We open[1] on Roy, a private eye fixer-type on a job. It's a very cool intro, giving us an idea of Roy as a person and what he is capable of in terms of brute force and complex planning. He's contacted for a new job and ... I like the setup and his new mission and all, but I was continually questioning how this book could be considered a sci-fi. Guess we just need to read and find out[3], eh?
Roy is hired to track down the unpublished sequel to a "bestselling" novel, the author of which was killed (in what seems like an accident). His search for the missing manuscript, of course, takes him deeper and deeper into a rabbit-hole of fandoms where less and less makes sense about his original mission as he goes, and leads him ultimately to the comic book original ... and from there it gets considerably weirder.
We take a break momentarily from Roy and his strange private eye gig, to check in on the Gothamest, Arkhamest bunch of freaks ever to appear at a crime scene. This would be a good point to admit that I was quite drunk at one point while reading an entire segment of this book and making notes - it seemed to fit the characters and setting - so I have just written down here that Trigger Mortis is the greatest character name ever, and why is the city coroner a purple eyed mutant, is this the sci-fi? And a tattooed guy named Duke Ellery shows up and gets weirdly sexy with the coroner (whose name is Dr. Contraire, yes, Mary Contraire, I shit you not), and what is happening?
This, at least, answered my standing question about whether this was a sci-fi. Whether the bizarre comic-book villain noir scene-shift was sci-fi in the purest sense or if it was just comic fantasy, there really were only so many ways it could fold into the Roy narrative and those ways were mostly sci-fi ways, so we were all good there.
A grimoire is mentioned at about this point, and my suspicion that we were seeing a piece of the MacGuffin manuscript or possibly the original comic from which the manuscript was taken seemed to be confirmed but then Roy was also (maybe?) having a dream about the magnificent comic-fantasy city of Noir York, and I was sober by now and it didn't have a noticeable impact on my demand to know what is happening?
Well, I'll tell you what was happening, because it seems to have been spoiled in the blurb for the book anyway and I don't necessarily think that was a good idea (like I said in the footnote), but I guess the author did what they had to. The creator of the comic book had been so very imaginative, and the story so very real, that the tiny spin-off universe created (as happens every time anyone imagines anything) had survived and flourished to become a fully-fledged alternate reality, and the cartoonist had stopped caring and the universe began to collapse, and the characters came through into this universe to stop it from happening. That's what.
It was absolutely fucking outstanding, and I couldn't put it down, and is our world breaking because someone in some other universe has given up on it and isn't imagining it anymore because it's depressing and they weren't making any money from the whole idea? Really makes you think, doesn't it.
You can try to run but you can't hide from what's inside of you.
- Dan, Steely
While retaining the tough skeleton of a private eye gumshoe action thriller, Any Minor World unfolds into a mad blend of The Never Ending Story and Stephen King's The Regulators / Desperation. It was highly readable, extremely enjoyable and so vivid in its settings and characters, I'd say it gives Gotham and New York City (of The Fifth Element) and their inhabitants a run for their money. And, although there really are no endings (that's a reference to the book's philosophy that is), this one had solid closure.
Sex-o-meter
Roy and Carmen get flashback sexy with it, Duke and Mary Contraire get weird, but for the most part there's more important shit to worry about than playing Slip The Noir Reference Into The Narrative. Any Minor World scores a dame with gams up the ya ya who everyone knew was trouble as soon as she walked in out of a possible that scene from Naked Gun 331⁄3 where the camera pans up the woman's legs and she has like three sets of knees, you know the one. It's stupid, and this book wasn't stupid.
Gore-o-meter
Some classic scenes of murdered bodies and crime scenes, a lot of punch-type violence and running gunfights and stuff. The Roach is good and nasty and once we get deeper into the comic book atrocities we are treated to some solid (or, you know, kind of dissolved) gore here. All in all I'll give it two and a half flesh-gobbets out of a possible five.
WTF-o-meter
11% into the book and I had no idea how this was a sci-fi. At the 75% mark I still wasn't convinced it was a sci-fi but I had to call it something and "sci-fi" ultimately filled the required field. There were some weird bits at the start of the story where I was flailing (yes, and maybe drunk at one point), where Roy passed his twin on the street and then lost them, and I'm pretty sure he dreams of Noir York before ever going there or knowing much about it (aside from some reading), and those parts don't really come back. Are they little nuggets for later exploration? Who knows. A rich deposit of WTF in this one, anyway. I give it a London Below and three Narnias out of a possible Dark Tower on the WTF-o-meter. Look, Neverwhere is a fine story and The Chronicles of Narnia is a classic, but I just think Stephen King needs further recognition for the sheer volume of drugs he was on when he came up with the Gunslinger's story, and I make no apologies for that.
My Final Verdict
Five stars? Five stars. Just for the sheer imagination. Goddamn. Excellent story.
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[1] Any minor world that breaks apart falls together aga-hain, isn't that a song lyric? There was a strong addiction / depression message in that song as I recall[2] and interpret ... could that mean possible spoilers for this book? Let's find out.
[2] Follow-up after getting to the author's note: hah! I resent that. But hah! No, I didn't remember it was Steely Dan but I was reminded of the song, and not just because of the title of the book (although that did probably send me down that path).
[3] The blurb does sort of spoil what's going on, so I won't take too much care with it ... but as a style note, I did not read the blurb going in and I think the "twist" works way more effectively that way. The shock of Roach's appearance has a From Dusk Till Dawn quality to it, even if the nature of the universes was teased with the Duke chapter and Roy's dream of Noir York (which still wasn't exactly explained ... was it him having that dream? Was it a dream? Hmm.