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Velvet
When an irresistible discovery unravels the forbidden secrets of a man's heart, the very fabric of his existence is threatened. Virago is the royal tailor of a corrupt prince. Left to care for his blind brother, Virago devotes himself to his trade until an unexpected delivery changes his life, and a wandering minstrel knocks on his door. What he discovers will test the bonds of brotherhood and unravel the forbidden secrets of his heart. Loosely based on the 14th Century Laws of Sumptuary, Velvet takes readers to a land where cruelty is disguised as allegiance, loyalty is masked by obligation, and the laws of sumptuary govern the people. But nothing is more dangerous than Velvet.
200 pages, Kindle Edition
First published October 25, 2012
2 people are currently reading
68 people want to read
About the author
Xavier Axelson
15 books127 followersAbout Xavier Axelson: Xavier Axelson is a writer and columnist living in Los Angeles.
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Displaying 1 - 21 of 21 reviews
November 12, 2012
Reviewed on Hearts On Fire... http://heartsonfirereviews.com/
This well written though sometimes melodramatic historical novel brings to life the intrigues of the court and the secrets of the heart. Virago has just become the new royal tailor after his father is run down by a carriage. He has always been a friend of the prince although Virago's blind brother, Sylvain, has always been shunned. The King is killed in battle and now Prince Duir is set to take the throne. The dynamics of the small kingdom begin to change and Vigaro suddenly finds himself a servant to Duir instead of close friend. This also happens to Therese, the madam of the largest whore house in the kingdom. Therese is bitter over her rejection and makes a subtle yet deadly move against Duir. It is through this plot that Virago meets Seton, a musician who takes Virago's heart even though it is a crime to lie with another man. A delivery arrives at Sylvain and Virago's house which turns out to be three swaths of velvet. Virago shows the gold velvet to Duir who orders that his coronation vest be made of this sensual and totally new fabric. Duir automatically makes it law that only royalty and the aristocracy may wear velvet. The changes in his court position, his love for Seton and fear for his life brings about many close calls in the few days prior to the coronation. I enjoyed the way Mr. Axelson used an old lyrical verse in telling the story as it brought the time period alive. The shifting power plays between the once amiable Duir and his friends to the power hungry soon to be King and his new group of noble friends was woven into the story subtly at first then heavy handedly was extremely well done. The insta-love between Virago and Seton moved too fast for me but perhaps that was the way it was back in that time. I found it amusing that while homosexual love was punishable by death, the plague was spread through heterosexual sex. The plot and subplots fit together well and the story read smoothly. There were some places where the story got bogged down in all the preparations for the coronation but the story picked up speed again. This was an enjoyable historical novel that any lover of gay historical romance will devour.
This well written though sometimes melodramatic historical novel brings to life the intrigues of the court and the secrets of the heart. Virago has just become the new royal tailor after his father is run down by a carriage. He has always been a friend of the prince although Virago's blind brother, Sylvain, has always been shunned. The King is killed in battle and now Prince Duir is set to take the throne. The dynamics of the small kingdom begin to change and Vigaro suddenly finds himself a servant to Duir instead of close friend. This also happens to Therese, the madam of the largest whore house in the kingdom. Therese is bitter over her rejection and makes a subtle yet deadly move against Duir. It is through this plot that Virago meets Seton, a musician who takes Virago's heart even though it is a crime to lie with another man. A delivery arrives at Sylvain and Virago's house which turns out to be three swaths of velvet. Virago shows the gold velvet to Duir who orders that his coronation vest be made of this sensual and totally new fabric. Duir automatically makes it law that only royalty and the aristocracy may wear velvet. The changes in his court position, his love for Seton and fear for his life brings about many close calls in the few days prior to the coronation. I enjoyed the way Mr. Axelson used an old lyrical verse in telling the story as it brought the time period alive. The shifting power plays between the once amiable Duir and his friends to the power hungry soon to be King and his new group of noble friends was woven into the story subtly at first then heavy handedly was extremely well done. The insta-love between Virago and Seton moved too fast for me but perhaps that was the way it was back in that time. I found it amusing that while homosexual love was punishable by death, the plague was spread through heterosexual sex. The plot and subplots fit together well and the story read smoothly. There were some places where the story got bogged down in all the preparations for the coronation but the story picked up speed again. This was an enjoyable historical novel that any lover of gay historical romance will devour.
December 2, 2012
Reviewed By BlackTulip for Confessions from Romaholics
The blurb sounded interesting and intriguing enough but I wasn't aware that this would be, first and foremost, a fantasy novella and not a historical one, though it definitely has a very strong medieval flavor. I very seldom read that genre, but it took me as little as a few pages to be effortlessly transported into the author's very imaginative world, a rather dark but very sensual and erotic fairy tale.
In a certain way this story is, in my opinion, very reminiscent of Charles Perrault and the Grimm brother’s fairy tales; not anything in particular but the spirit is definitely there. Like in these unforgettable fairy tales, Mr. Axelson takes us into a world far away in space and time, a kind of strange and inaccessible world where our usual landmarks may no longer be the same. All the classical and usual but also sometimes unusual elements are there, a Kingdom with a castle, a King and a tailor in a medieval world, wonderful but scary, where you can meet the best but also the very worst.
All is well in the Kingdom, King Killian and his personal tailor are long-time friends, as Prince Duir and Virago are childhood companions. When a sudden and unexpected accident deprives him of his father, Virago finds himself alone with his blind brother. Sylvain has the gift of second sight and he certainly sees much more than his brother ever will. Tears are shed on both sides, and then the good King Killian asks Virago to take his father's place and come to court. In the meantime, war is coming and the brave King goes up North to fight. Death strikes again. Nobody wants to believe it, even less Duir or Virago but ultimately they have to accept it: King Killian is dead long live King Duir! This is when everything begins to change but not for the better …
Virago has kept a heavy and dangerous secret from everybody for a long time now. At twenty years of age it's becoming more difficult and frustrating to bear ... and there is also this constant fear of being discovered!
Then one day in the far corner of his workroom, Virago discovers the most beautiful and soft fabric that he has ever seen which magically seems to attract the light in a very uncommon way. Precious and nonpareil, this is called velvet, made for a king!
I won't say more about the story, suffice it to say that at one point, the Kingdom collapses from Heaven into Hell. The madness of a king, a woman's wrath, a frightful disease and pure cruelty, surface all together and collide. This is when a fairy tale becomes a nightmare.
Still, there's a light in this darkness, Virago meets Seton. Seton has the most beautiful face he has ever seen with mesmerizing blue eyes and he plays his music like an angel but Virago doesn't know if it's a blessing or a curse because Seton could be his undoing ... it's love and passion at first sight and later on you certainly can feel the heat!
Xavier Axelson has spun a wonderfully dark medieval fantasy story with its very own atmosphere entwined with colorful and rich descriptions as precious as velvet that cannot but work wonders with your imagination. He uses here a vastly different vocabulary and this poetic prose gives a very unique color and rhythm to the tale. It is brilliantly done, well written with a very inventive and fascinating plot and storyline. I simply loved it and I give this novella 5 stars.
December 8, 2012
Velvet is a sweeping historical story showing the ugly underbelly of royalty amidst its riches and pomp in a time where loving another man could get you killed. Into this ugliness comes the simple beauty of a fabric that becomes the catalyst to a new life for a simple tailor, his blind brother, and a musician.
