“You are mine. Forever. If I have to fight the entire fucking universe to keep you, I will. And I’ll destroy anyone—anyone—who tries to take you away from me."
(Swoon.)
--
My actual rating is 3.5 but I'm rounding up because that feels fair.
So I read this book in one sitting and I have a lot to say. I've been very sick lately (I very nearly died from supraglottitis, I had to be rushed to the ER for suffocating on my own throat and everything, fun times) and I desperately needed something comforting. I needed cute, I needed cozy, I needed a male lead who would die for his partner, and I needed no superfluous plot outside of their relationship -- just good, straightforward romance about two people and what they'd endure to be together. Unfated Mates delivered on many fronts and fell short on others, and I wanna talk about it.
First, let's get the technical stuff out of the way. This might sound nitpicky but I want to mention it. Like why were there so few question marks? Sometimes it made sense because the characters weren't actually asking a question, just phrasing a statement as one, but more often than not straightforward, genuine questions ended in commas and periods. Maybe it's a stylistic thing? Idk, it made my brain itchy. Also, there was more than one instance of all caps. Italics would have worked perfectly in their place, so I didn't love that. There were more exclamation points than I'd use if I were writing it, too. The chapter breaks and scene breaks were so weirdly placed. You could practically see the author saying, "and cut," before we faded right back into the same scene, not even a moment later. I wish an editor had gone over this with a fine toothed comb; it really would've elevated the work. Also, why does everyone whine and whimper? Can we not? Thanks.
Okay, now that that's out of the way, let's get into my more in depth thoughts.
You can definitely feel how much fun the author had while writing this book. She was obviously having a great time, so invested in her characters and the story she was telling, and it shines through even the lackluster parts to bring the book to life. I loved hearing her voice throughout the six hours or so it took me to read. It might have bothered me in another book, but her joy was infectious and (maybe because I'm sick and in a very low energy mood) it made me feel like I was hanging out with a friend the whole time I was reading. It was so comforting.
I loved most of the characters. Preston going from childhood bully to ride or die made me happy, and though Ethan joined the party late and somewhat abruptly, I liked the insight and unwavering support he offered to Nat and Caleb. Caleb was sweet and solid, and his devotion to Nat was so cute. The way they interacted made me smile more than once, just because the casual kissing and touching felt really organic for a couple in a relationship without being too much. I dug it. I really resonated with Nat. I, too, was an awkward, somewhat outcast kid in middle school who blossomed in high school, so I vibed with her a lot. I appreciate her character growth and change over the years. That was probably the best example of time actually passing.
The time skips weren't my favorite part of the book. I am also a writer (imposter syndrome go brrr) and always start out recording a story by writing a wall of notes. I wrote 25k words in one day for one story, all just notes and fragmented scenes.
I love this book, but it feels like it never made it much past that stage. The time skips felt like lines put in the notes that the author then tried to flesh out, but never really got the hang of. If Nat weren't changing as she grew up, you could totally read this as one consecutive story taking place over the course of like a month. Caleb changed somewhat, too, but not as much as Nat did (maybe not even as much as Preston? Idk) and it hurt the narrative a little to have them have the same conversation two years apart but act like they just had it a few days before. Idk, that could've been fixed with a meaner editor, and, as I always say, the best books have really mean editors.
One part the author did really well was Nat's anxiety about Caleb meeting his mate. In this world, wolves can't boink anyone but their "mate," which is a wolf of the opposite gender who emits pheromones or a smell or something that makes them aggressively horny. When they try to get physical with someone else, if feels like they're being "cooked from the inside out." Caleb struggles with wanting to be intimate with Nat. He usually can withstand the pain long enough for them to get at least a little physical, but he can't get hard and can't stay human long enough to feel satisfied. It's the main point of contention in this book. I'm not the biggest fan of how it was resolved, but for me it's more of a consent thing than a bestiality thing. The author did a solid job of making wolf-Caleb the same guy, just in different skin. His thoughts were the same, as were his actions, and he was able to switch between the two without losing any of his cognitive abilities or personality. That changed a little later in the book when Ethan was introduced, but because that was only briefly mentioned in one tense scene, it felt like an oversight in editing, not canon. The scene where Nat and Caleb finally have sex, though, was different. Caleb was in a heightened state of distress and couldn't think clearly. He couldn't even remember Nat's name, just that he loved her, and it felt less cathartic and more icky to read than I wanted it to be. All that tension build up just for me to be focusing on the wrong aspect of the taboo. I really wish it had been written with him completely coherent and able to consent, rather than the desperate act of someone on the verge of a mental/emotional cliff. It would've felt better with their arc, and Caleb's always been desperate for Nat so you could've even kept most of it exactly the same, but without vague "feral" stakes.
But yeah, the part around Vick, Caleb's mate, messed me up. When Nat witnessed their first meeting in years -- oof. My stomach was in KNOTS, sis. I was in physical pain for this girl, horrified alongside her as we watched the love of her life pop an erection for someone else so easily when he's fought so hard to try to get one for her and failed every time. I took vague notes while reading, and all I have down for that scene is "oh no. Oh poor thing. Oh gosh." It was UPSETTING.
I have a few last points I wanna make, but I'm gonna just rapid fire through them. First, the mom. I don't like how she was "dealt with" in the end. She was a mentally-absent opioid addict for the entirety of the book, but she was sweet when she was awake, and she's the entire reason Caleb and Nat were able to grow up together. At the end when they needed her out of the way, they had her committed by lying that she was suicidal. They were literally on the way to take her to her mom's house, but instead they threw her into a hospital because it was more convenient, and she was never mentioned again. It was gross and sad.
Second, where did the name Fenri come from for Caleb? It's literally never explained, and it makes no sense because Caleb knew his name in the beginning of the book. He was six when his parents died; he knew what they named him and went by it. Vick just shows up and starts calling him it and he and Nat just accept that's his name. It made no sense and felt like a major oversight.
Thirdly, the epilogue is bad. ✨
Anyway, I might come back to edit this review at some point because I've written it over the course of two days with breaks in between because I'm recovering from nearly dying, but I think I've said all I wanted to say. I leave you with a quote from Preston that I liked:
“Dude. You can always fight. Just because you can’t win, doesn’t mean you can’t fight.”