention to. everything else is amazing, it’s just the dam writing

[Yuichi · Rating 5 out of 5]

20120918　ちくま学芸文庫版購入
歴史家ギンズブルグが知人の無実を証明すべく、公判記録の矛盾点を「歴史家」として厳しく追求・指摘
「証拠」の扱いとか表象研究批判とか歴史学的方法論批判とか一応色々入ってるけど、全部すっとばして犯罪小説として読んでも普通に面白い
一気に読んでしまった