This review is one I have been putting off for a while, if only because this has to be one of the more difficult reviews I’ve written about a novel I have read recently. When the Dark Wins is an anthology of short stories written by some very well recognized authors in the dark romance genre, which is one that I happen to particularly enjoy. That being said, much of what I have read in said genre still contains, in the end, an HEA – a Happily Ever After. That isn’t the case here. There are no HEA’s in this book. In a few cases there are even any Ever After’s. These stories are bleak, horrifying in many cases, disturbing, and some are just downright difficult to read. Much as this review is to write. I want to be fair, and supportive, and honest to the stories and the authors who wrote them. At the same time, to do so is to admit that there were portions of this anthology I just flat did not enjoy, and while I will recommend it, I do so with the caveat that there may be points where a reader will want to (and probably should) just skip through certain parts. Yeah, things are that dark here.
For the sake of not allowing this review to go on forever, I am going to group certain stories together and address them in that fashion, speaking to specifics for each one as outlined.
THE GOOD.
I found the following four stories to be the ones that stuck with me the most, and despite the bleakness in each of them, they left me satisfied nonetheless: Breaking Beth (Jennifer Bene); Catacombs (Addison Cain); Used (Cari Silverwood) & A Sinner in Virtue (Eris Adderly). These four stories were wonderful, if that can be said about any of the stories in this anthology. Each was well written, compelling, and while all were very dark, none were ever so much so that I felt that they were using things horrific for that sake alone. There were scenes which were terrifying / horrifying without actually relying on gore, which is something that I appreciate in stories like these.
The first story reviewed here is out of the chronological order of the stories as they appear in the book, but I address it first because out of all of the stories, it is the one I enjoyed the most. That one is A Sinner In Virtue . I’m not going to lie; as dark as this story is at points, I absolutely loved it. It made me smile (which, bear in mind, was really hard to do while reading this anthology), it was entertaining, it drew me into the world (which I really loved), and I felt drawn to the characters, and wanted to follow what happened to them all the way to the end. In fact, if there was any one story out of this entire anthology that I actually went “Aw, seriously!? That’s all!?” it was this story. It is so well written, tempers the dark with some light, a bit of wittiness, and the protagonist is just about as perfect a SFP (Strong Female Protagonist) as you could want in a story. Again, not to make this sound light and frothy; it’s not. The antagonists (there are more than one) are just all manner of bad, make no mistake. But the overall story is just so damn good, and the protagonist is just so tough, sassy, intelligent, aware of her mistakes without being a “please rescue me!” princess, that I absolutely loved her, even while the situation she finds herself in was just bleaker and bleaker as the story went on. On top of all this, the world-building the author provided was just absolutely top-notch. It was equal parts Mad Max meets A Boy and His Dog. . Everything about it made my verisimilitude complete, and I bought into the entire conceit of it with no reservations nor ‘raised eyebrows’. This is a story that I would (and will) re-read again, because it was just that good. Even if, after starting any of the other stories in this book, you decide not to continue, at least read this one. I think you will not be disappointed.
In Breaking Beth we have a story that is very, very intense, and though there are some very disturbing scenes within the story, the real impact here comes far more from the author’s descriptions of the mental aspects of what is taking place, than any of the physical descriptions of the acts related. For me, it is stories of this style that really get under my skin, and tend to stick with me for a good while. As in books, I tend to find this true in movies too, so bear with me as I describe some of what I am talking about by alluding to that medium. As way of an example, there is a scene of the main antagonist speaking to a store clerk that was eerily reminiscent of the Chigurh / gas station attendant scene in No Country For Old Men , or the Col. Landa with the French farmer in Inglorious Basterds . The implied threat to the innocent clerk at the counter taking place while the character talks with his brother over the phone is far more intense than anything that could have been conveyed by describing any actions he may have wished to perform in detail. The malevolence of the character is increased exponentially by the lack of gory details, rather than decreased by it. Bear in mind that the character the antagonist is engaging with in this scene is a minor, secondary character; this is only increased several-fold when actually dealing with the main protagonist character of the story! The protagonist is very much a SFP (Strong Female Protagonist), so much so that it becomes almost unbearable to read what she allows herself to endure. This is a woman of an iron will that you cannot help but admire, and at the same time, you want to scream at her to end this. To give in, if only to prevent what ultimately happens from occurring. In that light, by the end of the story you are left with the sketch of a mentally brutal, downright sadistically evil psychopath so vividly drawn, and one who embodies the concept of what Hannarh Arendt called “the banality of evil” so well, that your actual hatred for the antagonist character of the story is unrelenting. More so than few others in this anthology, you want to see the antagonist get his just due. Which makes what actually happens even more disturbing, powerful, and impacting.
Similarly, in Catacombs , the sheer beauty of the author’s wordsmithing makes the horror of what is taking place seem darker, more intense than any detailed physical descriptions of the horrifying acts would have. Stark beauty is the phrase comes to mind here. You are drawn into the mind of the main character, and when you realize that there appears to be some sort of twisted Groundhog’s Day-like scenario unfolding, you are completely captured up into the conceit of it. I had been warned by prior reviewers that this story was considered to be the darkest, the worst of the lot. To that I disagree; while it is without doubt a dark tale, the language of the story and the manner in which it is told are so beautifully written, and so engaging that you are completely drawn into the world created. Even though some aspects of it are cringe-inducing, you cannot stop from reading on to find out what happens next. Again, the protagonist is a strong woman, caught up in a situation of which she has little control over, but tries her best to deal with as she can. The antagonist in this story is so…. seductive, at times, that while one cannot ‘like’ him, one can easily see how the protagonist is entrapped in the web he weaves. For me, of all the stories, it was the author’s wordsmithing that made this one so compelling to read, and continue with, despite the truly bleak and dark nature of the tale. The language just pulled me along through the story, even in those sections where I blanched at what was taking place. Without giving too much away, this one ends in a manner which left me with teeth gritted; definitely not even a glimmer of a HEA.
