First time reading Silvia Federici, and I’m not sure how. Caliban & the Witch has been on my ‘to read’ list for several years. Apparently Witches, Witch-Hunting, & Women condenses a lot of the former’s arguments, or at least provides an introduction to them. Some of the essays seem to be laying groundwork for future publications. Essentially, Federici ties witch-hunting from both historical and modern times to the development of capitalism.
Obviously there is misogyny and sexism entailed in witch-hunting, but there equally is a hatred of woman not just as body but as symbol with looming implications for the capitalist project. With the ascension of enclosure and private property, there was a drive to establish hierarchy, to cement woman’s place in both the family and society – to establish male authority and production and capital accumulation as first priority of the state. Among other things, this meant setting boundaries on the female body and sexuality by defining sexual norms – and deviations. It also meant dousing any flames that might grow to challenge the burgeoning order. Women recognized within their communities as “healers” were viewed with superstitious fear. Fear denotes an admission of power, and the last thing growing authority wants is the idea of competing power, on whatever plane, spreading through society. The mysteries of female sexuality were tied to notions of woman’s ‘magic’. Female sexuality and pleasure, as an economic threat, finds its demonization within the Church (itself engrained in patriarchy and the rise of capitalism).
Fear of the feminine and the powers of the witch is redirected in efforts to turn woman against woman: to pursue sex for personal pleasure (not man’s, not for the purpose of producing more laborers), to engage in the healing arts, to act in any way outside of prescribed roles set for woman, or to even associate with women who fall into any of the above categories, is to court the devil and risk damnation. In this way, the patriarchy, the Church, the very economy as defined in terms of a move towards rationality, order, conquest, and plentitude become protectors welcoming ‘good (subservient) women’ into their arms. Different tactics have grown out of this, but it is particularly interesting to consider the pitting of woman against woman we see in today’s political climate.
Federici goes on to explore a number of other topics and shades of the above. She explores the evolution of the word ‘gossip’ in one essay, illustrating the way language can be turned against women. She touches on the frequency of lobotomies and commitment to insane asylums for women under shaky pretenses in the early 20th century. She speaks of woman as nurturer, a force holding together community, a noncommercial source of vitality and social structures. She talks about woman as cheap labor, sex trafficking, woman as object of violent male frustrations during times of economic hardship.
Witches, Witch-Hunting, & Women is not a book about witches. It is not a history, in that sense anyway. In fact, the word ‘witch’ more than anything else figures into the arguments of these essays as a pejorative, scandal-laced term for a scapegoat. I’m currently reading The Second Sex and am struck by how well many of de Beauvoir’s observations fit with Federici’s, albeit outside of the witch-hunting matrix. I think it shows that any perceived threat to a power – be that power man or capital or a corporation or whatever – will be sought out with particularly vicious application and then snuffed out just as generously, by whatever means available, necessary, or possible to skew as socially sanctioned. I wasn’t aware there were still witch hunts today, but I’m not surprised. Even in the U.S., while burning, drowning, or burying alive may no longer be in practice, we see these things done on a daily basis symbolically. Women are degraded, silenced, questioned, and mocked – and held in the highest regard as long as they stay in line. In Africa, they are killed mercilessly. For all its posturing, the world is as primitive as it ever was.