Since its founding, The Magazine of Fantasy and Science Fiction has been acclaimed as one of the pinnacles of the field, the source of fantastic fiction of the highest literary quality. Now the magazine known to its readers as "F&SF" celebrates its fiftieth anniversary with a spectacular anthology of the best recent work from the magazine.
Included are stories from major writers like Bruce Sterling, John Crowley, and Harlan Ellison. Also here are award-winners like Ursula K. Le Guin's Nebula-winning "Solitude," Maureen F. McHugh's Hugo-winning "The Lincoln Train," and Elizabeth Hand's Nebula- and World Fantasy Award-winning "Last Summer at Mars Hill."
The fiftieth anniversary collection for the most distinguished magazine of the science fiction and fantasy world.
Contents:
Introduction by Edward L. Ferman Window by Bob Leman The Fire When It Comes by Parke Godwin Books: The Secret Language of Science Fiction by Algis Budrys Wives by Lisa Tuttle The Alien Mind by Philip K. Dick Spidersong by Susan C. Petrey Out There Where the Big Ships Go by Richard Cowper Films and TV: Lost Rewards by Baird Searles The Curse of the Mhondoro Nkabele by Eric Norden The Autopsy by Michael Shea The Sipple by Rachel Cosgrove Payes The Wud by Mike DeSimone Conkew by Pat Cadigan The Fleffel by Bruce Berges untitled by Mary C. Pangborn untitled by Sebastian Robinson A Day at the Fair by Neal Barrett, Jr. The Most Illuminatingly Doleful and Instructively Affecting Demise of Flo, Late of Upper Blooton by Russell M. Griffin The Word I Invented by Isaac Asimov The Pusher by John Varley The Brave Little Toaster by Thomas M. Disch
Edward Ferman (born 1937) was an American science fiction and fantasy fiction editor and magazine publisher.
Ferman is the son of Joseph W. Ferman, and took over as editor of The Magazine of Fantasy and Science Fiction in 1964 when Avram Davidson, due to his residence in various Latin American locales with unreliable postal delivery, could no longer practically continue editing; on the masthead, Joseph Ferman was listed as editor and publisher for Edward Ferman's first two years. Edward Ferman would take on the role of publisher, as well, by 1970, as his father gradually retired. He remained as editor until 1991 when he hired his replacement, Kristine Kathryn Rusch. He remained as publisher of the magazine until he sold it to Gordon Van Gelder in 2000. While Ferman was the editor, many other magazines in the field began to fold or were shortlived, and his magazine, along with Analog, was one of the few which maintained a regular schedule and sustained critical appreciation for its contents.
From 1969-1970, he was the editor of Fantasy & Science Fiction's sister publication Venture Science Fiction Magazine. Together, the Fermans had also edited and published the short-lived nostalgia and humor magazine P.S. and a similarly brief run of a magazine about mysticism and other proto-New Age matters, Inner Space.
Ferman received the Hugo Award for Best Professional Editor three years in a row, from 1981 through 1983. F&SF had previously won several other Hugos under his editorship, which had been famously conducted, at least in the last decade of his tenure, from a table in the Ferman family's Connecticut house. He edited or co-edited several volumes of stories from F&SF and co-edited Final Stage with Barry N. Malzberg. It is probable that he also ghost-edited No Limits for or with Joseph Ferman, an anthology drawn from the pages of the first run of Venture.
I liked "A Day at the Fair". That was an interesting story and created world. I was surprised to see "Brave Little Toaster" in the collection. I seem to recall that was later made into a children's movie. Spidersong was perhaps the best written of the stories. Or maybe the creepy "The Autopsy" by Michael Shea. Oh yeah, and "The Curse of the Mhondoro Nkabele" by Eric Norden was funny.