Used I particularly enjoyed, because in some respects it combined both aspects of a spy novel with the dark romance / erotic romance portions throughout the rest of the story and book. As with the others, the theme was dark for certain, and yet the main antagonist still had a certain flair that kept him engaging as a character, and not simply falling into tropism and caricature of the ‘evil villain’. While I did not find him quite as seductive as I did the antagonist in Catacombs , I still found him to have enough redeeming qualities that I did not hate him with such loathing as I did some of the other antagonists in the other stories. The ‘tortured soul’ vibe for both the protagonist and antagonist playing off each other was very compelling, and drew me into the story to see just how it was going to play out at the end. The protagonist here is yet again an SFP, one with a painful past that is exploited by the antagonist. One thing I did really enjoy about this story – and something that has bothered me with other stories of this type where this writer’s tool has been used- is the conceit of the antagonist having a ‘special ability’ that allows him to do something extraordinary, giving him a leg up on the protagonist, and others around him. In this story, however, the author does not use that ability to advance the story in an unnatural way (for lack of a better phrase). Yes, it’s a ‘superpower’ that the antagonist has, but it isn’t used as a deus ex machina in an overpowering way, or one which stretches the readers credibility. It just works. All that being said, it’s not as if you can / will want to ‘root’ for the antagonist, but there is a certain draw that the author provides here that gives you enough impetus to want to see it through to the end. If for nothing else, just to find out if there might perhaps be a sliver of an HEA for the protagonist / antagonist to at least one of these stories. Whether there is? You’ll have to read it yourself to find out.
THE BAD.
There are no bad stories in this anthology. Difficult to read? Yes. Bad, poorly written, terribly plotted, etc.? No. Absolutely not.
THE UGLY.
OK. Now for the difficult part of this review. There are four final stories in this anthology that I just did not enjoy. As noted above, this is NOT to imply that they are bad. They aren’t. But for me, they just were either too dark, horrifying, and / or downright painful to read that at the end of each I just could not come away saying “Well, that was intense, but I ‘liked’ it.” The four stories are My Name is Jane (Zoe Blake); What Lies Beneath (Yolanda Olson); Severed (Dani Rene); and The Hunted (Michelle Brown).
Because I did not enjoy these four stories, I will not try and address each one individually. Suffice it to say, these were the stories that I found the darkest of the anthology, and in each case they left me feeling unsettled, queasy, and just outright uncomfortable. In some cases that was because of the scenarios that the stories related triggered something personal in me ( Severed being the best example of this), or the horrific portions of the story was so vividly described that I just found it too unsettling ( The Hunted being the prime example in this case). At the end, after a few days of reflection, I kept having a sense of déjà vu when thinking back on these stories. It finally occurred to me where I had sensed this same type of reaction before when experiencing this type of storytelling. It is anecdotal, but hopefully this will help in conveying what I came away from after reading these four, and why they just did not resonate with me as the others did.
In college, I had a friend who was a self-professed connoisseur of ‘horror’ movies. This pre-dates Eli Roth, so none of the Hostel franchise, or Saw , or even something like Silence of the Lambs . This was more old school horror movies. I have never been a great fan of the genre, but she was convinced that was only because I hadn’t seen the “right ones.” She took it upon herself to organize a ‘horror movie day’ to show me what she considered then to be the best of the best of horror movies. There were a range of movies, from the likes of Salo: 120 Days of Sodom , to Texas Chainsaw Massacre , to I Spit On Your Grave (1978 version), to even Last Orgy of the Third Reich (for which I will never forgive for being introduced to coprophagia long before Two Girls, One Cup). I sat through the entire day, and at the end I knew she was disappointed. I was neither convinced of the ‘beauty’ of horror as a genre, and as we talked about it, I told her that I felt that after this day, I knew a bit what Stockholm Syndrome was like. I just kept watching them because I felt like I needed to to win her approval, and at the same time as the day went on I became inured to the images I was being shown. They lost their impact as each new movie came along. Without doubt there were scenes which were visually powerful, and frightening, and definitely made an impact, for good or ill. But in the end I felt more as if I had ‘survived’ the day, than been introduced and converted to something. I had ‘seen the elephant’, and came out the other side, but I did not look back on it with fondness. In a sense, this is how I felt after reading the four stories mentioned above in the anthology. Make no mistake, there is some very powerful writing here. There are scenes written by these authors which are dynamic, forceful, bone-chilling at times, and definitely horrific. But, that’s the issue that I had with them personally. They were too horrifying. I wanted to turn my head away, but I didn’t, and with the next one I just sat and read through it, and then took a deep sigh and said “OK. I made it. Hopefully the next one will not be as gut-wrenching…” To be perfectly fair, in each of these stories that may have been EXACTLY the authors intention. In that regards, they succeeded admirably. And, for any reader that enjoys those types of stories, I guarantee you; you will NOT be disappointed. However, for this reader, it was a case of being too much. No matter how well-written, how artistically described, how impactful the manner of the story, I was not ‘happy’ at the end of each of these. So, I leave these four with this; read at your own peril. You have been warned.
In closing, while I would love to give this anthology five stars, I have dropped it to four because I feel it the fairest rating given my overall impression of the book. I still highly recommend it, and I think that no matter what your tastes you will find something/s in here to enjoy, but you should proceed with caution. Like written on the edges of maps of old, Here there be monsters. And some of them are very dark indeed.