I'd like to formally apologize to John Agresto for what I'm about to write. I had to read this book for a class, and this is practically the opposite of any book I'd normally pick up – an essay-type book, with less of a focus on evidence and more on outlining an argument. I'm sure that in a different world, where I was not a journalist who needed evidence for everything and where I picked this up at the library on a whim, I'd be feeling a lot differently. Not only that, but I've had none of the experiences that Agresto describes. In my history classes, my professors have presented us with a variety of primary sources and secondary sources, allowing us to come to our own conclusions, not only that, they were sure to open classes for discussion. They balanced their passion for the subject with making sure that students had ample opportunity to come to their own conclusions.
Now that my conscious is a bit more alleviated, let me get to the rant.
First off, I tried taking wisdom from this like he argues we should be doing with all books. I thought some of his points about taking wisdom, reading authors for the sake of reading were interesting and valuable. His points about broadening liberal arts, about it being to answer questions we have deep in our souls, that was inspiring. I also appreciate how he talks about Lincoln, a liberal man who did not go to school, as an inspiring figure – it's nice to see acknowledgement from a professor that learning can occur outside the classroom. But so often, the book got unnecessarily hateful, snarky, or close-minded regarding anything new.
I hated this book in the way that I hated "The Prince." Agresto's tone is smarmier than Machiavelli's, he goes on a million tangents, he adds in notes about higher education problems without defining them or telling us why they're bad (my class had misunderstandings about what he meant by safe space and speech codes), he gives no benefit of the doubt to professors teaching the "diverse" courses he despises – automatically assuming that they are teaching to indoctrinate rather than providing any course listings or syllabi. He encourages students to follow their dreams, but provides no solutions to the major problem he brings up – the economy necessitating that we pursue something stable and money-making – besides following your passions and not focusing on money, a great sentiment in any other world. For all that he talks about avoiding narrowing our horizons in the class, his book ends up being ridiculously narrow, with his proposed ideas taking place in some sort of fantasy where students don't need jobs after graduating, or don't go to college to specialize in jobs. It would have been great for him to address more higher education history, broader problems in why liberal arts degrees don't get jobs, or more history on why this core curriculum is gone.
While I think that his ideas about a core curriculum before graduating are great in theory, he buries this lede so far into the book rather than clearly articulating it higher up – because yes, right now we have an incredibly limited time in college to learn basically the breadth of the great canon of the world, it makes sense that people would turn to specialized courses that are easier to teach quickly. His organization another problem – he spends so much time harping on current problems and things he dislikes about higher education (if I had to read "hey hey ho ho" one more time I was planning to throw my book across the room) that he buries the ledes about his solutions or ideas. He has not one or two but SIX appendices as well as letters to high school principals, teachers, and seniors. His organization within chapters is so frustrating – he needed a better editor to help him clearly articulate his thoughts. So much of class was spent trying to figure out what Agresto meant by X, or ignoring parts of the book where Agresto goes on rants on things without explaining what those things are, where Agesto doesn't give background.
I also think he doesn't give any credence to the other side. This is probably the journalist in me, but it frustrated me how much he kept analyzing "hey hey ho ho" rather than going over the points of the movement, giving history on it, or including any primary sources besides the chant (oh wait, he gives the resolution... in the appendices). While he makes the minor point of saying what he thinks the other side would argue, I think it would have been of more value to actually find somebody from the other side, or include outlines of classes rather than just course intros, or testimonies from students that suffered through indoctrinating classes.
I also think that he's incredibly narrow in what he considers "our" heritage. He lashes out at queer, Black, disability history without acknowledging that their heritage is our heritage too, that we should fold it into the larger Western Civilization courses because those classics, great thinkers like Jefferson, developed the histories of these communities. While the foundational books are absolutely important, we should be reading books from OUR heritage too, foundational disability rights texts, foundational queer texts, foundational Black texts, because students will be going into OUR world, and should have a complete background. In an ideal world too, they'd read more than the foundational texts, they'd read the ordinary texts, the texts of the ordinary, local authors, and learn more of their local heritage, but that's for another day.
The way he treats students is also frustrating – as helpless, as powerless to indoctrination, as unwilling to learn outside of the classroom. I think he underestimates the average student, as most that I've met over the years do most of the great canon reading and analyzing prior to college, or on their own, and are not bored by going into their histories post-reading. That's another thing – there is so much value not only in reading a book, but learning about the author, trying to understand them in their own time, and you can absolutely do both, and we shouldn't just be trying to appeal to this easily bored student that Agresto pictures.
And let me conclude by saying that I am not a college president, I am just a student. But I know enough to know that Agresto's work will quickly be dated (it already is when you get to the pronoun parts), mostly because of his tangents and mini-rants, his lack of background on any modern terms, and its narrowness. Now off I go to my narrowly-focused diversified class to be indoctrinated...