Two-headed pub crawlers and monsters that might be your next-door neighbors are just some of the odd creatures found in the works of Gahan Wilson -- the sort of dark and twisted humor that has garnered accolades and awards for this celebrated cartoonist, whose work has graced the pages of The New Yorker, National Lampoon, and Playboy. Containing over 150 cartoons that stretch across the length of Wilson's ouevre, Gravediggers' Party is a pumpkin-stuffing collection of the weird and the wild, the strange and the supernatural, appreciated by only the most discerning ghoul. (You know who you are.)
Gahan Wilson was an American author, cartoonist and illustrator known for his cartoons depicting horror-fantasy situations.
Wilson's cartoons and illustrations are drawn in a playfully grotesque style, and have a dark humor that is often compared to the work of The New Yorker cartoonist and Addams Family creator Charles Addams. But while both men sometimes feature vampires, graveyards and other traditional horror elements in their work, Addams's cartoons tended to be more gothic, reserved and old-fashioned, while Wilson's work is more contemporary, gross, and confrontational, featuring atomic mutants, subway monsters, and serial killers. It could be argued that Addams's work was probably meant to be funny without a lot of satirical intent, while Wilson often has a very specific point to make.
His cartoons and prose fiction have appeared regularly in Playboy, Collier's Weekly, The New Yorker and The Magazine of Fantasy and Science Fiction. For the last he also wrote some movie and book reviews. He has been a movie review columnist for The Twilight Zone Magazine and a book critic for Realms of Fantasy magazine.
His comic strip Nuts, which appeared in National Lampoon, was a reaction against what he saw as the saccharine view of childhood in strips like Peanuts. His hero The Kid sees the world as a dark, dangerous and unfair place, but just occasionally a fun one too.
Wilson also wrote and illustrated a short story for Harlan Ellison's anthology Again, Dangerous Visions. The "title" is a black blob, and the story is about an ominous black blob that appears on the page, growing at an alarming rate, until... He has contributed short stories to other publications as well; "M1" and "The Zombie Butler" both appeared in The Magazine of Fantasy and Science Fiction and were reprinted in Gahan Wilson's Cracked Cosmos.
Additionally, Gahan Wilson created a computer game titled Gahan Wilson's The Ultimate Haunted House, in conjunction with Byron Preiss. The goal is to collect 13 keys in 13 hours from the 13 rooms of a house, by interacting in various ways with characters (such as a two-headed monster, a mad scientist, and a vampiress), objects, and the house itself.
He received the World Fantasy Convention Award in 1981, and the National Cartoonist Society's Milton Caniff Lifetime Achievement Award in 2005.
Gahan Wilson is the subject of a feature length documentary film, Gahan Wilson: Born Dead, Still Weird, directed by Steven-Charles Jaffe.
This is a collection of some of Wilson's best cartoons, many of which also appeared in some of his earlier, larger-sized collections. Wilson's sense of quirky, dark irony just can't be equaled. A little boy is sitting under a Christmas tree with his Little Builder kit open; he's just built a robot and he's pointing at his parents, reading at the other side of the room, and the caption reads "Kill!" Dracula is hovering menacingly over a sleeping young woman, holding a salt-shaker delicately poised over her soft, bare neck. A hovering traffic helicopter is about to be grabbed by a pair of giant gorilla hands, and the newscaster is saying; "I think we've located the cause of that tie-up at Thirty-fourth Street and Seventh Avenue!" And a hundred and sixty-three others, just as funny!