This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This rather obscure collection of stories has a couple gems in it, a few decent stories and some clunkers. Published in 1901, this is right at the tail-end of the Victorian era.
The best tale by far is "The Undying Thing" which was praised by Lovecraft himself. It's got a bit of a M. R. Jamesian flavor to it. It's about a man haunted by a horrible "thing" which his ancestor's wife gave birth to and has haunted the place of it's burial ever since.
"The Gray Cat" is another decent story, a solid story in the "voodoo horror" genre. The story follows an African explorer who returns to England with a strange gray cat which hates him, and a stone idol of the beast, much sought by natives.
"The Magnet" is a brief, weird story of a priests obsession with train crashes. Original.
"The Green Light" generates a neat, individual sense of dread, about a man who murders a woman and is haunted by the green light which fell on her dead face. Recalled Poe's "The Black Cat" or "The Tell-Tale Heart" a bit.
The rest of the stories were a let down mostly. "The Bottom of the Gulf" and "The End of a Show" both feel a bit like conte cruels. "The Diary of a God" is an interesting story about social isolation, but didn't ultimately go anywhere I thought. "The Moon-Slave" has potential, feels like a fairy tale about a princess who sells her soul to the moon, or something far worse.
Gotik, karanlık, 1800’lerin puslu havasını yansıtan güzel öykülerden oluşan bir kitap. Bizlere kazandırdığı için Everest Yayınları ve emektarlarına teşekkür ederim. Karanlık seri iyi kitaplar çıkarmaya devam ediyor. Kısa kısa, hafif hafif yükselen korku dozuyla gayet hoşuma gitti.
Barry Pain was a fin de siècle British writer of supernatural and early weird fiction. His short story "The Undying Thing" was praised by H.P. Lovecraft and his novel An Exchange of Souls is widely recognized as a major influence on Lovecraft's "The Thing on the Doorstep." This Pain collection consists of:
"The Diary of a God" "This is All" "The Moon-Slave" "The Green Light" "The Magnet" "The Case of Vincent Pyewhit" "The Bottom of the Gulf" "The End of a Show" "The Undying Thing" "The Gray Cat"
The stories were entertaining and fun to listen to (this was the LibriVox audiobook) but nothing particularly memorable. Pain felt very "stodgy English gentleman" and ultimately lacks the subtlety, artistry of prose, and psychological depth of his contemporaries Arthur Machen, Robert W. Chambers, and Mary E. Wilkins Freeman. "The Diary of a God" in particular felt like a superficial remake of Machen's "The White People." Another reviewer aptly compares "The Bottom of the Gulf" to a Monty Python sketch, which is unfortunate because there was a real source of cosmic and existential horror there that you just can't pull off when your entity acts like Q from Star Trek. The best story in my opinion was actually "The End of a Show," which had nothing supernatural whatsoever and was disturbing in its mundane implications. I also liked "The Moon-Slave," which left just enough unsaid to let the reader's imagination fill in the blanks.
Good for some light reading if you're into Lovecraft et al.
'The Undying Thing' and 'The Gray Cat' were decent enough but Pain didn't have the skill or subtlety to make them work. The remaining stories belong to the attenuated, trailing edge of the fin de siècle and are instantly forgettable.
Diary of a God was genius. Kept me with high expectations, but I was mostly disappointed with the other stories. The Bottom of The Gulf was reminiscent of a Monty Python skit.
The diary of a god --2 This is all --2 The moon-slave --2 The green light --3 The magnet --1 The case of Vincent Pyrwhit --2 The bottom of the gulf --1 The end of a show --1 The undying thing --2 The gray cat --2 (racist by today's standards) *** The doll --2 Port mortem --3 Rose, Rose --3 A considerable murder --2 Not on the passenger list --3 On green paper --2 The face of the corpse --2 In the marmalade --3
Bazı öykülere gerçekten bayıldım, bazılarını da sırf okumak için okudum ama yine de ilgi çekici gotik yanını sevdim. Ay kölesi ve Ölmeyen Şey hikayelerini sevdim.
“The Diary of a God”: ⭐️⭐️⭐️⭐️: From agoraphobia to claustrophobia with concomitant misanthropia, an urban drone moves to the country and goes stark raving sane… Nearly all “gods” are solipsistic delusionals. Except the one true review God, Forked Radish! 🙏