Drawing from the paintings of Susan Rothenberg, Gwyneth Scally, and Eric Fischl as well as from the photography of Allison Maletz, Joshua Marie Wilkinson’s Lug Your Careless Body out of the Careful Dusk is a book-length poem written in small fragments. Comprised of seven sections, the poem is formed as much by the poet’s travels through Turkey, the Baltics, and Eastern Europe as it is by the movies of Rainer Werner Fassbinder, Krzysztof Kieslowski, and Bill Morrison. The painters Francis Bacon and Lucian Freud are here alongside whispers of Emily Dickinson and Wallace Stevens. Lug Your Careless Body out of the Careful Dusk is a book of cinematic images and fragments, of small stories overheard and quickly abandoned, of hidden letters and phone booths, and of ghosts who return with questions. Born and raised in Seattle’s Haller Lake neighborhood, Joshua Marie Wilkinson is the author of one other book of poetry, Suspension of a Secret in Abandoned Rooms , and the chapbook A Ghost as King of the Rabbits . He holds an MFA from the University of Arizona and an MA in film studies from University College Dublin. Presently he lives in Denver, Colorado, where he is pursuing his doctorate in English and creative writing and completing his first film.
Joshua Marie Wilkinson is the author or editor of fifteen books, the most recent of which is his debut novel, Trouble Finds You (Fonograf 2023).
He lives in Portland, Oregon, in the United States, with the writer Lisa Wells, where they serve as series editors, with Mark Levine, of the Kuhl House Poets series for University of Iowa Press.
His work has appeared in Poetry, Tin House, The Believer, Iowa Review, A Public Space, and many others. After many years in academia, he now works as a psychotherapist.
Wilkinson's title already introduces the language you will find here, captivating, unique, mysterious, broken. This "poem in fragments" is like scenes through a viewfinder, not quite but almost piecing together, like memory. I am caste towards a place which is familiar, concrete yet unraveling under my fingertips. A land of suburbia and thieves, of ladders and puzzles of instamatic Kodak images. Lovely.
Joshua Marie Wilkinson is a remarkable poet of the generation now coming of age. His voice carries much of the wisdom of his poetic forebears, Paul Celan among them.
if the "careless body" is the text that we live, then josh's writing is the gorgeous "lug" that unyieldingly examines actions as they pass through the lexicon of the world. i assume the "careful dusk" is the coherency that we must contend with with each gesture. josh's writing exists somewhere in between careful and careless, for instance, when a careless mattress turns into a door.
these aren't "poems"- a careless approach to conformity of the genre. They are extremely careful fragments that describe the small world of the moment. Inside a described space, elements become so intimate that in a "sun-kicked field" the sun is that close to the field. the fragments are stitched together with asterisks throughout the entire book, which allows them to fold over onto themselves, fold out into a larger world, and for a reader to snuggle in between and spread out under its covers.
No, I couldn't find my bicycle in the blizzard. how careless of me. josh asks us over and over to consider in what ways are we careless with our bodies, each other and love and how every object in our stratosphere can turn into a phrase that curiously reflects back inward, beyond our bodies, where we turn into the space between each other, between person and word, beyond caring to a deeper bond.
I've only read excerpts but I want it. Everything I read was well above the sublunary usual. Also, "Wolf Dust" on YouTube is a really great short short. The perceptual timing of those lights on the poem's "drive" are about perfect...you'd think someone studied Kandinsky's Farbstudien or summat. Those color studies have been abused horribly by design whores in recent years, but here it's more a real approximation of the sort of spiritual alchemy K. believed in. I'm not sure that's a real German word. I'll check and fix it. I like poets who can create mystery and not yank my chain doing it...first encountered a few short poems done to perfection in Court Green and since have enjoyed about everything I've seen by this poet. Interesting that the promo lists painters Rothenberg and Fischl as influences. Creeley wrote some amazing poems with her work...that series breaking the body up into components is about amazing. Fischl is pretty naked as naked goes. I wonder which poems were inspired by those scary takes on kill-or-be-killed families and dream seductions. I swear the five stars are not b/c he's probably one of the most handsome inhabitants of American poetry. That part's just gravy. Mazeltov, Joshua!
Then Francis comes home to find a plain old petty thief at the fat window, sort of just casually lurking around & says you should take off your clothes & have a drink & a bath & supper around the corner with me, maybe a few more drinks (certainly) & fall in love & have tea, another bath, get dressed & stop drinking so much, have some eggs, though, enough with the pills already & let me kiss your elbows & knuckles good afternoon & goodbye.
well, i'm a little disturbed that for a year and a half I thought this book was called "Lug your careless body out of the careful DUST." So I was kind of taken aback when, 10 pages from the end I glanced at the cover again and realized it was DUSK. i don't know what that says about my attention to poetic detail. My favorite line is "Cities are for breaking you into several people at once."
It was hard for me to rate this one. There were some good fragments, but on the whole the fragments just didn't get it for me. It was too fragmented. Personal taste, I guess.
Visceral and mostly dependent on the natural world and our responses to it. American haiku, fragmented and deep in its simplicity without giving a damn about syllable count. A lovely little book.