Book Review: 'Burn A Black Candle – An Italian American Grimoire'* by Dee Norman
Publisher: Watkins
Release Date: 13th September, 2022
About the Author
Dee Norman grew up in her family’s Italian American magical tradition. She currently lives, with her family, in Tennessee. For the past twenty years she has created and presented workshops on tarot, Lenormand and other practical magic topics. As a professional card reader, since 1997, she has provided readings for clients around the world. Impressively, Dee has also been a High Priestess for three teaching covens and created the Occult Observatory.
About the Book
Here’s the blurb:
“Discover the previously unwritten secrets of Italian Folklore Tradition passed down from generation to generation.
This spell book provides easy, step-by-step introduction to the basics of authentic Italian American magical practice. Discover how to:
Run a magical household, including creating a family altar and connecting with your ancestors.
Enhance your wellbeing for self and family through Buona Fortuna.
Perform transformative candle magic.
Diagnose, cure and ward away malocchio (evil eye).
Develop your most important magical tool: your mind.
Master divination through cartomancy, dreams, pendulums and more.
With Tarot and Italian folk magic expert Dee Norman as your guide, build your magical toolkit and discover one of humanity’s longest-lasting traditions for good fortune, a happy home and self-care.
My Thoughts
The book starts with an introduction to Dee and her upbringing/family life. Along with her Italian heritage she discusses her relationship with magick.
With the subtitle, An Italian American Grimoire, it’s good to have the context surrounding Dee’s upbringing and background in terms of her magick. It’s important and sets the tone for the rest of the book.
Similarly, Dee mentioned her family’s magick was entwined with Catholic beliefs (Saints and other Catholic symbolism). Catholicism and Italian folk magick seem to be inextricably linked. It is something I have come across before in, The Practical Book of Witchcraft by Pamela Ball. There is a lot more to magick and witchcraft in terms of its links to Catholicism. I enjoy learning more about it, however it’s not something I’m ready to add to my practice. Dee acknowledges this idea in the introduction to her book, saying that the parts related to Catholicism are an aspect of her practice so she felt it important to include them, however, they can be skipped. Personally, it’s one of the reasons I wanted to read this book; I want to learn more about Italian folk magick and witchcraft as it’s part of my ancestry.
Next, Dee explained a little bit about Italy’s history and the immigration of Italians to America. It was interesting for me because this early immigration is when my great, great, Grandad would have immigrated to England from Livorno, Tuscany. Again, I feel like it’s important to have that context when reading a book like this.
In terms of the book in general it was well organised with sections and headings. Each chapter offers theory; why and how things are done or practiced in the Italian/American tradition, then the practical, with clear instructions explaining how to carry out the spells or rituals.
The book is good for beginners in folk magick; it covers some of the basics in the magical toolkit section (candle colours and herbal correspondences). However, the book is also perfect for seasoned witches or folk magick practitioners wanting to learn more about Italian specific correspondences and beliefs. For example, I wanted to learn as much as I could about how Italian practitioners work, and there was a section on working with magick and getting in the right ‘head-space’. Using a technique, similar to visualisation, called ‘attention, focus, concentration’ as a way to work spells was a nice insight into Italian/American traditions. I won’t explain the theory behind it because, obviously, you’ll have to read the book for that. It was something I appreciated because it was simple, and simple magick, that you work yourself, is often the best.
Another section I enjoyed was about dream-work and how we have symbols, that are personal to us, appear in our dreams. Dee explained how you can work out what those symbols are, learn about them and understand and interpret them. It definitely intrigued me because I do dreamwork myself (although I have got a little lax with it recently) and this was the encouragement I needed to get back to it and explore my personal dream symbols.
A lot of witch books talk about altars and how to create one. Dee included some lovely ideas for small and simple altars to incorporate into your home. To me it was like purposefully decorating or organising small pockets of magick around your home. One example was creating an altar in a plant pot. It inspired me to create something along those lines with an air plant that I have in a glass jar.
I also loved the idea of a bookshelf altar because that’s what my altar has always been. It started on the top of my small bookshelf and grew from that. My books are one of the biggest aspects of my craft, so the whole bookshelf became my altar.
As I mentioned, the book explores working with Saints. This is not something that interests me at the moment and it’s not something I see myself adding to my practice. However, I do understand why Italian Witches and Folk Magick practitioners choose to do this, even if they don’t consider themselves Catholic. Dee explains her reasoning for doing so, but also explains that if working with Saints is not something you connect with then that’s fine.
As well as Saints she explores connecting with your ancestors. Doing anscentral work and working with other deities is something I feel more comfortable with. These chapters were very well explained and not at all overwhelming for beginners. The exercises were useful and overall I felt very reassured to practice ancestral magick.
The most interesting chapter for me was about the Malocchio or the evil eye, and the following chapter on protection. I’ve always had a fascination with the evil eye and I already knew a lot about it, but I enjoy reading other beliefs surrounding it. Dee explains it clearly; what it is, how it works, along with ways to detect and cure it. It’s all very practical and not over the top, as some people can tend to be with this topic.
The protection spells were simple yet enshrined in history and folk magick. The use of simple items for protection (black candle, salt and basil) are explained in detail usually with a personal anecdote attached.
A few things I didn’t connect with as much are the Italian celebrations mentioned towards the end of the book. Dee explains how her family would usually honour various celebrations, however, they were very much specific to her family. Although I enjoyed reading them, I didn’t have that personal connection with them and therefore wouldn’t feel comfortable replicating them.
Final Thoughts
One of my absolute favourite things about this book was the personal nature of it. I always love a witchy book that is personal; that draws on and relates to the author’s life and personal practice. This book is genuinely personal and Dee shares so much of herself and her family with the reader. It feels much more authentic to read about the Craft ,and especially Folk Magick, in this way.
I was curious as to why Dee (or the publishers) decided to go with the title, ‘Burn A Black Candle’. It does become obvious. The book features candle magick, particularly spells and rituals that involve burning a black candle. I have a lot of small black candles which I use a lot. However, the book inspired me to have a bigger black candle to burn regularly. The magick surrounding the black candle, in the book, was really easy and I loved the simplicity of it.
Even though the subtitle refers to the book as an Italian/American grimoire, I see it more as exploring Italian folklore and Italian magick mixed with the personal anecdotes from Dee’s family beliefs.
I enjoyed the book and the simplicity of the magick in it. It’s a reminder that your Craft doesn’t have to be complicated to get results. I’m excited to incorporate a lot of the ideas into my own Craft and connect with some of my Italian heritage.
*Book was gifted by the publisher, Watkins, in exchange for a review. [Note: I read an advanced reader’s / uncorrected proof copy of the book therefore their may be some differences in the finalised published copy.]