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The Horse Has Six Legs: An Anthology of Serbian Poetry
tr Simic
- GenresPoetryAnthologies
222 pages, Paperback
First published July 1, 1992
3 people are currently reading
195 people want to read
About the author
Charles Simic
257 books471 followersU.S. Poet Laureate, 2007-2008
Dušan Charles Simic was born in Belgrade, former Yugoslavia, on May 9, 1938. Simic’s childhood was complicated by the events of World War II. He moved to Paris with his mother when he was 15; a year later, they joined his father in New York and then moved to Oak Park, a suburb of Chicago, where he graduated from the same high school as Ernest Hemingway. Simic attended the University of Chicago, working nights in an office at the Chicago Sun Times, but was drafted into the U.S. Army in 1961 and served until 1963.
Simic is the author of more than 30 poetry collections, including The World Doesn’t End: Prose Poems (1989), which received the Pulitzer Prize; Jackstraws (1999); Selected Poems: 1963-2003 (2004), which received the International Griffin Poetry Prize; and Scribbled in the Dark (2017). He is also an essayist, translator, editor, and professor emeritus of creative writing and literature at the University of New Hampshire, where he taught for over 30 years.
Simic has received fellowships from the Guggenheim Foundation, the MacArthur Foundation, the Academy of American Poets, and the National Endowment for the Arts. His other honors and awards include the Frost Medal, the Wallace Stevens Award from the Academy of American Poets, and the PEN Translation Prize. He served as the 15th Poet Laureate Consultant in Poetry to the Library of Congress, and was elected as Chancellor of the Academy of American Poets in 2001. Simic has also been elected into the American Academy of Arts and Letters.
Dušan Charles Simic was born in Belgrade, former Yugoslavia, on May 9, 1938. Simic’s childhood was complicated by the events of World War II. He moved to Paris with his mother when he was 15; a year later, they joined his father in New York and then moved to Oak Park, a suburb of Chicago, where he graduated from the same high school as Ernest Hemingway. Simic attended the University of Chicago, working nights in an office at the Chicago Sun Times, but was drafted into the U.S. Army in 1961 and served until 1963.
Simic is the author of more than 30 poetry collections, including The World Doesn’t End: Prose Poems (1989), which received the Pulitzer Prize; Jackstraws (1999); Selected Poems: 1963-2003 (2004), which received the International Griffin Poetry Prize; and Scribbled in the Dark (2017). He is also an essayist, translator, editor, and professor emeritus of creative writing and literature at the University of New Hampshire, where he taught for over 30 years.
Simic has received fellowships from the Guggenheim Foundation, the MacArthur Foundation, the Academy of American Poets, and the National Endowment for the Arts. His other honors and awards include the Frost Medal, the Wallace Stevens Award from the Academy of American Poets, and the PEN Translation Prize. He served as the 15th Poet Laureate Consultant in Poetry to the Library of Congress, and was elected as Chancellor of the Academy of American Poets in 2001. Simic has also been elected into the American Academy of Arts and Letters.
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Displaying 1 - 10 of 10 reviews
October 13, 2010
I have a little broom closet in my heart for Eastern European poetry that’s lit by a bare bulb, and the Serbians occupy the top shelf. This anthology is highly recommended: the poems are often dark, and more image- than language-driven, full of icons and other religious references, animal totems, candles for the deceased, graveyards, dead leaves. It’s vivid poetry, and surrealistic. There’s humor, too, but it’s not light-hearted.
The two luminaries here are Vasko Popa and Novica Tadic. Charles Simic, who edited and translated the anthology, offers a generous selection of their work. Popa is a spinner of his own weird mythologies, and his series about the enigmatic, at times vaginal Little Box that “holds the whole world” is some of the best poetry I’ve ever read. You can read all the Little Box poems included in this anthology here: http://pith.net/pith/the-little-box-s.... Novica Tadic is another great poet, darker and meaner and worth the while. His 20 poems are a high point of the book. (No disrespect, get the anthology if you like rich, potent poetry that isn’t about the beauty of nature, social inequality or surviving a sad romance, but I’d suggest you go for the separate collections of these poets put out by the Field Translation Series: Homage to the Lame Wolf: Selected Poems and Night Mail: Selected Poems,both translated by Simic.)
I also enjoyed the poems by Milorad Pavic, whose name I recognized. He wrote the novel The Dictionary of the Khazars, which I tried and failed to finish as a teenager. His “Holy Mass for Relja Krilatica” is one of the best pieces in this book, in my opinion. Aside from Radmila Lazic, who’s been translated by Simic in a separate collection, I’d never encountered any of these poets. Here’s a poem by Aleksandar Ristovic:
Dead Leaves
Danton is waiting to die
but the day won’t break.
His vest is full of lice
and he has rain in his boots.
On his face there are already signs
of his exceptional destiny.
He watches me from a great distance
walk under the trees
and gather dead leaves
with a long stick ending in a spike.
The two luminaries here are Vasko Popa and Novica Tadic. Charles Simic, who edited and translated the anthology, offers a generous selection of their work. Popa is a spinner of his own weird mythologies, and his series about the enigmatic, at times vaginal Little Box that “holds the whole world” is some of the best poetry I’ve ever read. You can read all the Little Box poems included in this anthology here: http://pith.net/pith/the-little-box-s.... Novica Tadic is another great poet, darker and meaner and worth the while. His 20 poems are a high point of the book. (No disrespect, get the anthology if you like rich, potent poetry that isn’t about the beauty of nature, social inequality or surviving a sad romance, but I’d suggest you go for the separate collections of these poets put out by the Field Translation Series: Homage to the Lame Wolf: Selected Poems and Night Mail: Selected Poems,both translated by Simic.)
