A landmark account of architectural theory and practice from acclaimed philosopher Roger Scruton
Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value.
In a new introduction, Scruton discusses how his ideas have developed since the book's original publication, and he assesses the continuing relevance of his argument for the twenty-first century.
Una potente critica a las ideas reduccionistas sobre la arquitectura desplegadas a lo largo del siglo XX. Frente al énfasis exclusivo en el funcionalismo como patrón para evaluar la calidad estética de los edificios, Scruton contrapone la necesidad de considerar la congruencia perfecta entre detalle y estructura. Aquella íntima ligazón entre forma y parte que enriquece a los estilos arquitectónicos del pasado. Como ocurre en el gótico y en el clasicismo y ha desaparecido desde que se implantó el estilo internacional. El ornamento no es delito.
This book integrates architectural theory and philosophy in a way that was very helpful for me personally - my pathway being from familiarity with philosophy and other disciplines (psychiatry etc.) to the less familiar terrain of architecture. The structure is beautiful and uncluttered, the prose lucid, the examples plentiful and relevant. It is so well written as to be flattering to a newcomer in the field, despite the deep, somewhat eclectic, and interconnected nature of its themes.
it would be benefit from an update of the figures and plates: they seem to have been reproduced from the 1979 original, whereas higher resolution images, easily available online, would enhance the experience of the text on a modern device.
A tough read. I wasn't expecting so much philosophical aesthetics. Though, I can enjoy some of that, at times. Here Scruton presents a multitude of very helpful terms, criticisms, and ideas regarding aesthetics - and very precisely too. And his vision is an appealing one that ends with the centrality of the human within its community. He is in debt to Kant's vision of aesthetics that ends up objective but without a firm set of rules.
Really it opened my eyes to a lot of different aesthetic conversations and ideas.
Very interesting read. This book is definitely more philosophy than anything, but if you're interested in architecture, aesthetics and philosophy and willing to invest some time it's great. Definitely not condensed