Virago had always thought himself a friend to Prince Duir and his friends until the Prince becomes King and he comes to realize his true place and sees them in a new, less favorable light. He sees their unending desires for only the best, their mockery of those less than perfect, and their unrelenting need to keep the lower classes in their place. I'm sad for Virago once he realizes these truths for it's the end of the life he's known. His safety and sense of home ends. Luckily he has the forbidden love of Seton to stabilize him. He's always hidden from the feelings of love he has towards men but Seton forces him to accept the truth about himself. It's both a freeing moment and a damning one. The moment they lay eyes on one another you can sense the electricity and their first time together is both frantic and wondrous. Seton is exotic and larger than life and is exactly what the staid and loyal Virago needs and they're a match made in heaven.
Duir and his men are typical politicians, full of duplicity and feelings of self-entitlement. You could always sense danger around them and there were many subtle instances, and one large scene, showing their vileness. While their actions and attitudes were stereotypical that didn't make them any less villainous with readers rooting for their demise. At the end of the story their lives have definitely changed too, and not necessarily for the better.
Along with the immensely likable Virago and Seton comes Virago's blind brother Sylvain. He has a connection to animals and has a sense of the future. He's wise, though many would think him weak because of his blindness. I found him mysteriously sexy and sincerely hope his story will be told as I felt this story still has more to tell.
Xavier Axelson has written a very satisfying story full of vivid descriptions with a nice balance of drama and romance. It started off a bit wordy but quickly jumped into the action. Overall it felt like an HBO show with its ability to draw me in and kept me on the edge of my seat as history and melodrama collided. With the promise shown here I greatly look forward to what he publishes next and will put him on my list of authors to watch.
Virago had always thought himself a friend to Prince Duir and his friends until the Prince becomes King and he comes to realize his true place and sees them in a new, less favorable light. He sees their unending desires for only the best, their mockery of those less than perfect, and their unrelenting need to keep the lower classes in their place. I'm sad for Virago once he realizes these truths for it's the end of the life he's known. His safety and sense of home ends. Luckily he has the forbidden love of Seton to stabilize him. He's always hidden from the feelings of love he has towards men but Seton forces him to accept the truth about himself. It's both a freeing moment and a damning one. The moment they lay eyes on one another you can sense the electricity and their first time together is both frantic and wondrous. Seton is exotic and larger than life and is exactly what the staid and loyal Virago needs and they're a match made in heaven.
Duir and his men are typical politicians, full of duplicity and feelings of self-entitlement. You could always sense danger around them and there were many subtle instances, and one large scene, showing their vileness. While their actions and attitudes were stereotypical that didn't make them any less villainous with readers rooting for their demise. At the end of the story their lives have definitely changed too, and not necessarily for the better.
Along with the immensely likable Virago and Seton comes Virago's blind brother Sylvain. He has a connection to animals and has a sense of the future. He's wise, though many would think him weak because of his blindness. I found him mysteriously sexy and sincerely hope his story will be told as I felt this story still has more to tell.
Xavier Axelson has written a very satisfying story full of vivid descriptions with a nice balance of drama and romance. It started off a bit wordy but quickly jumped into the action. Overall it felt like an HBO show with its ability to draw me in and kept me on the edge of my seat as history and melodrama collided. With the promise shown here I greatly look forward to what he publishes next and will put him on my list of authors to watch.
March 14, 2013
Despite having multiple short stories and novellas to his name, including my review of The Incident that brought him by for an interview last year, Velvet marks the first full-length novel from Xavier Axelson. Although it didn't necessarily work for me on a romantic level, I did find it to be an extraordinarily erotic tale of sordid history, friendship, and betrayal.
From the heights of royalty to the depths of prostitution, the story carries us through a series of betrayals that prey upon poor, lovely Virago. In a world where homosexuality is forbidden, the young tailor finds himself falling in love with a singer, a man who was only dangled tantalizingly before him by Madame Therese in order to exact a measure of revenge against the King. Confusing lust with love, Virago finds himself falling under the spell of Seton, even as he struggles to craft the King's velvet coronation outfit.
The King is such a despicable, villainous character, you really have to wonder how Virago could have ever befriended him in the first place. His blind brother, Sylvain, is played perhaps a bit too sympathetically, but he is a lovely character. Seton is as much a victim as Virago, and probably the brightest spot in the entire novel. Like I said, I never quite bought into the romance between then, but the sexual relationship between Virago and Seton is hot, heavy, and gloriously sensual.
The intrigues here are almost as deep as the sexuality, creating an air of mystery and danger that keeps you reading. I had my suspicions as to how it would all turn out, but Axelson managed to toss in a few pleasant surprises that made for a conclusion that was as fascinating as it was satisfactory.
As published on Bending the Bookshelf
From the heights of royalty to the depths of prostitution, the story carries us through a series of betrayals that prey upon poor, lovely Virago. In a world where homosexuality is forbidden, the young tailor finds himself falling in love with a singer, a man who was only dangled tantalizingly before him by Madame Therese in order to exact a measure of revenge against the King. Confusing lust with love, Virago finds himself falling under the spell of Seton, even as he struggles to craft the King's velvet coronation outfit.
The King is such a despicable, villainous character, you really have to wonder how Virago could have ever befriended him in the first place. His blind brother, Sylvain, is played perhaps a bit too sympathetically, but he is a lovely character. Seton is as much a victim as Virago, and probably the brightest spot in the entire novel. Like I said, I never quite bought into the romance between then, but the sexual relationship between Virago and Seton is hot, heavy, and gloriously sensual.
The intrigues here are almost as deep as the sexuality, creating an air of mystery and danger that keeps you reading. I had my suspicions as to how it would all turn out, but Axelson managed to toss in a few pleasant surprises that made for a conclusion that was as fascinating as it was satisfactory.
As published on Bending the Bookshelf
November 15, 2012
Reviewed on http://smoochersvoice.blogspot.com/20...
I really liked this book, and rated it 4/5. Definitely a solid first novel for Axelson. I hope to see more.
I really liked this book, and rated it 4/5. Definitely a solid first novel for Axelson. I hope to see more.
June 15, 2018
~ 3.5 Stars ~
Xavier Axelson has released a fast paced historical novel entitled Velvet. Virago is the son of the King’s esteemed private tailor, and, as such, he and his brother, Sylvain, have had access to the king’s son, Duir, and his friends. While Virago has enjoyed a friendship with Duir, the moment it was learned that the king had been lost in battle, their relationship changed. Duir had always been rough, tending to drink and whore more than he ought, but Virago had always been able to approach the prince and speak rationally with him. Sylvain, born blind, was a constant source of tension between Virago and Duir, who actively disliked the quiet animal caretaker. Things only worsened the moment Duir became king, and he and his private guard of confidantes began to “help” Virago learn his place, with nasty consequences.
As coronation day approached, Virago was visited by the madam of the local whorehouse who often serviced the soon-to-be king and his men. It seemed her latest male whore had a brother who was an outstanding musician, and an introduction to the King would be most advantageous for the lute player. Virago was reluctant to grant the boon, considering his position at court was so fragile. However, upon meeting Durant and realizing the man was of the same sexual persuasion as Virago, he acquiesced. He also began to feel a fever in his blood and an incredible longing for the master musician—something that was dangerous to say the least. Durant and Virago longed to be lovers, but the current climate and law forbade it.
Around this same time, a parcel arrived that had been ordered by Virago’s late father containing cloth unlike anything he had ever seen. Its luxurious feel seemed to possess Virago’s very soul as the fabric whispered to him to be more assertive and less subservient to Duir and his men. Sylvain, though blind, could feel the fabric’s pull and warned his brother against its use. But Virago was deaf to his brother’s warnings and plunged ahead, using it for the king’s coronation vest. The fabric and the passion ignited by Durant would be Virago’s undoing, leading both men to be caught by Cale, one of the harshest of Duir’s men, and from there no one, including Sylvain, was safe. But there was also a second evil afoot, one borne of the blood that sickened the whores and the men who used them. Now Virago must decide: did he honor his boyhood allegiance to a king who was increasingly cruel and erratic, or save his lover, his brother, and himself before it was too late?