I also enjoyed the poems by Milorad Pavic, whose name I recognized. He wrote the novel The Dictionary of the Khazars, which I tried and failed to finish as a teenager. His “Holy Mass for Relja Krilatica” is one of the best pieces in this book, in my opinion. Aside from Radmila Lazic, who’s been translated by Simic in a separate collection, I’d never encountered any of these poets. Here’s a poem by Aleksandar Ristovic:
Dead Leaves
Danton is waiting to die
but the day won’t break.
His vest is full of lice
and he has rain in his boots.
On his face there are already signs
of his exceptional destiny.
He watches me from a great distance
walk under the trees
and gather dead leaves
with a long stick ending in a spike.
January 22, 2008
Charles Simic, ed., The Horse Has Six Legs: An Anthology of Serbian Poetry (Graywolf, 1992)
This is one of the better anthologies of verse I've come across in quite a while. Simic, a native Serbian himself, has an obvious love for his subject and, one would assume, a greater knowledge of history and cultural context than a translator going in fresh with this material. As any translator worth his salt will tell you, these qualities are the difference between a translation with falls flat and one which breathes; word choice is everything.
The "name" here (to Western audiences, anyway) is Milorad Pavic, whose novel The Dictionary of the Khazars was a literary sensation in the late eighties, translated into many languages and finding the bestseller lists of a number of western countries. But once you've been drawn by the name, linger over the rest of the work here. The whole collection shines with a sophisticated grasp of the surrealist ethic which much of modern American poetry is lacking; many of the poets here, such as Vasco Popa and Ivan Lalic, would stand at the same level of achievement as Eshleman, Willis, or Stroffolino on the short shelf of sacred books, where modern surrealism is concerned.
If there is a quibble to be had with the book, it's that it's simply too short. Simic does explain this in his foreword (he only included the translations he's most satisfied with as a poet as well as a translator). Thus, we have to be happy with what we have and hope he releases a volume 2 some time in the future. *** ½
This is one of the better anthologies of verse I've come across in quite a while. Simic, a native Serbian himself, has an obvious love for his subject and, one would assume, a greater knowledge of history and cultural context than a translator going in fresh with this material. As any translator worth his salt will tell you, these qualities are the difference between a translation with falls flat and one which breathes; word choice is everything.
The "name" here (to Western audiences, anyway) is Milorad Pavic, whose novel The Dictionary of the Khazars was a literary sensation in the late eighties, translated into many languages and finding the bestseller lists of a number of western countries. But once you've been drawn by the name, linger over the rest of the work here. The whole collection shines with a sophisticated grasp of the surrealist ethic which much of modern American poetry is lacking; many of the poets here, such as Vasco Popa and Ivan Lalic, would stand at the same level of achievement as Eshleman, Willis, or Stroffolino on the short shelf of sacred books, where modern surrealism is concerned.
If there is a quibble to be had with the book, it's that it's simply too short. Simic does explain this in his foreword (he only included the translations he's most satisfied with as a poet as well as a translator). Thus, we have to be happy with what we have and hope he releases a volume 2 some time in the future. *** ½
October 24, 2012
This collection of poems from the Serbian, all translated by Charles Simic, provides a great introduction to the poetry of Serbia since, roughly, modernism to the present. Simic also provides several classical, anonymous lyrics that frame the beginnings of Serbian poetry quite nicely. If there is one thing that can be said across the board about these poets, and perhaps it is truly a comment on Simic as translator, but even in the divergence of styles throughout this anthology, a grim optimism crops up again and again. This puts much American melodrama into perspective. A favorite:
Branko Miljkovic, "Sea Without Poets"
You wait for a right moment
to attune yourself to words
but there is no such poet
nor a word fully free
O bitter and blind sea
in love with shipwreck
Branko Miljkovic, "Sea Without Poets"
You wait for a right moment
to attune yourself to words
but there is no such poet
nor a word fully free
O bitter and blind sea
in love with shipwreck
June 14, 2023
I think this might’ve been my first poetry collection and wow is it incredible. Some of the best poetry I’ve ever read. A lot of it does that really incredible thing where it transcends itself and it’s own place and explores some very complex ideas in such a small space. Really really great.
July 5, 2018
A unique perspective. This book is a keeper.
July 8, 2025
“
O be still,
my much-too-heavy.
[…]
O be still, still.
Not one whisper,
not one cry.
”
O be still,
my much-too-heavy.
[…]
O be still, still.
Not one whisper,
not one cry.
”
April 22, 2012
A fantastic anthology, with a sweeping scope. Would have been five stars but for the smattering of typos, egregious enough when they occurred to take me out of the reading, which was unfortunate. But as far as having an idea of what Serbian poetry has done over the hundred years or so, it seems to me that this is a hugely worthwhile read.
June 7, 2010
I would love this. Pshw. I /would./
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December 2, 2016891.8215 H817 1992
January 27, 2017
Uneven as anthologies often are, but Popa and Tadic are my dawgs.
Displaying 1 - 10 of 10 reviews