Written practically non-stop in 1975 and 1976 The DNA Cowboys Trilogy offers fantastic adventures into the unknown and unexpected. With influences that range from Star Trek to Kung Fu, from the Marquis de Sade to Sam Peckinpah, Farren has created a bizarre universe populated with pre-teen dictators, huge twin-brained domestic lizards, and growing bio-computers tended by martial arts-practising monks. Farren let his imagination run wild and the results are awesome. Expect fanciful weapons, medieval jails, public hangings, Albert Speer architecture, gunfights, stiletto heels and femmes fatales in tight clothing, orgies, orgasms, and undefined monsters called Disruptors that suck up all life and logic.
The Quest of the DNA Cowboys: Striding out of the small township of Pleasant Gap - reproduction pistols in their hands, portable generators at their belt - come Billy and Reave, the DNA Cowboys. They hit the long and winding trail through the molecular dissolution of the Nothings, teetering on the edge of non-existence, to Graveyard and beyond...
Synaptic Manhunt: Brother Jeb Stuart Ho's mission will take him out into the sick, post-cataclysmic world, to the pleasure city of Litz, with its Sex-O-Mats, its Torture-Parlours, its genetically-bred courtesans, where Billy and Reave, the DNA Cowboys, have found their private hells.
The Neural Atrocity: The all-knowing, all-providing computer at Stuff Central has made a critical error that could mean the end of human life. Against all its programming, the cloning plant at Stuff Central has supplied A.A. Catto - sadistic child-woman ruler of Quahal - with enough genetically-engineered soldiers to realise her dream of world conquest. The Brotherhood orders Jeb Stuart Ho to stop her.
Farren was the singer with the proto-punk English band The Deviants between 1967 and 1969, releasing three albums. In 1970 he released the solo album Mona – The Carnivorous Circus which also featured Steve Peregrin Took, John Gustafson and Paul Buckmaster, before leaving the music business to concentrate on his writing.
In the mid-1970s, he briefly returned to music releasing the EP Screwed Up, album Vampires Stole My Lunch Money and single "Broken Statue". The album featured fellow NME journalist Chrissie Hynde and Dr. Feelgood guitarist Wilko Johnson.
He has sporadically returned to music, collaborating with Wayne Kramer on Who Shot You Dutch? and Death Tongue, Jack Lancaster on The Deathray Tapes and Andy Colquhoun on The Deviants albums Eating Jello With a Heated Fork and Dr. Crow.
Aside from his own work, he has provided lyrics for various musician friends over the years. He has collaborated with Lemmy, co-writing "Lost Johnny" for Hawkwind, and "Keep Us on the Road" and "Damage Case" for Motörhead. With Larry Wallis, he co-wrote "When's the Fun Begin?" for the Pink Fairies and several tracks on Wallis' solo album Death in a Guitar Afternoon. He provided lyrics for the Wayne Kramer single "Get Some" in the mid-1970s, and continued to work with and for him during the 1990s.
In the early 1970s he contributed to the UK Underground press such as the International Times, also establishing Nasty Tales which he successfully defended from an obscenity charge. He went on to write for the main stream New Musical Express, where he wrote the article The Titanic Sails At Dawn, an analysis of what he saw as the malaise afflicting then-contemporary rock music which described the conditions that subsequently gave rise to punk.
To date he has written 23 novels, including the Victor Renquist novels and the DNA Cowboys sequence. His prophetic 1989 novel The Armageddon Crazy deals with a post-2000 United States which is dominated by fundamentalists who dismantle the Constitution.
Farren has written 11 works of non-fiction, a number of biographical (including four on Elvis Presley), autobiographical and culture books (such as The Black Leather Jacket) and a plethora of poetry.
Since 2003, he has been a columnist for the weekly Los Angeles CityBeat.
Farren died at the age of 69 in 2013, after collapsing onstage while performing with the Deviants at the Borderline Club in London.
started as fun pulpy science fiction, devolved into absolute garbage. no emotional consequences for any characters, nothing interesting about the world is actually fleshed out. i was gonna give it two stars because sometimes it’s funny but the gang rape at the end made me put it down and never intend to read again. so many interesting foundations, but the author apparently couldn’t stand to do a second edit or get a proofread from someone who actually knows how stories work.
Started off promising but main characters' lack of emotional reactions to key plot developments in 'Synaptic Manhunt' (Book 2 of 3) too unrealistic/unexplored to make the last part of the trilogy feel like anything more than a cartoon. Frustrating read to the end. Overall: Disappointing
Sci-fi, fantasy and sex you say? Sounded right up my street, until I actually tried to read it - turgid writing, tedious characters, frankly this was boring. I abandoned it before the end, and I rarely do that with a book. Not worth the time.
I read The Quest of the DNA Cowboys many years ago and spotted the trilogy in a bookshop a while back. I finally got around to reading the trilogy this year.
A wild ride, this will not be for everyone. Weird as, but I enjoyed the ride.