The historical aspects of this novel were spot-on and, while their behavior rough and cruel, the side characters as well as the king were written with such attention that they were quite realistic and believable. Virago’s fears about being discovered as gay were also quite compelling, making me fearful, more than once, for his life and well-being. While quick, the attraction between Durant and Virago also rang true, and though I’d hoped to have a bit more backstory on Durant and more page time for the two men to discover their feelings for each other, suffice it to say that the chemistry between them was sufficient to merit their intense feelings.
However, there were a few problems with this novel that gave me pause. The faintly paranormal or mystical element surrounding the velvet material never seemed to fully develop. If indeed it was simply a catalyst or symbol for Virago’s own awakening sexuality and developing backbone, then I wish there had been some clue to that in the story. Instead, there were multiple instances where he felt the fabric “speak” to him, and we never really understood why that happened. Then there was a past event involving a young Sylvain being humiliated or more by Duir and his friends that was never fully revealed. Instead, we had all kinds of innuendo and vague comments dropped that make us understand it was something cruel but not exactly what had really happened. The event left Sylvain bitter and angry, and that alone should have been enough to reveal the act that led to his hatred so many years later. Between this and the brothers taking the time to stop and visit their parents’ graves, while running to catch a ship as their lives hung in the balance, there was more than one occasion where I felt fairly frustrated by the trajectory of the storyline.
In the end, Velvet had more holes than filler, and plot points that never saw full expansion that could have supported the story they were meant to serve. As historical fiction goes, this book hits its mark, and then some, but that simply wasn’t enough to make the novel sing. Instead, we have a fairly nice romance that needed much more meat to become a compelling read.
Reviewed by Sammy for The Novel Approach
Xavier Axelson has released a fast paced historical novel entitled Velvet. Virago is the son of the King’s esteemed private tailor, and, as such, he and his brother, Sylvain, have had access to the king’s son, Duir, and his friends. While Virago has enjoyed a friendship with Duir, the moment it was learned that the king had been lost in battle, their relationship changed. Duir had always been rough, tending to drink and whore more than he ought, but Virago had always been able to approach the prince and speak rationally with him. Sylvain, born blind, was a constant source of tension between Virago and Duir, who actively disliked the quiet animal caretaker. Things only worsened the moment Duir became king, and he and his private guard of confidantes began to “help” Virago learn his place, with nasty consequences.
As coronation day approached, Virago was visited by the madam of the local whorehouse who often serviced the soon-to-be king and his men. It seemed her latest male whore had a brother who was an outstanding musician, and an introduction to the King would be most advantageous for the lute player. Virago was reluctant to grant the boon, considering his position at court was so fragile. However, upon meeting Durant and realizing the man was of the same sexual persuasion as Virago, he acquiesced. He also began to feel a fever in his blood and an incredible longing for the master musician—something that was dangerous to say the least. Durant and Virago longed to be lovers, but the current climate and law forbade it.
Around this same time, a parcel arrived that had been ordered by Virago’s late father containing cloth unlike anything he had ever seen. Its luxurious feel seemed to possess Virago’s very soul as the fabric whispered to him to be more assertive and less subservient to Duir and his men. Sylvain, though blind, could feel the fabric’s pull and warned his brother against its use. But Virago was deaf to his brother’s warnings and plunged ahead, using it for the king’s coronation vest. The fabric and the passion ignited by Durant would be Virago’s undoing, leading both men to be caught by Cale, one of the harshest of Duir’s men, and from there no one, including Sylvain, was safe. But there was also a second evil afoot, one borne of the blood that sickened the whores and the men who used them. Now Virago must decide: did he honor his boyhood allegiance to a king who was increasingly cruel and erratic, or save his lover, his brother, and himself before it was too late?
The historical aspects of this novel were spot-on and, while their behavior rough and cruel, the side characters as well as the king were written with such attention that they were quite realistic and believable. Virago’s fears about being discovered as gay were also quite compelling, making me fearful, more than once, for his life and well-being. While quick, the attraction between Durant and Virago also rang true, and though I’d hoped to have a bit more backstory on Durant and more page time for the two men to discover their feelings for each other, suffice it to say that the chemistry between them was sufficient to merit their intense feelings.
However, there were a few problems with this novel that gave me pause. The faintly paranormal or mystical element surrounding the velvet material never seemed to fully develop. If indeed it was simply a catalyst or symbol for Virago’s own awakening sexuality and developing backbone, then I wish there had been some clue to that in the story. Instead, there were multiple instances where he felt the fabric “speak” to him, and we never really understood why that happened. Then there was a past event involving a young Sylvain being humiliated or more by Duir and his friends that was never fully revealed. Instead, we had all kinds of innuendo and vague comments dropped that make us understand it was something cruel but not exactly what had really happened. The event left Sylvain bitter and angry, and that alone should have been enough to reveal the act that led to his hatred so many years later. Between this and the brothers taking the time to stop and visit their parents’ graves, while running to catch a ship as their lives hung in the balance, there was more than one occasion where I felt fairly frustrated by the trajectory of the storyline.
In the end, Velvet had more holes than filler, and plot points that never saw full expansion that could have supported the story they were meant to serve. As historical fiction goes, this book hits its mark, and then some, but that simply wasn’t enough to make the novel sing. Instead, we have a fairly nice romance that needed much more meat to become a compelling read.
Reviewed by Sammy for The Novel Approach
June 25, 2024
Xavier Axelson's intense medieval romance novel, "Velvet," examines issues of loyalty, social class and sexual identity, as experienced by a young tailor, Virago, who risks everything in the pursuit of happiness and remaining true to himself.
As the son of the tailor to a king, Virago was raised within the monarchy alongside his privileged, lifelong friend, the king's son, Duir. When Duir is named king after his father's death, he appoints Virago as the royal tailor, which he proudly accepts--much to the chagrin of his blind brother, Sylvain, who doesn't trust Duir or any member of the kingdom, because he feels they look down upon those not born into royalty.
Virago initially dismisses his brother's sentiment, but begins to notice changes in Duir's behavior, whose newfound authority begins to affect his judgment. When Virago receives a package that contains a rare fabric, velvet, requested by his father before his death, he offers to craft a vest for Duir to wear at coronation. This gesture, however, does not put Virago's mind at ease when he meets and grows especially fond of Seton, a lute player. His attraction to Seton does not go unnoticed by Cale, one of Duir's minions, who violently threatens to expose his forbidden desire.
Axelson's prose forcibly and effectively conveys Virago's conflicted thought process, whether having to question his loyalty for someone he has known and adored since childhood, or comprehending the immediate connection he shares with a man he just met. Furthermore, the understandable chemistry between Virago and Seton seems genuine, and their heated interactions are fraught with unbridled passion.
Considering the consequences of Virago's actions would likely result in his death, and for Seton and Sylvain as well, the tension builds throughout the story and the reader is left hoping for the best, but expecting the worst. Therefore, the young lovers revel in every opportune moment they have to share together.
The element of hierarchy and class structure (or lack thereof) is an asset to the story, and given the popularity and success of shows such as "The Tudors" and "Game of Thrones," "Velvet" is a refreshing addition to the genre.
As the son of the tailor to a king, Virago was raised within the monarchy alongside his privileged, lifelong friend, the king's son, Duir. When Duir is named king after his father's death, he appoints Virago as the royal tailor, which he proudly accepts--much to the chagrin of his blind brother, Sylvain, who doesn't trust Duir or any member of the kingdom, because he feels they look down upon those not born into royalty.
