La fascinante Histoire des chefs-d'oeuvre de l'architecture médiévale Conçues sans béton armé, ni charpentes métalliques, ni outils électriques, et selon des standards très exigeants, les cathédrales de l'Europe médiévale sont de véritables chefs-d'oeuvre de structure et de beauté. A l'aide de nombreux détails éclairant l'âge d'or de la construction de ces monuments, Comment bâtir une cathédrale s'intéresse aux éléments qui fondent leur agencement, depuis le plan effectué au sol jusqu'à l'édification de la flèche. Conduit par un historien, ce voyage architectural richement illustré nous raconte la fabuleuse histoire des bâtisseurs ayant érigé ces pierres et met en lumière le génie de l'architecture du Moyen Age. Des textes décrivant avec précision le processus d'élaboration d'un bâtiment médiéval. De magnifiques gravures et de nombreuses illustrations spécialement conçues permettent d'explorer pas à pas la construction d'une cathédrale. Un cahier central de 16 pages en couleur aide à mieux apprécier les techniques de l'architecture médiévale, du vitrail et de la pierre peinte.
Fascinating book. I really liked all the thorough drawings of all the elements. It helped that I´d visited Paris just before buying this book, so I´d already seen plenty of gothic churches. I really liked that the book build up chronologically, also detaillling the roles of the different workers during the building. The ´example cathedral´ also helped a lot to clarify and put it in sequence. Recommended for anyone who´s interested in church architecture and - history!
The book group theme of the month was 'medieval'. I love a cathedral and I love specialist jargon... this book (which is very much about medieval cathedrals) was still mindboggling.
I loved the detailed illustrations (the scale emphasised by the tiny human figures) especially the fold out double height pages. I also thought it was a great idea to run the building of Salisbury Cathedral in particular through the book, punctuating the specifics with a progress description and illustration.
There's lots to think about here: the timescales, the motivations, the collapses. There seemed little about the dangers (there's an illustration for which we are supplied with a very detailed description of what is going on, with the exception of the chap falling headlong from the tower, presumably because the author did not consider him actively engaged in cathedral building by that point)
Has whetted my appetite to see those I've not seen before and re-visit those I have to appreciate more details,