A deftly written, powerful collection, exploring themes of motherhood, class, relationships, body image, religion, and racism. These themes entangles within three tightly-woven section: the first "Open" exploring the vulnerability of childhood and relationships; the second "A Lineage of Wigs", about relationships with mothers, about Black femininity, and religion; and the third, "Dolls", using Barbie and Ken dolls to examine racial violence and the dehumanization of Black women. This collection is full of energy, and the poems form a cohesive whole: I was especially moved by work from the first section, including "Night Vigil" and "8", both of which deal with sexual abuse of a young girl in a nuanced and emotionally vivid way, and "Helena" which deals with rape of an adult woman. These poems look at powerlessness and exploitation of women, and sit with trauma allowing its complexity and ambivalence to have space on the page. I also really enjoyed the witty poem "Sandwiches", about a teenager stuffing sandwiches into her bra to make her chest look bigger, and "Portent", which begins "I feel middle class when I'm in love." Later poems in the collection, such as "The Musical Box", about motherhood, and "Communion," a poem about Afro hair and being mixed race, are also imaginative and compelling, and I appreciate the anger and power of the final section, "Dolls", which looks closely at racist violence.
This is a strong collection, but some of the poems were too surreal or too short for me to really find much meaning in them, and while each section contains very powerful pieces of work, others fail to make an emotional connection. I also wished that Long would allow herself to be more experimental with the page and lyric line: "8", one of her strongest poems, is also one of her most experimental, and I wished she'd pushed boundaries more in her other work. All that being said, Long is a talented and necessary poet, and I would definitely recommend this book, even if it didn't work for me all the time.