Virago initially dismisses his brother's sentiment, but begins to notice changes in Duir's behavior, whose newfound authority begins to affect his judgment. When Virago receives a package that contains a rare fabric, velvet, requested by his father before his death, he offers to craft a vest for Duir to wear at coronation. This gesture, however, does not put Virago's mind at ease when he meets and grows especially fond of Seton, a lute player. His attraction to Seton does not go unnoticed by Cale, one of Duir's minions, who violently threatens to expose his forbidden desire.
Axelson's prose forcibly and effectively conveys Virago's conflicted thought process, whether having to question his loyalty for someone he has known and adored since childhood, or comprehending the immediate connection he shares with a man he just met. Furthermore, the understandable chemistry between Virago and Seton seems genuine, and their heated interactions are fraught with unbridled passion.
Considering the consequences of Virago's actions would likely result in his death, and for Seton and Sylvain as well, the tension builds throughout the story and the reader is left hoping for the best, but expecting the worst. Therefore, the young lovers revel in every opportune moment they have to share together.
The element of hierarchy and class structure (or lack thereof) is an asset to the story, and given the popularity and success of shows such as "The Tudors" and "Game of Thrones," "Velvet" is a refreshing addition to the genre.
April 26, 2018
A Scattered Thoughts and Rogue Words Review
Rating: 4.5 stars out of 5
For the full review visit https://wp.me/p220KL-dsN
From that review"Velvet by Xavier Axelson has all the elements I've come to expect from an Xavier Axelson story. The language is lyrical, hints of the mystical float through the narrative, and the overhaul effect is just plain haunting as a whole."
For all our reviews check out http://scatteredthoughtsandroguewords...
Rating: 4.5 stars out of 5
For the full review visit https://wp.me/p220KL-dsN
From that review"Velvet by Xavier Axelson has all the elements I've come to expect from an Xavier Axelson story. The language is lyrical, hints of the mystical float through the narrative, and the overhaul effect is just plain haunting as a whole."
For all our reviews check out http://scatteredthoughtsandroguewords...
March 30, 2018
When someone discovers that almost everything they've ever believed in is indeed a lie, it's soul shattering. Things that were taken for granted, now lie in ruins at their feet; the world is turned upside down and trust is broken. The key to salvaging their dignity is to admit they were wrong and do whatever they can to make it right. When Virago of 'Velvet' by Xavier Axelson comes to the realization that his loyalty to the king is misplaced, he has a hard choice to make. In order to save himself, his lover, and his brother, he needs to leave the place he's always called home and start over. It's a heartbreaking decision, but one which is absolutely necessary to their survival.
Virago is a talented, kind man, who lives in fear of what other people think. He's not able to express his true feelings, i.e., that he favors men, so he hides them. This deception plagues him night and day; he fears that others will see his true self and hate him for it or worse. Since he has so little sense of self, he lives within a strict belief system, being as non-confrontational as possible, never questioning what he considers to be reality. In essence, he sees what he wants to see and ignores what he doesn't. He's blind to the real nature of things. He doesn't perceive the changes that have taken place which exclude him from his position in the past. He's not concerned with wealth or power. Virago just wants things to stay the way they are at present so he doesn't have to think about it. When he meets Seton, he begins to break out of his shell and begins to realize that in order to have what he wants, to be with Seton, he must change; but he still can't conceive of how much things have changed and how wrong he is about his loyalty to the king and his court, but he reaches a point where he can no longer ignore the danger and, to his credit, begins to work toward escaping the danger and preserving his life and that of the ones he loves.
Virago's brother, Sylvain, is a delightful spirit who has an affinity with animals and an impressive knowledge of herbs and medicinal cures. Sylvain is severely underestimated because of his blindness. Even though his eyes don't work, he sees much more than his brother. Sylvain is realistic about life and tries to get Virago to acknowledge how the climate around them is changing; just because things were a certain way in the past doesn't mean they haven't changed. When Sylvain gives the velvet to his brother, he cautions him about its potential danger and how it can affect his brother's life. Sylvain wants him to do well, but for the right reasons. He doesn't want the velvet to become an obsession, another thing to blind him to what is real. But, when Virago sees it, he's immediately enthralled and begins to plan ways to use the velvet to win him favor with the king. Because Sylvain loves him, he gives in and helps him try and achieve that goal, all the time knowing how dangerous it could be. Even so, he supports his brother and allows him to make his own decisions and continue down the path to what could be destruction; Sylvain knows it's the only way Virago will accept the truth.
This is an epic tale set in medieval times where the good guys are good and the bad guys are really, really bad. It's a story of how power corrupts and evil thrives when greed takes over, but when that happens, the end starts to become apparent. It's also a story of how love, given a chance, conquers all. The poetic language adds ambiance to the story; its characters, scenery, and customs are described exceptionally well. The pace in the beginning is slow and confusing; Virago begins his narration after the events have happened so it took me a while to get my bearing. There are several subplots making it difficult to follow at times, but, for the most part, the pacing is faultless. I'd recommend this book to those who like historically-themed stories with lots of action and adventure, love and passion, and a happy for now ending. Thank you, Xavier, for the journey into a world of fantasy.
When someone discovers that almost everything they've ever believed in is indeed a lie, it's soul shattering. Things that were taken for granted, now lie in ruins at their feet; the world is turned upside down and trust is broken. The key to salvaging their dignity is to admit they were wrong and do whatever they can to make it right. When Virago of 'Velvet' by Xavier Axelson comes to the realization that his loyalty to the king is misplaced, he has a hard choice to make. In order to save himself, his lover, and his brother, he needs to leave the place he's always called home and start over. It's a heartbreaking decision, but one which is absolutely necessary to their survival.
NOTE: This book was provided by the author for the purpose of a review on Rainbow Book Reviews.
Virago is a talented, kind man, who lives in fear of what other people think. He's not able to express his true feelings, i.e., that he favors men, so he hides them. This deception plagues him night and day; he fears that others will see his true self and hate him for it or worse. Since he has so little sense of self, he lives within a strict belief system, being as non-confrontational as possible, never questioning what he considers to be reality. In essence, he sees what he wants to see and ignores what he doesn't. He's blind to the real nature of things. He doesn't perceive the changes that have taken place which exclude him from his position in the past. He's not concerned with wealth or power. Virago just wants things to stay the way they are at present so he doesn't have to think about it. When he meets Seton, he begins to break out of his shell and begins to realize that in order to have what he wants, to be with Seton, he must change; but he still can't conceive of how much things have changed and how wrong he is about his loyalty to the king and his court, but he reaches a point where he can no longer ignore the danger and, to his credit, begins to work toward escaping the danger and preserving his life and that of the ones he loves.
Virago's brother, Sylvain, is a delightful spirit who has an affinity with animals and an impressive knowledge of herbs and medicinal cures. Sylvain is severely underestimated because of his blindness. Even though his eyes don't work, he sees much more than his brother. Sylvain is realistic about life and tries to get Virago to acknowledge how the climate around them is changing; just because things were a certain way in the past doesn't mean they haven't changed. When Sylvain gives the velvet to his brother, he cautions him about its potential danger and how it can affect his brother's life. Sylvain wants him to do well, but for the right reasons. He doesn't want the velvet to become an obsession, another thing to blind him to what is real. But, when Virago sees it, he's immediately enthralled and begins to plan ways to use the velvet to win him favor with the king. Because Sylvain loves him, he gives in and helps him try and achieve that goal, all the time knowing how dangerous it could be. Even so, he supports his brother and allows him to make his own decisions and continue down the path to what could be destruction; Sylvain knows it's the only way Virago will accept the truth.
