Pride, Prejudice and Punditry – The Essential Shashi Tharoor
Shashi Tharoor needs no introduction. He has made his mark in Indian politics, as a writer and as an international dipomat with a stint at the UN. The list is endless. But I was curious to find out for myself as to who the “essential tharoor” is, and what better way to discover than pick up this Austen-inspired title of collection of essays. Pride, prejudice and Punditry or PPP contains the text of some of his most famous speeches, including the Oxford Union Address on colonial reparations; which was also the springboard of his book ‘”An Era of Darkness”. He mentions in the Preface, “this book, somewhat unusually, began as a speech.” The PPP is more than comprehensive with six hundred pages of written matter, with a compelling introduction, “Mind in Motion”, by David Davidar. Since the work is in the form of compilation of essays, you can pick and choose whatever is of interest to you. The narrative is distinctive yet clear and concise. He does have the reputation for using grandiose words at times, but as he admits that it is so, yet he feels that it provides some “flavor” to his writing. Obscure words can be fun, according to him.But at the same time his work is easy on the eye and lends itself to his own brand of humor. Also, his writing reflects his undying love for his country, and in Nehru, whom he idolises. Tharoor is able to juggle with his role as a politician as well as to maintain his output as a writer, which was his passion. Elaborating on this he says, that he finds time by making space inside his head by creating an “alternative universe”and by populating it with people,places, incidents akin to what you encounter in your “real” daily life.” The result is for all to see. PPP is divided into ten parts with each section devoted to one or the other of the author’s interests; which range from history, politics, current events, international affairs and so on. For those uninitiated with his work, “this book should provide the perfect introduction to his oeuvre. “Another interesting aspect of Tharoor is his interest in cricket. He writes,”as a boy I wanted to play cricket very badly and that’s just what I did when I grew up – I played cricket very badly. “ I have here picked to write about his musings on cricket. The fifth section of the book PPP carries an essay on Kapil Dev, titled, “Kapil Dev and the spirit of young India”. I have chosen to review this essay, as I was a fan of Kapil Dev and it took me down memory lane as I started to read this account of a player who was definitely one of the greatest all rounders of all time. The World Cup, 1983.The event is still vivid in my memory, as I can remember of having tuned in to the broadcast of the ongoing match on the radio and of being glued to it; Unfortunately, we did not own a TV set at the time. There was mounting excitement which turned into a frenzy, as Kapil and his men brought home the trophy. The newspapers understandably went to town with the famous scene at the balcony at Lords, where the Indian team wreathed in smiles, held the trophy aloft, and the captain, Kapil Dev, victorious with his signature toothy grin, celebrating the event with champagne . How they got there is teamwork of course, but credit goes to an almost new captain, whose verve and spirit showed that victory is possible against all odds and that they could make mincemeat of their opponents, in this case the West Indies juggernaut under the captaincy of Clive Lloyd (the Big Cat). I can still recall the ferocity with which Kapil Dev could attack any bowler, by thwacking the ball to all parts of the ground. He was a delight to watch. However, he was not only a phenomenon with the bat but a fearless bowler too. He had an intimidating pace while bowling ,not common in those days.. His economy rate was also the best of all time in ODIs. Tharoor says that, the Australian writer Gideon Heigh goes into raptures about Kapil Dev by saying that, “he had the liveliest and the least imitable action of all …exploding at all angles, wrists uncoiling, arms elasticising, eyes afire. In his batting he,” stood at the crease like a gladiator in a coliseum, his bat, the sword, jauntily repelling the onslaught of the Caribbean lions”. Tharoor has beautifully dealt with one of the greatest players of all times by also including the batting statistics of the Indian team as a whole, spearheaded by the captaincy of Kapil Dev.”Kapil’s Devils” , as the media called the Indian team, transformed the very psyche of the sporting scene of the country. In another essay, titled, “The Immortals”, Tharoor has indulged in picking a Test eleven or a fantasy team, a favorite pasttime of all cricket lovers and says that he is of no exception. This team is esssentially a Test team and “not the crash-bang-wallop forms of the sport”. Also it is a team that will be able to play and pull off a win at Lords, the Mecca of cricket, by making the most of the English conditions, and not at Eden Gardens or say Chepauk. He has also limited himself to choosing players whom he has seen playing the sport, which is from a little more than the past half century. The openers according to him should be Gavaskar and Sehwag. Followed by Rahul Dravid, Tendulkar, Virat Kohli, Dhoni, Kapil Dev, Kumble, Zaheer Khan, Javagal Srinath and Jasprith Bumrah, in that order. As the twelfth man, he includes Ravindra Jadeja. In the reserve he has got Azharuddin, Laxman, Rohit Sharma, Ashwin and Bedi. He has taken great pains to explain the attributes of each of these players and why they have been included in the team. He has given the captaincy and wicketkeeping to Dhoni, whom he calls “captain cool”, and says that he has a cool, calculating cricketing brain besides being a superb keeper. This in a nutshell is his ideal team. As we read this work of Tharoor, there is hardly any doubt about his passion for cricket , which he follows very closely. It provides us great insight into the way cricket has evolved over the years. It also leads us to an understanding of the view that cricket has almost attained a status of a religion in India with ardent devotees.