These poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors.For the first time Samuel Wagan Watson's poetry has been collected into this stunning volume, which includes a final section of all new work.
I really enjoyed Watson's collection. He explores the haunting whispers and buried history of First Nation Peoples and there's such a raw and dark beauty embedded in his writing. Not only does he write about the fractured identity of First Nation Peoples but he also captures the essence of these fleeting memories, these snapshots in time which evoke this deep sense of nostalgia and longing.
we kissed and said goodbye discovering that we both had feelings for deserted factories and abandoned mechanical bits and for each other thirty minutes before a flight and two writers can’t find the words to ease the tearing of departure
(Reminds me of Anne)
for hours and hours wandering away from our parents away,
about the kids who don’t make it home kids who were just like us, innocent explorers brown water looting with no shoes, no money no fear just the eternity of the mudflat the sun never setting
(It’s gone, our childhood)
you’d never forget the pelicans because it was their home too
“Let me out of here ... I’m a winner ... I have a Cup to win!” “Mr Watson ... you’re not a race horse ... you’re a human being!”
(Alo) its branches caressing your head maybe a touch of recognition? maybe? how do we know that this could be our final resting place?
(I don’t really know what love feels like;)
a father shared some final moments with his little boy and advised him to watch the mystical water to wait, and never shed a tear
until this father was content ready for the long haul trying to ignore the tears in his little boy’s eyes watch the tide my son and wait for me to return upon a distant tide I will be home but until then my son wait and watch the tide...
(If he dies, then well)
and everyone wanting a window seat you can name your poison but you can’t choose who’ll sit next to you
it comes to that morning when finally you realise: it’s all going to collapse there is a conclusion that’s yet to be seen
you want to tell them, please don’t crash or burn carrying angels in their nose photos of your children under their wings close to their heart cruising across the earth in silence
Sepia
we sit there night after night until the close of being draining the last dregs of amber fluid in a realm of tungsten candle-light swollen men and consumed women we dance without regret telling our feet at every daybreak
and now, on my own it’s hard, finding it hard finding my way home
Sitting with a colleague in a bar, she turns to me, sort of puzzled, ‘You don’t say much sometimes ... I never know what you’re thinking.’
(As I age - Alo, 25 going onto 26)
Void of life ... void of soul. The deadest soil you could ever walk upon. No substance. No song. But we explored the shoreline anyway.
(Soul Searching after leaving the “Love of my life on a weekday, Deleting the only account she could contact me and vice versa”)
Travelling around the place, experiencing the darkness of different hemispheres, I lost my fear of night.
(Walking around the suburbs in North Balwyn, Victoria, Australia)
A raw, yet colloquial yet wise collection of poems about growing up, identity and discrimination in a beautifully crafted landscape of Brisbane's suburbs. Normally I am skeptical about Australian literature but this was remarkable.
Initially published in 2004 and winner of the NSW Premier’s Literary Awards, acclaimed first First Nations poet Samuel Wagan Watson’s collection, Smoke Encrypted Whispers, is back as part of UQP’s First Nations Classics collections. Including an introduction from award-winning author Tony Birch, the new print brings Wagan Watson’s collection of evocative and imaginative poems to a new readership. Wagan Watson’s poetry blends mundane, everyday activities with imaginative language choices to create a sense of place...(to keep reading this review go to https://www.otherterrainjournal.com.a...).
Thank you to UQP for sending a copy of this moving collection.