This is an epic tale set in medieval times where the good guys are good and the bad guys are really, really bad. It's a story of how power corrupts and evil thrives when greed takes over, but when that happens, the end starts to become apparent. It's also a story of how love, given a chance, conquers all. The poetic language adds ambiance to the story; its characters, scenery, and customs are described exceptionally well. The pace in the beginning is slow and confusing; Virago begins his narration after the events have happened so it took me a while to get my bearing. There are several subplots making it difficult to follow at times, but, for the most part, the pacing is faultless. I'd recommend this book to those who like historically-themed stories with lots of action and adventure, love and passion, and a happy for now ending. Thank you, Xavier, for the journey into a world of fantasy.
When someone discovers that almost everything they've ever believed in is indeed a lie, it's soul shattering. Things that were taken for granted, now lie in ruins at their feet; the world is turned upside down and trust is broken. The key to salvaging their dignity is to admit they were wrong and do whatever they can to make it right. When Virago of 'Velvet' by Xavier Axelson comes to the realization that his loyalty to the king is misplaced, he has a hard choice to make. In order to save himself, his lover, and his brother, he needs to leave the place he's always called home and start over. It's a heartbreaking decision, but one which is absolutely necessary to their survival.
NOTE: This book was provided by the author for the purpose of a review on Rainbow Book Reviews.
November 16, 2012
What is it about Xavier Axelson's books that I enjoy? I keep asking myself that question. I've read most of his contemporary novellas, and looking back Axelson's knack for giving his characters a happy ending while keeping them anchored in reality is definitely what attracts me to his works. Velvet has those qualities.
Virago is extraordinarily talented and serves in court as royal tailor, a skill and position he inherited from his now deceased father. His loyalty, love and bonds of brotherhood to Prince Duir are unquestionable, after all they were raised together as children. Virago has enjoyed all that privilege since childhood, but things begin to unravel when Duir inherits the kingdom and Virago discovers a new fabric sent to his household from foreign lands, an amazing cloth that oozes sensuality called "velvet."
Virago becomes obsessed with this velvet. The sensuality of it calls to him and to forbidden, secret and unfulfilled yearnings until he meets Seton, a master lute player. His music is entrancing enough to capture Duir's attention, but the magnificent Seton also captures Virago's heart and when his feelings are returned danger lurks at every corner for the lovers. When the soon-to-be king also becomes obsessed with velvet and the bloody laws of sumptuary threaten to take effect, darkness begins to gather, peacocks become the harbingers of doom, brotherhood is tested, and the truth of loyalty and real love come to light.
Virago is portrayed as the man who can see but has been blind to the real faults of those around him, and it takes the discovery of velvet and his love for the well-grounded Seton to awaken his sensuality as well as his other senses. On the other hand, Virago's brother, the physically blind Silvain, serves as the anchor to reality and the one who has always "seen" the men in their lives for whom they really are: as true, loving and loyal or as superficial, spoiled and cruel men with a sense of entitlement and with little understanding of honor and loyalty. The road is not easy as Virago experiences a forbidden love and battles betrayal, entitlement, prejudice, and ignorance.
Velvet is Axelson's first full-length novel and a historical romance set in medieval times in a fictional kingdom. Historical medieval elements are achieved with the consistent use of language, fashion, music and beliefs of those times, yet throughout subtle flavors that reminded me of a fantasy play also permeate the atmosphere. This medieval setting combined with those other elements set a rather distinct tone as background for the romance. Axelson, however, also infuses touches of reality to keep his characters grounded and readers connected. It's an interesting combination.
Common men play the heroes in Velvet: a tailor and a musician. Well . . . that is if you don't consider artistic or creative talent as extraordinary. Personally, I consider Virago and his lover Seton, as well as Virago's brother Silvain, as extraordinary or uncommon men. Not necessarily because of their individual talents, but because under dire circumstances they choose to follow their hearts and a difficult path. Brothers Virago and Silvain are the best drawn characters with Seton playing the true, passionate, and knowledgeable lover whose past is not entirely disclosed. Secondary characters play their roles rather well by adding to the overall story line.
Velvet by Xavier Axelson is really a wonderful story with a little bit of everything: yearning, angst, music, fashion, decadence, sex, violence, betrayal, love, romance, intrigue, and even a couple of sword and knife fights! I read it in one sitting. The characters, plot and action certainly kept my attention.
Virago is extraordinarily talented and serves in court as royal tailor, a skill and position he inherited from his now deceased father. His loyalty, love and bonds of brotherhood to Prince Duir are unquestionable, after all they were raised together as children. Virago has enjoyed all that privilege since childhood, but things begin to unravel when Duir inherits the kingdom and Virago discovers a new fabric sent to his household from foreign lands, an amazing cloth that oozes sensuality called "velvet."
Virago becomes obsessed with this velvet. The sensuality of it calls to him and to forbidden, secret and unfulfilled yearnings until he meets Seton, a master lute player. His music is entrancing enough to capture Duir's attention, but the magnificent Seton also captures Virago's heart and when his feelings are returned danger lurks at every corner for the lovers. When the soon-to-be king also becomes obsessed with velvet and the bloody laws of sumptuary threaten to take effect, darkness begins to gather, peacocks become the harbingers of doom, brotherhood is tested, and the truth of loyalty and real love come to light.
Virago is portrayed as the man who can see but has been blind to the real faults of those around him, and it takes the discovery of velvet and his love for the well-grounded Seton to awaken his sensuality as well as his other senses. On the other hand, Virago's brother, the physically blind Silvain, serves as the anchor to reality and the one who has always "seen" the men in their lives for whom they really are: as true, loving and loyal or as superficial, spoiled and cruel men with a sense of entitlement and with little understanding of honor and loyalty. The road is not easy as Virago experiences a forbidden love and battles betrayal, entitlement, prejudice, and ignorance.
Velvet is Axelson's first full-length novel and a historical romance set in medieval times in a fictional kingdom. Historical medieval elements are achieved with the consistent use of language, fashion, music and beliefs of those times, yet throughout subtle flavors that reminded me of a fantasy play also permeate the atmosphere. This medieval setting combined with those other elements set a rather distinct tone as background for the romance. Axelson, however, also infuses touches of reality to keep his characters grounded and readers connected. It's an interesting combination.
Common men play the heroes in Velvet: a tailor and a musician. Well . . . that is if you don't consider artistic or creative talent as extraordinary. Personally, I consider Virago and his lover Seton, as well as Virago's brother Silvain, as extraordinary or uncommon men. Not necessarily because of their individual talents, but because under dire circumstances they choose to follow their hearts and a difficult path. Brothers Virago and Silvain are the best drawn characters with Seton playing the true, passionate, and knowledgeable lover whose past is not entirely disclosed. Secondary characters play their roles rather well by adding to the overall story line.
Velvet by Xavier Axelson is really a wonderful story with a little bit of everything: yearning, angst, music, fashion, decadence, sex, violence, betrayal, love, romance, intrigue, and even a couple of sword and knife fights! I read it in one sitting. The characters, plot and action certainly kept my attention.
December 4, 2012
Review posted at The Armchair Reader.
I've found in the past that Xavier Axelson has a rather unique style of writing, though always somewhat different from work to work, and this novel is no different. In part allegory and seen as a cautionary tale from the eyes of the somewhat naive and innocent Virago, Velvet tells the story of a small kingdom brought down by vice and power. Virago is the royal tailor, as was his father before him. And just like his father, he gives counsel to the King. But where they were once young playmates, as close as brothers, the power of his newfound station and the power he grants to others, makes King Duir drunk on himself and his closest friends and counsel, the rest of the young boys they grew up with in the shadows of their fathers.
