I received a copy of this from NetGalley and this is my freely given opinion.
OK, this is a time travel romance that takes a young ex-pat British woman from modern day New York and thrusts her into Victorian England.
Emily Christie is a single magazine editor living in Manhattan, visiting an art gallery while having a girl's weekend with her two best friends. She is visiting an exhibit that she is enthralled with, and that is a focus of a novel that she and her friends love, about the Renaissance artist Marco Allegretto and his unnamed muse. While she is contemplating a tryptich of paintings of his, which show the three stages of love, Marco reaches out to her and as she takes his hand, she is drawn into one of the paintings and suddenly materializes on a road, about to be run down by a coach.
She is confused and feigns amnesia and is taken in by the older couple in the carriage, Sir Arthur and Lady Helen, who are also accompanied by a close friend, Colin, Lord Remington.
This was an interesting tale that was fun, but only if you just suspend all belief, because there is several stories that cross over, and there were far to many details that were quite over the top.
First - there is the tale of Marco and his muse, Iris in 1500 Florence and their love affair and posing for his paintings. Then there is Emily and her friends in modern New York as single besties enthralled by Marco and his story. Then there is the mysterious book written anonymously and found in a trunk in France about Marco and his time travelling lover/muse, Iris Bellerose that is such a hit that Emily and her friends read about, thinking it is fictional. Then there is Emily, Collin, and Sir Arthur and Lady Helen in 1892 England. Then there is time-travelling Iris and Marcus, who are being pursued by an evil Renaissance countess, and her bully boy who is a time travelling Nazi. Iris by the way is a Jew who time travelled from Paris during WW2 - after her parents were killed by that same Nazi. Iris also shows up during 1892 as well...
Confused yet?
To simplify things, the main focus here is Emily in Victorian England, and Colin. Colin is a private investigator of sorts and is working on solving the mystery of a series of grotesque murders. Including that of his fiancee, Daphne. Daphne was also the only child of Sir Arthur and Lady Helen. Oddly enough (wink wink), Emily is shocked to discover that she resembles Daphne enough to be her twin.
Anyways, I think I am exhausted just thinking about all the various links, connections, and coincidences... it is all a lot to take in. But regardless, the contained story in this book is about Emily and Colin's growing relationship, and solving those murders, while also being drawn into the larger overarching story of Marcus and Iris, and helping them with their problem as they are lost and separated through time, as they are fighting off the evil mechanisms of the Countess and the Nazi. Emily and Colin's story is an HEA and contained, but Marcus and Iris's story is left to continue. What I wonder is, considering there were three women, Emily and her two friends, in modern Manhattan, and the exhibit featured Marcus's tryptich of the three stages of love - does that mean this is a trilogy and the other two stories involve the other two friends?
2.75 stars out of 5.