Part linked short stories about a fictional Speaker of the House and part autobiographical sketches about confronting race and class differences as a middle aged white woman, I guess this collection is unique? :P
If we’re speaking of admitting things, I don’t think I quite got the first story, “Till Death Do Us Part,” on first reading. I got that it was about the Speaker of the House meeting his estranged, 15-year-old daughter at the Kennedy Center as part of a custody arrangement. Madison was a bit too snarky for my tastes; there was something en media res about many of the openings of these stories that it took me a little while to catch up.
And good grief, I completely forgot about the explosive ending. :/ That’s probably more my fault. I was cramming too much in at the end of the month. I actually took a bit of a break between reading some of these stories.
Also, I wasn’t technically preparing for the novelistic aspect—the way that not only characters but also plot events have staying power—so that’s my silly excuse? :P
But yeah: Speaker of the House is a womanizer, and many of the stories follow the women in his orbit. There’s the young intern in “We Always Start with Seduction,” wide-eyed and daring, who nevertheless finds herself out of her emotional league once the Speaker puts his moves on her. Similarly, in “I Believe in Mary Worth,” Pietrzyk goes back and forth between the Speaker’s longtime fixer, Mary-Grace, and an intern in hot water after a drunken hook up. There’s an intriguing intensity between Mary-Grace trying to help a young woman vs Mary-Grace trying to manipulate the situation for the Speaker’s benefit.
His two daughters from two different failed marriages, Lexie and Maddison, were pretty similar in their quest for love in the Speaker’s emotional absence. I think Lexie spoke to me more, being older and wiser, even as she faffed around in her romantic relationships. Maybe it’s also about how all of her storylines have that throughline of her making her way from New York to DC after the shock ending of the first entry in this collection.
All of these stories could more or less be the products of DC’s particular brand of power hungry culture. (So I’m led to believe, being someone who works in DC but is on a very different trajectory. Maybe it’s obvious, since I live in the Maryland suburbs rather than Alexandria. :P)
But then we move onto something a little more broad, I think, when it comes to middle class white people awkwardly interacting with the oppression of others. “People Love a View” is the most fictionalized, chronicling an awkward first date getting cut short by police harassment of a Black person that goes in a shocking direction. (Warning for animal cruelty…and also my most visceral reaction. Was it the quality of Pietrzyk’s prose, or simply what she was describing?)
The woman in that story is overtly cringe worthy in her attempts to insert herself as an “ally.” I suppose something similar happens in “Green in Judgment,” where an author-insert tries to get a grocery line moving by awkwardly offering to pay for an impoverished woman’s cart. The real thing that didn’t work for me here was not so much the auto-fiction, but the skeletal meta-fiction that put strobe lights on the fourth wall of storytelling. Nothing feels real when you keep on telling us over and over again that it’s a conceit.
Then again, the most auto-fiction story, the second person “This Isn’t Who We Are,” worked for me. It was short enough that I didn’t get annoyed with the experimental aspect; instead, it worked its magic in making me feel (complicit?) empathy. Perhaps it helped, too, that Pietrzyk read aloud from this story at the Gaithersburg Book Festival. :P
My favorite story was “Hat Trick.” It had some similar associations—the DC feel when it came to the Caps game, the middle aged female protagonist looking back on the foibles of younger indiscretions as she reconnects with a chaotic college roommate. It was contained and yet it still packed a punch. Kinda like a short story. :P