Bidden by Duir to create a coronation vest better than any other, Virago finds himself drawn to vice -- to the sumptuous calling of a unheard of fabric from faraway lands -- velvet. With the kingdom in a state of antiquity from years of isolation and compounded and savage laws for the most meaningless things, Virago finds himself drawn to the fabric alongside the clarity it brings him, just as an unheard of plague seems to be taking hold of the population. Throughout this, Virago finds solace in his one truest and most hidden desire -- his love of men -- in Seton, a lute player new to the country and wise in the knowledge of the differences in the rest of the world. Virago must wake up, and see the court and his old friend for what they have become before he is destroyed along with the rest of them.
I noticed from several reviews that I've read that many people found this to be somewhat melodramatic, but I have to disagree. I suppose I can see it somewhat in the style of writing, which uses a somewhat Renaissance era style of speech and even writing (lots of exclamation points and whimsical lyrical tone to the voices of the characters). But in the story itself, I found the style and plot to be much more of a large metaphor of the downfall of society instead of melodrama. It is somewhat reminiscent of Sodom & Gomorrah, if only by the climate of greed and debauchery (and not in detail, obviously, since one of the greatest laws which sends someone to the death in this story is homosexuality). So I found just cause between both the stylistic writing that went well with the culture of the city, making it seem centuries behind the modernity of the rest of the world (which is told in the first chapter by the merchant's wife and occasionally by Seton), and the metaphorical nature of power in the story.
As far as my enjoyment of the story goes, I did enjoy it -- though I found myself having to make myself read the first half. Not that the story wasn't good, but that the story is setting the tension piece by piece and at times it was a little overwhelming for me, watching Virago step into the traps laid before him. If I hadn't known there would be a satisfactory HEA (maybe technically HNF, but I think HEA) from the first chapter, it would have been even worse for me. I really enjoyed seeing how the story played out though, as some of that tension was eased for me. And all of that comes about from the world Virago sees. One act, a pretty brutal scene, changes everything for him and allows him to see what he turned a blind eye too before. That is when I really found myself into the story.
I have only read one story by this author prior to this, Lily and it wasn't so much to my taste even though I admired the writing. So I was happy that I really enjoyed this novel and I'm really happy to recommend it!
I've found in the past that Xavier Axelson has a rather unique style of writing, though always somewhat different from work to work, and this novel is no different. In part allegory and seen as a cautionary tale from the eyes of the somewhat naive and innocent Virago, Velvet tells the story of a small kingdom brought down by vice and power. Virago is the royal tailor, as was his father before him. And just like his father, he gives counsel to the King. But where they were once young playmates, as close as brothers, the power of his newfound station and the power he grants to others, makes King Duir drunk on himself and his closest friends and counsel, the rest of the young boys they grew up with in the shadows of their fathers.
Bidden by Duir to create a coronation vest better than any other, Virago finds himself drawn to vice -- to the sumptuous calling of a unheard of fabric from faraway lands -- velvet. With the kingdom in a state of antiquity from years of isolation and compounded and savage laws for the most meaningless things, Virago finds himself drawn to the fabric alongside the clarity it brings him, just as an unheard of plague seems to be taking hold of the population. Throughout this, Virago finds solace in his one truest and most hidden desire -- his love of men -- in Seton, a lute player new to the country and wise in the knowledge of the differences in the rest of the world. Virago must wake up, and see the court and his old friend for what they have become before he is destroyed along with the rest of them.
I noticed from several reviews that I've read that many people found this to be somewhat melodramatic, but I have to disagree. I suppose I can see it somewhat in the style of writing, which uses a somewhat Renaissance era style of speech and even writing (lots of exclamation points and whimsical lyrical tone to the voices of the characters). But in the story itself, I found the style and plot to be much more of a large metaphor of the downfall of society instead of melodrama. It is somewhat reminiscent of Sodom & Gomorrah, if only by the climate of greed and debauchery (and not in detail, obviously, since one of the greatest laws which sends someone to the death in this story is homosexuality). So I found just cause between both the stylistic writing that went well with the culture of the city, making it seem centuries behind the modernity of the rest of the world (which is told in the first chapter by the merchant's wife and occasionally by Seton), and the metaphorical nature of power in the story.
As far as my enjoyment of the story goes, I did enjoy it -- though I found myself having to make myself read the first half. Not that the story wasn't good, but that the story is setting the tension piece by piece and at times it was a little overwhelming for me, watching Virago step into the traps laid before him. If I hadn't known there would be a satisfactory HEA (maybe technically HNF, but I think HEA) from the first chapter, it would have been even worse for me. I really enjoyed seeing how the story played out though, as some of that tension was eased for me. And all of that comes about from the world Virago sees. One act, a pretty brutal scene, changes everything for him and allows him to see what he turned a blind eye too before. That is when I really found myself into the story.
I have only read one story by this author prior to this, Lily and it wasn't so much to my taste even though I admired the writing. So I was happy that I really enjoyed this novel and I'm really happy to recommend it!
March 23, 2015
2.5 star review by Dan
The laws of sumptuary, which allow the execution of the common people for things which should only belong to the nobility; homosexuality punishable by severe torture, then execution; a totally clueless homosexual; and melodrama, lots of melodrama.
The book sounded more like a fantasy novel from the blurb, which is why I picked it up, but actually it reads more like a medieval historical romance.
When the book begins, we are introduced to Virago, who is on a boat fleeing his homeland with his brother. Immediately after that we are transported back in time a few days to the beginning of the events which lead to Virago having to flee.
Virago is the son of the former royal tailor to the former king. Both his father and the king are dead, and his childhood friend Duir is now the crown prince, nearing his coronation. For years Virago has been hiding his attraction to men because to be caught, would mean he would be executed.
Now that the coronation is drawing near, Virago has been tasked with making a coronation vest for Duir. Luckily a new fabric called velvet has just arrived in Virago’s shop, ordered before his father’s death by his father. When Duir sees the fabric, he insists his vest must be made from the delightful material, and that is must be placed on the list under the laws of sumptuary immediately. The material is obviously too good for commoners.
The velvet marks the end of life as Virago has known it. From the time he puts his hands on the material, life will never be the same. The land is descending into evil. The “friends” that Virago grew up with are not the friends he thought. He has met a handsome musician, who shares his unnatural desires. The friends, including newly crowned Duir now know about his depravity. On top of their suspicions we have a couple sexual assaults perpetrated by one of them. We also have on a whore and her girls who are suffering some sort of plague and giving it to every man they have sex with as a form of revenge against King Duir.
I think the book was ok. The last few chapters could have used better editing, as I found several sentences which caused me to stumble while reading from incorrect words. I would like to have seen more resolution in the end. It ties back to the beginning, but leaves questions. I took the book from one of our lists at the blog, and forced myself to finish it, rather than turning it over to someone else. I found the writing to be kind of dramatic and over the top, the characters quite unbelievable, and in most cases a little vague. We meet characters, who are then never heard of again, and I was left wondering, why even introduce them. I have no more idea of the land that Virago lives in than I did when I started the book. Other than the vaguely described castle and vaguely described tailor shop, it left me blank.
Did I hate the book? No. Did I love it? No. It was probably OK, but definitely not worth wasting my Sunday afternoon in my opinion.
A copy of this book was provided in exchange for an honest review. Please visit www.lovebytesreviews.com to see this and many more reviews, author interviews, guestposts and giveaways!
The laws of sumptuary, which allow the execution of the common people for things which should only belong to the nobility; homosexuality punishable by severe torture, then execution; a totally clueless homosexual; and melodrama, lots of melodrama.
The book sounded more like a fantasy novel from the blurb, which is why I picked it up, but actually it reads more like a medieval historical romance.
