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Side Effects: On Forgetting Yourself

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Psychoanalysis works by attending to the patient's side effects, "what falls out of his pockets once he starts speaking." Undergoing psychoanalytic therapy is always a leap into the dark—like dedicating our hearts and intellect to a powerful work of literature, it's impossible to know beforehand its ultimate effect and consequences. One must remain open to where the "side effects" will lead. Erudite, eloquent, and enthrallingly observant, Adam Phillips is one of the world's most respected psychoanalysts and a boldly original writer and thinker—and the ideal guide to exploring the provocative connections between psychoanalytic treatment and enduring, transformative literature. His fascinating and thoughtful Side Effects offers a valuable intellectual blueprint for the construction of a life beholden to no ideology other than the fulfillment of personal promise.

317 pages, Paperback

First published July 27, 2006

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About the author

Adam Phillips

130 books700 followers
Adam Phillips is a British psychotherapist and essayist.

Since 2003 he has been the general editor of the new Penguin Modern Classics translations of Sigmund Freud. He is also a regular contributor to the London Review of Books.

Phillips was born in Cardiff, Wales in 1954, the child of second-generation Polish Jews. He grew up as part of an extended family of aunts, uncles and cousins and describes his parents as "very consciously Jewish but not believing". As a child, his first interest was the study of tropical birds and it was not until adolescence that he developed an interest in literature. He went on to study English at St John's College, Oxford, graduating with a third class degree. His defining influences are literary – he was inspired to become a psychoanalyst after reading Carl Jung's autobiography and he has always believed psychoanalysis to be closer to poetry than medicine.

Adapted from Wikipedia.

Phillips is a regular contributor to the London Review of Books. He has been described by The Times as "the Martin Amis of British psychoanalysis" for his "brilliantly amusing and often profoundly unsettling" work; and by John Banville as "one of the finest prose stylists in the language, an Emerson of our time."

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