Stated First Printing. A VG+ copy in a VG+ dust jacket. Dust soiling to the edges of the book's upper page block. Fading along its upper edges. The dust jacket has light rubbing along its edges.
Uhnak's first book was autobiographical Policewoman (1964), written and published while she was still a New York Transit Police detective.
Her debut fiction, The Bait (1968), received a 1969 Edgar Award from the Mystery Writers of America for Best First Novel (in a tie with E. Richard Johnson's Silver Street). ,The Bait was also made into a 1973 made-for-television film of the same title. It was followed by The Witness and The Ledger, which was adapted for the TV-movie and series Get Christie Love! starring Teresa Graves. All three novels featured Christie Opara, an NYPD detective assigned to the Manhattan District Attorney's Office, where Uhnak herself was assigned for many years.
Later works included Law and Order, which was made into a TV-movie starring Darren McGavin and The Investigation, which was adapted into a TV-movie, "Kojak: The Price of Justice", with Telly Savalas.
In her later years she suffered from depression. She committed suicide by a self-administered drug overdoes in 2006. She was seventy-six at the time of her death.
This gritty novel, written by Dorothy Uhnak, a policewoman herself, chronicles thirty-three years of the O’Malleys—an Irish family of New York City cops in a time when bigotry and corruption ran rampant throughout the NYPD. It begins with the cover-up of Sergeant O’Malley’s unsavory death at the hands of a prostitute, follows his son, Brian O’Malley, on his rise through the ranks to Deputy Chief Inspector, and ends with his grandson, Patrick O’Malley’s crusade to expose dirty cops and clean up the department. The story is filled with racial slurs common for the time and sexual perversions that the O’Malleys—and men in general—seem prone to. It also gives us a glimpse into life on the crowded streets of a city where generations of immigrants tried to survive without the law and order we enjoy today.
It was easy to read, but wish I had not spent this much time on a 500 page book that displayed such racism, sexism, and what I consider some sexual perversion by all three generations of the men in this family. I have never considered myself a prude, but wonder how realistic it is that the behaviors were prevalent in each man.
I suppose I started the book thinking it was the precursor to the long running television series of the same name, which I have been known to binge on snowy days; I kept reading, hoping something good would happen, which it finally did, but took a long time getting there.
If I had it to do over, I’d binge a day or two of the series instead of reading this book.
If you can get past the grisly racism and casual misogyny, this is a fascinating generational drama that showcases the insular and corrupted culture of the NYPD during the 20th century. The author herself comes from a law enforcement background, so there's an extra grim sense of realism to this narrative. A Thin Blue Line, indeed, because or in spite of the passions and loyalties of the individual officers.
Unsure if this was ever a TV movie but if it wasn't, it needs to be. Though I felt a total lack of anything for literally all the characters, (bar Kit O'Malley, found them ordinary, soulless, and stereotyped), it had a good pace and easy visionary for a TV movie. Much brutal, yet justified vigilante style justice, its tough settings reminded me of the great Starsky and Hutch TV series. There were twenty episodes crammed in to this book. And I hate to say, but, bring back 'cops' like these, please. Hoodlums, savages, rapists, the whole offenders' shebang need one hell of an unsanctioned kicking at times, more so in today's violent times. Again in the end, a bit routine for me, however, it would make a damn fine TV film/mini-series. I'd be tuning in.
I had read this book years away and loved it. Now I am reading the Ryer Avenue Story and really enjoying it because that is the neighborhood of my teenage years.