When the book begins, we are introduced to Virago, who is on a boat fleeing his homeland with his brother. Immediately after that we are transported back in time a few days to the beginning of the events which lead to Virago having to flee.
Virago is the son of the former royal tailor to the former king. Both his father and the king are dead, and his childhood friend Duir is now the crown prince, nearing his coronation. For years Virago has been hiding his attraction to men because to be caught, would mean he would be executed.
Now that the coronation is drawing near, Virago has been tasked with making a coronation vest for Duir. Luckily a new fabric called velvet has just arrived in Virago’s shop, ordered before his father’s death by his father. When Duir sees the fabric, he insists his vest must be made from the delightful material, and that is must be placed on the list under the laws of sumptuary immediately. The material is obviously too good for commoners.
The velvet marks the end of life as Virago has known it. From the time he puts his hands on the material, life will never be the same. The land is descending into evil. The “friends” that Virago grew up with are not the friends he thought. He has met a handsome musician, who shares his unnatural desires. The friends, including newly crowned Duir now know about his depravity. On top of their suspicions we have a couple sexual assaults perpetrated by one of them. We also have on a whore and her girls who are suffering some sort of plague and giving it to every man they have sex with as a form of revenge against King Duir.
I think the book was ok. The last few chapters could have used better editing, as I found several sentences which caused me to stumble while reading from incorrect words. I would like to have seen more resolution in the end. It ties back to the beginning, but leaves questions. I took the book from one of our lists at the blog, and forced myself to finish it, rather than turning it over to someone else. I found the writing to be kind of dramatic and over the top, the characters quite unbelievable, and in most cases a little vague. We meet characters, who are then never heard of again, and I was left wondering, why even introduce them. I have no more idea of the land that Virago lives in than I did when I started the book. Other than the vaguely described castle and vaguely described tailor shop, it left me blank.
Did I hate the book? No. Did I love it? No. It was probably OK, but definitely not worth wasting my Sunday afternoon in my opinion.
A copy of this book was provided in exchange for an honest review. Please visit www.lovebytesreviews.com to see this and many more reviews, author interviews, guestposts and giveaways!
July 2, 2013
Burgeoning author and seasoned columnist with examiner.com, Xavier Axelson has hit the ground running with his dark gothic novel “Velvet.” Part love story, part historic literature and part erotica, the book weaves a tale of a man subjected by the rules of court and the fight within himself.
After the somewhat confusing first chapter, not that it wasn’t intriguing, I found myself drawn into the story of Virago, the royal tailor commissioned to create the vest prince Duir will wear at his coronation. The book is written in the narrative spoken by Virago as he retells the confirmation of his sexual orientation and the ramifications if acting upon them.
Upon being tasked with the challenge of creating the coronation garment Virago finds a package of velvet, fabric unknown to the tailor. He instantly knows the fabric will be perfect for the soon to be king. Virago’s brother Sylvain pleads with him to decline the job and be free of the court but Virago stands firm to his decision. In the course of his work a handsome young musician is brought to Virago’s attention by a friend looking to have him presented to the prince. There is an instant attraction between the two men that could end up with their death at the hands of the court.
After the first few pages the book flows seamlessly from chapter to chapter showing Axelson’s confidence in writing. He develops the primary characters of the story quite well, however the supporting players are somewhat lacking. I will say that I wanted to shake some sense into a few of the characters and champion others and that again speaks to Axelson’s command of writing.
The sexual tension in the book is prevalent from the onset and the m/m sex scenes are nothing but smoking hot, but not overdone in any way. But if you are a prude this isn’t the book for you.
The story is as relevant from the time of kings and courts to the present day where gays face discrimination for being who they are. I’m not sure that was Axelson’s focus in the book but for me the exploration the character’s sexuality and being unapologetic for their preferences is the message that comes across.
I highly recommend the read to those who enjoy historical romance and fiction. The book is a swift read that makes it perfect for a day on the beach.
Disclaimer: I was given this book by the author for an honest and unbiased review.
November 16, 2012
This review is a little hard for me to write but in a GOOD way! First I have to say that I love absolutely love Historical books. I love the time period and I love how Xavier weaved this story. There are a few things in it that really took me by surprise. Some of the material is definitely not for the faint at heart. There is relationships between men and a brothel and bad behavior. So if you like all that then this book is for you.
Virago has just become the new royal tailor because his father was run down by a carriage. He is excited because he wants to make his father proud and keep the family name in the court. He is best friends with the Prince Duir. Then things change when the king is killed in battle. The Prince takes the throne and things change for the worst. The Prince who is now the King starts to let the power go to his head and he treats Virago like a slave but that is not the worst of it because anyone beneath the King is treated like a slave.
The mistake the new king makes is messing with Therese, the madam of the largest whore house in the kingdom. She decides she is going to get revenge on Duir for his treatment of her. She gets Seton who is a musician to help in this matter of revenge. Once Virago hears Seton play music he is enthralled by the man and instantly falls in love with him. But he has to be careful because relationships between men and men are forbidden and against the law. But Virago can't help loving Seton and he is willing to sacrifice whatever it takes to be with Seton.
What will Therese do to the King? What part does Seton play in it? Will Virago and Seton be able to have a relationship? All these issues weaved with the time period had me on the edge of seat reading and wanting more. This is such a great read give it a go!
Virago has just become the new royal tailor because his father was run down by a carriage. He is excited because he wants to make his father proud and keep the family name in the court. He is best friends with the Prince Duir. Then things change when the king is killed in battle. The Prince takes the throne and things change for the worst. The Prince who is now the King starts to let the power go to his head and he treats Virago like a slave but that is not the worst of it because anyone beneath the King is treated like a slave.
The mistake the new king makes is messing with Therese, the madam of the largest whore house in the kingdom. She decides she is going to get revenge on Duir for his treatment of her. She gets Seton who is a musician to help in this matter of revenge. Once Virago hears Seton play music he is enthralled by the man and instantly falls in love with him. But he has to be careful because relationships between men and men are forbidden and against the law. But Virago can't help loving Seton and he is willing to sacrifice whatever it takes to be with Seton.
What will Therese do to the King? What part does Seton play in it? Will Virago and Seton be able to have a relationship? All these issues weaved with the time period had me on the edge of seat reading and wanting more. This is such a great read give it a go!
December 29, 2012
In a book that combines a romance with a moral tale about greed and vice, wrapped up in lyrical, near poetic phrasing and character voices, this was an enchanting and entertaining book. Written with a phrasing and pacing that were appropriate to the time in which the story was set is a clever literary device, well used, and helped to fix the scene in a time that is not now, with the fluid and slightly flowery prose.
Characters were well developed and defined, with clear and distinct traits and voices that helped to fix their image in the reader’s brain, while consistently providing enough information to understand their reasons for behaving as they did. Virago’s character is a little difficult to appreciate, but his development and personal transitions throughout the story all felt possible and real.
While I do have to note this story does have a large sexual component: most of it M/M, with sex, brothels and other bad behaviours detailed, the Renaissance period is well detailed from the crass behavior, coarse chat and overwhelmingly badly behaved royals. While this is the first of Axelson’s books that I have read, it will not be the last.
I received an eBook copy from author for purpose of honest review for Full Moon Bites tours. I was not compensated for this review, and all conclusions are my own responsibility.
Characters were well developed and defined, with clear and distinct traits and voices that helped to fix their image in the reader’s brain, while consistently providing enough information to understand their reasons for behaving as they did. Virago’s character is a little difficult to appreciate, but his development and personal transitions throughout the story all felt possible and real.
