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Shamans and Elders: Experience, Knowledge, and Power among the Daur Mongols

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This work is a ground breaking study of Mongolian shamanism and society, past and present. Lavishly illustrated and containing a wealth of new information, it presents a fresh understanding of the widespread phenomenon of shamanism. It looks at gender and ritual, female shamans and goddess worship, death and funeral rituals, the importance of old men and ancestors, and Daur notions of landscape within their direct experience and beyond.

410 pages, Hardcover

First published May 30, 1996

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Caroline Humphrey

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Displaying 1 - 2 of 2 reviews
Profile Image for Bryn Hammond.
Author 23 books435 followers
December 22, 2011
A marvelous account of Mongol religion and ritual, with chapters such as 'Elegant Armour and Ancient Trouvailles' on the shaman's costume... a title I just had to quote. True, it's about the Daur Mongols, and has stuff that mightn't be true of others or Mongols in general or Mongols of the past. Yet nothing has taught me so much about Mongol conceptions of... life, religion, and the big subjects.

Update.
I want to try to offer more description of this wonderful book. That's hard because the book is so full - its page count feels very deceptive (only that?)

First, the authors. Caroline Humphrey, anthropologist, talks with Urgunge Onon, fellow academic, about his childhood in Manchuria and his concepts of religion and the practitioners of religion. Urgunge is eager to get to original ideas before infiltration by the modern world; and he is proud to think that among the Daur Mongols in Manchuria, these were conserved, better than in Mongolia proper that got swamped. The ideological tug-of-war between shamanism and Buddhism often features. Still, his people did live under the Qing government and Chinese influence crept in. We don’t have here an untouched pool where to see ‘the Mongols’ – as Urgunge calls those of the 13th century, Chinggis’ times – how they thought, how they practiced religion. But that is very, very hard to disinter now. The book isn’t just talk, but she does quote their conversations – and this gives you more opportunity to understand than if she, the anthropologist in charge, digested everything for you.

When I say that about ‘infiltration by the modern world’, I have to add: one section is exactly about shamanism’s confrontations with the 20th century. Here there are case studies in adaptation, or in how a living religion reacts to foreign influence, how it grows around that (distorted, or challenged?); and the life story of a shaman born in 1900, who’s the sister of a famous revolutionary… shamanship and revolutionary politics live comfortably together, in her life.

But that’s the last section of the book. Like I say, I’m overwhelmed when I need to tell you what’s in here. I’ve read it through twice, read certain chapters a dozen times, and I haven’t nearly gotten to the bottom of these profundities. I’m tempted to say it’s as deep as a bible, but you might misunderstand me. There’s so much to think about. It’s rich in examples, in shaman’s songs, in anecdotes, in quotes – source material. Urgunge gives his understandings, and Humphrey writes with great intelligence, I think, on meanings. Nb. it isn’t overly hard to read for those who can’t wade through jargon (that’s me).

It’s titled ‘Shamans and Elders’ because these two figures of the community have different ways to think about things - different teachings.

Shamans urge activism, urge that fate is not fixed:

Shamanic thinking raised the possibility of taking decisions on one’s own destiny and creating it by one’s own actions, always in the fearful knowledge that one might be wrong. After all, it could always be the case that some event happening now was not one’s destiny, and it was the point of having shamans that they could find this out. Such decisive moments could radically change one’s life. This view existed alongside the fatalist, passive view of destiny and often superseded it. Shamanic thinking insisted that one should act to accomplish one’s destiny, constantly being aware, from one’s own inner promptings and from signs noticed in the world, that one might have to change direction, and that there might be difficult things one had to do.

They have different ideas on what ancestry is:

Shamans used the discursive form of the song to reproduce their own idiosyncratic histories that were quite different from the genealogies and narratives of the elders. Although they might use the same idioms, such as ancestry and imperial power, shamans suffused these ideas with subversive content, thus creating a distinctive sense of identity for the people.

...they made almost nothing, in shamanic practice, of their own real patrilineal ancestors and they reached for a lateral, inclusive, and metaphoric idea of what an ancestor might be...

Indeed a shaman’s work is to fix the mistakes of those in social charge:

The Daur sensitivity was… to hard-hearted neglect and its corollary, revenge, which moved inescapably through social life, from past hurts through the present and into the future. The cure of a patient by a shaman was thus never simply a cure but more like a drama-in-history, a revival of ‘memories’ which spread their tentacles into the present, giving the hue of ancient emotions to the present suffering… The shaman provided the public explanation. He could rearrange the jagged parts, sending back the spirit, ‘turning’ (nairuula-) the multiplicity of twisted human relations, but everyone knew that this was only a brief respite, as the past had its momentum, caused by the endless activity, the blundering and cruelties of the people in the past.

Daur trance shamans… took the side of the suffering victim caught in the grinding pressures of social order… Sympathy was the ‘action’ of the Daur shaman, even with the most disgusting and dangerous diseases of all.

These are almost random picks from the passages I’ve marked, but give you an indication of how it’s written, what it’s about.
Profile Image for Marissa.
73 reviews13 followers
February 25, 2016
This book is an unusual work, one part field ethnography, one part biography-in-conversation, and one part academic monograph engaged in historical and theoretical exploration. Thus, while the author is Caroline Humphrey, much of the material is presented through the memories of her academic mentor Urgunge Onon. The conversations between them, and especially Onon's childhood recollections, are what Humphrey uses open the past of the 1910s-30s up to anthropological investigation.

For this reason, some readers may be uncomfortable with the book's style. Onon's voice and opinions dominate many sections of the book, but I personally appreciated the frankness with which Humphrey acknowledges the limits of her perspectives as an academic. The tension between these two, their different aims in bringing this book to the reader, open up the sometimes messy project of 'making the sausage' and, I think, empower the reader to make their own interpretations as well.

Humphrey's own stated aim is not simply to understand how 'shamanism' was practiced by the Daur Mongols in the past, but also to revise what scholars mean by 'shamanism' as a religion which is only a system in the loosest sense. She thus explores the roles of many other ritual specialists, how their activities differ from shamans, and how religious practices adapted to the rapid changes in Northern China and Manchuria early in the 20th century. Her most important point--that shamanism and beliefs in spirit activities could and did respond to the traumas of modern geopolitics--helps us to see shamanism not as static and primordial, but as a changing and relevant aspect of life for many in North Asia.
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