‘If you’ll forgive me, memory lane is not where I need to be this minute.’
British author/screenwriter Jenny Morton Potts lives and writes in Derbyshire. She has published two books – PIANO FROM A 4TH STORY WINDOW and the screenplay resulted in a movie filmed in Sussex, and now HIDING.
Jenny’s gift for creating terrifying atmospheres and leading the reader through twists and turns that border on incredible is evident from the start of her book –first we meet Rebecca - ‘Killer Road,
April 2007 - They died, Rebecca Brown’s mum and dad. They were killed on a road with a big reputation. Rebecca could only imagine it. She was hundreds of miles from the scene of the crash when it happened. When she thought of that road, she pictured it covered in ice, black ice, since the accident took place on a bitter December night. The A42 was the road’s alphanumeric name. The Killer Road, they called it back then in the papers. The Killer Road has struck again! The headlines came into Rebecca’s mind like a voice, like Vincent Price, as if the road arched up into vertical life, a tarmac monster stalking its victims. Rebecca Brown was four years old when she became an orphan, alongside her sister, Colette, and her brother, Austen. Rebecca was the youngest. She couldn’t even remember the moment she was told. What had they said? ‘Mummy and Daddy have had a terrible accident, dear. In the car.’ At the time, she knew little more than the fact. They were gone. They’d been there all the days of her life, and then they were not. Of the circumstances and detail, she knew next to nothing. Perhaps Rebecca hadn’t thought to ask questions. Perhaps there was little more to say to a child so young. As Rebecca grew, though, so did her thirst for knowledge. But it seemed that, even if there had been a window of opportunity to make her enquiries, that window got bricked up years ago. There was a solid wall now between Rebecca Brown and the truth.‘
Then we meet Keller – ‘Death Row, June 2021 - Keller Baye made sure to find the shade of a tree when he drove into the parking lot of Ashvale Mall. The weesatch branches hung over the hood of his Chevy Silverado, leaves just inches from the windshield. In a light wind, those leaves would reach down and stroke the glass. But there was no wind on this late June day in 2021 and the sun was already relentless in the North Carolina sky. Keller watched a bug dance across the dashboard, looking for an exit. Was this a good day to die? Keller thought that it was as good as any. The Chevy pick-up was his pride and joy. He worked three jobs to keep up the payments. But he wouldn’t be making a payment next month, or ever again. Keller Baye had lived his whole life in this State. It never occurred to him to look elsewhere but now everything had changed. He’d been on this earth for twenty five years but he felt he was only just starting to really come alive. Up till now, he’d never been further than Charlotte, which is where he was headed right after his meeting with the bounty hunter, day after tomorrow. Of course, Mr. Blonk did not like to be called a bounty hunter, preferring instead the term skip tracer. But essentially, Blonk hunted folk down for money. And since Keller was paying, he’d call the guy whatever the hell he chose.’
These two dissociative time frames and people cross paths into creating a psychological thriller that is one of the strongest before the public. The plot outline offers a whisper of how the story plays – ‘Keller Baye and Rebecca Brown live on different sides of the Atlantic. Until she falls in love with him, Rebecca knows nothing of Keller. But he’s known about her for a very long time, and now he wants to destroy her. This is the story of two families. One living under the threat of execution in North Carolina. The other caught up in a dark mystery in the Scottish Highlands. The families’ paths are destined to cross. But why? And can anything save them when that happens?’
Very strong writing by Jenny – a book that pleads to be another screenplay!