If you are a serious student of Chinese history and culture, you must own, not just read, this book. Its cross-disciplinary perspective makes it a book you will find yourself returning to on a regular basis as your own knowledge and understanding of Chinese history and culture grows. Passages once oblique or of little interest to you previously, will suddenly become the glue of new associations and insights. Topics include many of the classic myths of Chinese culture, common motifs, and symbols.
a very ambitious and well-developed thesis, interesting references and a display of interrelated findings that make a lot of sense. The relationship between art/writing and politics is argued through not only archaeological material, but also all kinds of poems, philosophical and mythical allusions, pottery remains... our vision of history responds to a completely particular paradigm -the occidental one, and the author very kindly explains to us how this conception has also contaminated Eastern historiography. We shall view China now in a different picture.
Chang provides an incredibly useful frame for political authority in Ancient China. His conclusions are also largely expandable--similar dynamics do seem to be at play in Mesoamerica, for example. I'm intrigued by his method of combining literary analysis with archaeological evidence--it does seem to present an extremely solid case. It's dense reading for such a short book, but it is definitely valuable for anyone who wants to understand Chinese history or explore the topic of state formation more broadly.