During my childhood years when I used to watch Spider-Man: The Animated Series in the 90s, Venom was my favourite character in the web-slinger's rogues gallery as he represents the antithesis of Spidey, as well as one of the few villains who made it personal for the hero. As I got older, I've lost interest in the villain who not only can’t seem to escape his 90s sensibility, but the glorification of Venom as an anti-hero became problematic, so much so that when he got his solo movie last year, the problems are very apparent.
After hearing the good buzz about this recent run of Venom, written by Donny Cates and illustrated by Ryan Stegman, about time I picked up my first ever comic featuring the alien symbiote. Working as a freelance photographer, Eddie Brock is struggling with the symbiote, which has returned to its violent ways. When he crosses paths with the Vietnam War veteran Rex, Eddie is tasked with rescuing soldiers who are about to be bonded with other symbiotes, whilst a massive dragon made up of thousands of symbiotes is about to attack New York City.
When it comes Venom and the numerous other symbiotes that have appeared in the comics such as Carnage, the whole mythos about the gooey alien species I can never find interesting as it always felt one-note. Although Donny Cates does add new lore to the mythos, most notably in the god-like presence of new villain Knull, Cates gets away with it, largely in the tone he conveys, which is close to horror. For six issues, the comic is relentless in how much it chucks in so many elements that some readers might not cope with the full-on assault, which was a similar problem with Cates’ previous Marvel title Thanos Wins.
That said, there are sprinkles of character development, particularly in the bond between Eddie and his symbiote, which is treated like an addiction out of control, especially when Venom becomes an even more monstrous figure who can lash out at any point. Rarely does the comic go light, but when it does, it’s the brief partnership between Venom and Miles Morales/Spider-Man, which may have moments of conflict, but there is an alliance that is an interesting contrast between the long feud between the spider and the alien.
Having previously worked on Dan Slott’s Superior Spider-Man – one of the darker Spidey storylines – this title allows Ryan Stegman to let loose with his artwork, which blends perfectly with Cates’ relentless storytelling where it gets gory, surreal and beastly, which is appropriate considering there’s a symbiote dragon ready to cause havoc. Although that idea of 90s extremity is so lame by today’s standards, when Venom is packed with as many weapons he can carry, reflecting those gun-ho heroes from that comics era, I was won over.
Unlike the Venom movie that didn’t know what it wanted to be, Venom by Donny Cates and Ryan Stegman knows exactly what it is and although the relentless nature might not work for everybody, this is an Eddie Brock story that is violent and fun and worth continuing with.