Man, this is heart-breaking, but I did not like this third instalment that much, for pretty much the same reasons I have already given the second instalment of the Fallen Empire series only two starts.
First of all, I did not care for the main characters as much as I hoped I would. Grace Draven usually creates fascinating, layered and complex characters which take you on an impressive journey. Siora and Gharek, however, were unremarkable and forgettable.
Gharek, for his part, was a very one-dimensional character. He hates pretty much everyone except his daughter and doesn't care for anyone or anything else. That would be fair enough. Except he abandons his daughter to chase after his daughter's former nurse. His motivation makes no sense. He is a fugitive of the Empire; he knows he will be hunted and executed, and s and all through the Empire to hunt down Siora. For what? To get her to apologise to his daughter. Nothing else. He literally is risking his life and that of his daughter, to drag a homeless woman back to his home, have her beg for forgiveness and then send her on her way again. That's it. That's his entire character motivation. And to me, it was just not strong enough. He could have taken his daughter away, started a new, peaceful life with her, far away from danger and moved on. But for some reason, petty revenge for a lousy "I'm sorry" is more important. It just didn't work as far as character motivation goes.
Aside from that, Draven did try to give him more of a personality here and there. For instance, his sarcastic comments he drops now and then. There are also a few instances in which he begins to question his anger and resentment, but it's never quite enough. I'm also not sure how he, supposedly, became such a feared killer, known throughout the Empire. It just didn't work out and leaves him quite an underwhelming character.
Moving on to Siora, she felt like a borderline Mary Sue, whose background just didn't make sense all the time. So she can see ghosts. Neat. She can also talk to them. Cool stuff. Her father died in the Pit and is now something like her guardian angel. Fair enough. Suddenly, she can see and talk to ghosts and make them visible to others. Then she can instantly recognize a danger from another world no one has heard of and she instantly saves multiple people and ghosts and effortlessly binds them to her service and and and her magic abilities just do.not.stop. She was made too conveniently powerful and useful for the plot. Like, everything needed to succeed at any given time, Siora magically had the solution to it.
Through some titbits, we also learn that she used to be homeless and beg for money. Why? No one knows. It's not important anyway. She was almost killed in the rites of spring ceremony in the capital - how does that work if she was homeless and constantly on the move? She's also an incredible cook, which seems weird if she was homeless, right? She just gets this tragic background so people feel sorry for her, while also making her every macho housewife dream because she can cook, keeps meticulously clean and loves kids. Oh, aaaaaaand her time as a homeless beggar, a hidden magician and a fugitive has not made her jaded at all. She remains wonderfully innocent, naive and hopeful.
Apart from their individual issues, these two did not work as a pair at all. They have no chemistry, no interesting interaction, nothing. It's Gharek insulting Siora, Siora taking the insult with her head hanging low and just accepting her fate. Sometimes one or the other thinks the other one is hot.
Anyway, moving on to my issues with the plot:
First, there were massive issues with pacing (though to be fair this might be because Gharek and Siora have no chemistry, so every interaction felt incredibly boring). But still, the plot was all over the place. Within the first few chapters, we get Siora fleeing from Gharek, then rescuing him from some supernatural creature to her fleeing the Nunari to Gharek rescuing her only for both of them to be caught by Kraeleg soldier. I mean, holy moly, that's a lot for very few pages. Should we get some more background on ANY of these instances? Naw, not important dawg. Let's just jump right into the next part of the story, which is Gharek and Siora having to work together. For the next few chapters, we get seemingly endless chapters about them posing as a married couple, eating together, bathing, sleeping in the same bed, and so on. This should not have gotten the attention it received, especially considering it did nothing to move the plot or their relationship along.
Anyway, there is some strange scene in the Maesor which is, once again, incredibly rushed with no background whatsoever. Instead of focusing on that, we get an endless scene with the heroes of the second instalment of this series - Malachus and Halani. Look, I didn't like these characters, so I'm partial to their appearance, but this scene was completely useless.
Why do they just happen to appear? No idea. Serendipity. Are they moving the plot along, at least? Nope. But we can be reminded that they both still hate Gharek. And Asil, everyone's favorite annoying side character can make another appearance.
Look I understand that the main purpose of this book was to get a romance between Gharek and Siora going, but this book brings in so many aspects of fantasy and supernatural beings so this needs to be elaborated more. It's not good enough to speed through essential scenes that could be incredibly interesting from a fantasy-world perspective only to come to a stall for the most boring and done-to-death romance tropes. I mean, two haters having to pose as a married couple at an inn? Come on, that is literally the most unoriginal and done-to-death romance setting there is. Why would you dedicate more pages to them eating dinner and bathing than to their frantic escape from the Maesor, a place no one has left alive in a long time?
Also, the plot had another major issue for me: it had, apart from the appearance of Malacchus and Halani, nothing to do with the Fallen Empire series. And that's something that, in retrospect, I have to say is true for the second instalment as well. Yes, Halani appeared in the first book, but story wise this series speeds through one fantasy world after the other and they don't fit together.
The first book introduced us to the evil Empire and fire magic and nomad-like tribes that took down the Empire after Azarion escaped his life as a gladiator and came back with a vengeance. The second book does include the evil Empire, but suddenly it's all about the draga, mysterious creatures thought to be extinct. There's nothing else left of the world of the first book. And this one continues. Because fire magic and dragons are done - we now need some ghost hauntings and supernatural monsters who eat souls. They are all cool ideas, but this is a series, so the world you built should be continuous for the entire series.
Anyway, I feel like three pages worth of ranting is enough for now. I just want to add that I don’t know what happened here? Maybe I just really don’t care for these characetrs, which is totally fine, it happens. But before the Fallen Empire series I have usually loved everything Grace Draven has written. And don’t get me wrong, her writing is still superb. But everything else was a let down this time around. I don’t know if this is a new editor, a new publisher or what but I sincerely think that these works as inferior to her previous work.