While I do have to note this story does have a large sexual component: most of it M/M, with sex, brothels and other bad behaviours detailed, the Renaissance period is well detailed from the crass behavior, coarse chat and overwhelmingly badly behaved royals. While this is the first of Axelson’s books that I have read, it will not be the last.
I received an eBook copy from author for purpose of honest review for Full Moon Bites tours. I was not compensated for this review, and all conclusions are my own responsibility.
December 2, 2014
Like his father before him, Virago takes his place as tailor to the king. He enjoys his work, yet his heart longs for what is impossible to have.
Making music is much like breathing for Seton. He plays from his soul, hoping one day to share his love of music with someone special.
Growing up with Prince Duir, Virago has always felt a certain kinship, which makes Duir’s actions that much harder to understand. The king is dead. The castle is in chaos. So, for the first time ever, Virago is losing control. He knows that loving Seton is tantamount to death, yet he is hard pressed to care. To keep his brother Sylvain and his new lover safe, Virago must keep up appearances with Duir and his court, without knowing how exposed he already is.
The velvet fabric within this story is the perfect accompaniment to the sensual and delicate nature of Virago and Seton’s relationship. Virago’s feelings for Seton are so raw, yet he never forgets that loving this man could mean their death. The velvet, Sylvain’s visions and the threat of a plague–all combine to create a tension-filled and dramatic backdrop for this story. I would really love to find out what happens next with these intriguing characters.
Lototy
Reviewer for Coffee Time Romance & More
Making music is much like breathing for Seton. He plays from his soul, hoping one day to share his love of music with someone special.
Growing up with Prince Duir, Virago has always felt a certain kinship, which makes Duir’s actions that much harder to understand. The king is dead. The castle is in chaos. So, for the first time ever, Virago is losing control. He knows that loving Seton is tantamount to death, yet he is hard pressed to care. To keep his brother Sylvain and his new lover safe, Virago must keep up appearances with Duir and his court, without knowing how exposed he already is.
The velvet fabric within this story is the perfect accompaniment to the sensual and delicate nature of Virago and Seton’s relationship. Virago’s feelings for Seton are so raw, yet he never forgets that loving this man could mean their death. The velvet, Sylvain’s visions and the threat of a plague–all combine to create a tension-filled and dramatic backdrop for this story. I would really love to find out what happens next with these intriguing characters.
Lototy
Reviewer for Coffee Time Romance & More
November 29, 2012
I had no idea what to expect from the blurb, and the first thirty pages or so were a bit difficult, but interesting enough to keep me reading. I wavered, darlings, really I did, but then I sat down wrapped in my boa, the red spike heels kicked into a corner, and started to read. And oh my! A marvelous story began to unfold. I was quickly enraptured.
The tale of Virago and how he discovers himself is wonderful and enthralling. It takes place in a kingdom far from this madding crowd, and every word is full of portent and mystery. The first night, I had to set it aside to sleep, but I immediately returned to this story the very next day, anxious to see how it all played out.
I was not disappointed, my dears. This is a delightful tale from a writer I hope to read more from. Pacing was good, characters were beautifully drawn, and extremely minor editing issues didn’t bother me in the least.
If you are in the mood to be taken to place you will never see in our time, do pick this one up and settle in for an entertaining read. I loved it!
Reviewed by: Red Licorice
The tale of Virago and how he discovers himself is wonderful and enthralling. It takes place in a kingdom far from this madding crowd, and every word is full of portent and mystery. The first night, I had to set it aside to sleep, but I immediately returned to this story the very next day, anxious to see how it all played out.
I was not disappointed, my dears. This is a delightful tale from a writer I hope to read more from. Pacing was good, characters were beautifully drawn, and extremely minor editing issues didn’t bother me in the least.
If you are in the mood to be taken to place you will never see in our time, do pick this one up and settle in for an entertaining read. I loved it!
Reviewed by: Red Licorice
June 13, 2015
Velvet is a quick romance. I covered it in an afternoon. It's a historical/fantasy romance, and rather sexy, with good characters. The setting itself was thin. Bring your own imagination. It fits in nicely with the court intrigue of Game of Thrones.
Virago is a court tailor. He serves a prince, Duir, who is about to become king. Virago is secretly homosexual, which is uber illegal in this part of the world, and has never acted on it. But I guess that makes him a fashion expert. (Just kidding, that connection isn't apparent, nor is he flamboyant.)
He meets a Bard who sweeps him off his feet and out of his mind. The pressures of his work increase. There are some plot revelations that keep things interesting. Mostly, Xavier Axelson is mainly an erotic writer. That's where he excels.
All in all, a fun, short read, but not life-changing.
I was given this in return for an honest review by Inked Rainbow Reads.
Virago is a court tailor. He serves a prince, Duir, who is about to become king. Virago is secretly homosexual, which is uber illegal in this part of the world, and has never acted on it. But I guess that makes him a fashion expert. (Just kidding, that connection isn't apparent, nor is he flamboyant.)
He meets a Bard who sweeps him off his feet and out of his mind. The pressures of his work increase. There are some plot revelations that keep things interesting. Mostly, Xavier Axelson is mainly an erotic writer. That's where he excels.
All in all, a fun, short read, but not life-changing.
I was given this in return for an honest review by Inked Rainbow Reads.
May 18, 2015
ThreeStar
Velvet is a quick romance. I covered it in an afternoon. It's a historical/fantasy romance, and rather sexy, with good characters. The setting itself was thin. Bring your own imagination. It fits in nicely with the court intrigue of Game of Thrones.
Virago is a court tailor. He serves a prince, Duir, who is about to become king. Virago is secretly homosexual, which is uber illegal in this part of the world, and has never acted on it. But I guess that makes him a fashion expert. (Just kidding, that connection isn't apparent, nor is he flamboyant.)
He meets a Bard who sweeps him off his feet and out of his mind. The pressures of his work increase. There are some plot revelations that keep things interesting. Mostly, Xavier Axelson is mainly an erotic writer. That's where he excels.
All in all, a fun, short read, but not life-changing.
I was given this in return for an honest review by Inked Rainbow Reads.
~C. E. Case
Velvet is a quick romance. I covered it in an afternoon. It's a historical/fantasy romance, and rather sexy, with good characters. The setting itself was thin. Bring your own imagination. It fits in nicely with the court intrigue of Game of Thrones.
Virago is a court tailor. He serves a prince, Duir, who is about to become king. Virago is secretly homosexual, which is uber illegal in this part of the world, and has never acted on it. But I guess that makes him a fashion expert. (Just kidding, that connection isn't apparent, nor is he flamboyant.)
He meets a Bard who sweeps him off his feet and out of his mind. The pressures of his work increase. There are some plot revelations that keep things interesting. Mostly, Xavier Axelson is mainly an erotic writer. That's where he excels.
All in all, a fun, short read, but not life-changing.
I was given this in return for an honest review by Inked Rainbow Reads.
~C. E. Case
January 19, 2013
Mr. Axelson pens "Velvet" a dark medieval fantasy with a well balance of drama and romance, in a very well written, totally fascinating plot. I found the characters were well developed and rounded which is usually difficult in mature adult books. As this was the first book I've read by Xavier Axelson and his style of writing is different than what I'm used to, I found myself absorbed within the storyline. Recommended for all adult readers.
This review is based on a complimentary copy from the author which was provided for an honest review.
This review is based on a complimentary copy from the author which was provided for an honest review.
June 2, 2013
Although I liked Virago, I felt the other characters weren't too well defined, excerpt for Virago's brother. His lover in particular had no depth, so it was kind of hard to understand the sudden passion that led to Virago wanting to throw away his life's teachings, which he had managed to hold in check for his entire life. But it may help some people realize there can be a better world out there, one not constrained by bigotry or prejudiced vision.
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