“Protectress is a hybrid poetry-prose novella offering a risky take on the legend of Medusa. With stunning economy of words and a delicate hand, Protectress provokes us to think about the feminist identity and the power of compassion. Readers who fell deeply for Emily Wilson’s translation of The Odyssey, Margaret Atwood’s The Penelopiad, Madeleine Miller’s Circe, Emily St. John Mandel’s Station Eleven, Seamus Haney’s translation of Beowulf, and Toby Barlow’s Sharp Teeth will find themselves enamored with Protectress.”
I'm the author! Here's a little more about the book: Protectress places the mythical gorgons in the modern world, where Athena, pumped up by all of the people who blame women for being raped, who slut-shame women who wear and do what they want, and who think that men are always right, is trying to drive Medusa to suicide. Medusa, you ask. Isn’t she dead? She and her sisters managed to fool Perseus, but now Medusa’s happy life as a college professor is upended by Athena’s new negative energy, and the gorgons host a party of goddesses, nymphs, and others from myth to try to figure out how to bring Athena around to a more compassionate stance. Protectress is about rape culture, about the concept of the “heroic,” about solidarity, and about collaboration. It’s also got sea monsters, a dragon, several wars, lots of good dogs, and magic.