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All Dressed Down and Nowhere to Go
Together in one volume:
Still Pumped from Using the Mouse (1996)
Casual Day Has Gone Too Far (1997)
I'm not Anti-Business, I'm Anti-Idiot (1998)
Still Pumped from Using the Mouse (1996)
Casual Day Has Gone Too Far (1997)
I'm not Anti-Business, I'm Anti-Idiot (1998)
384 pages, Paperback
First published January 1, 2002
2 people are currently reading
57 people want to read
About the author
Scott Adams
240 books1,309 followersLibrarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information.
Scott Adams was a defining voice of the American white-collar experience who transitioned from a prominent cartoonist into a polarizing political commentator. After earning an MBA from UC Berkeley and spending years in management at Pacific Bell, Adams launched the comic strip Dilbert in 1989. The strip’s sharp satire of corporate bureaucracy and the "Dilbert Principle"—the idea that incompetent employees are promoted to management to minimize their damage—resonated globally, eventually appearing in 2,000 newspapers and winning the prestigious Reuben Award. Beyond the funny pages, Adams explored philosophy and persuasion in works like God's Debris and Win Bigly, the latter of which analyzed Donald Trump’s rhetorical strategies during the 2016 election. His career took a dramatic turn during the mid-2010s as he shifted focus to his daily "Real Coffee" livestream, where he combined his background in hypnosis and corporate strategy to comment on the "culture wars." This period of independent commentary culminated in 2023 when he reacted to a poll regarding racial tensions with a series of inflammatory remarks. Labeling Black Americans a "hate group" and advocating for racial segregation, Adams faced immediate and widespread repercussions; hundreds of newspapers dropped his strip, and his publisher canceled his upcoming projects. Undeterred, he moved his work to the subscription-based platform Locals, rebranding his comic as Dilbert Reborn. In his final years, he faced severe health challenges, including stage IV prostate cancer and vocal cord issues, yet he remained a prolific presence on social media. He eventually announced the end of his hand-drawn work due to focal dystonia but continued to direct the strip's vision. Adams’s legacy remains a complex study in the power of branding, the evolution of digital influence, and the volatile intersection of creative genius and political provocation in the modern era.
Scott Adams was a defining voice of the American white-collar experience who transitioned from a prominent cartoonist into a polarizing political commentator. After earning an MBA from UC Berkeley and spending years in management at Pacific Bell, Adams launched the comic strip Dilbert in 1989. The strip’s sharp satire of corporate bureaucracy and the "Dilbert Principle"—the idea that incompetent employees are promoted to management to minimize their damage—resonated globally, eventually appearing in 2,000 newspapers and winning the prestigious Reuben Award. Beyond the funny pages, Adams explored philosophy and persuasion in works like God's Debris and Win Bigly, the latter of which analyzed Donald Trump’s rhetorical strategies during the 2016 election. His career took a dramatic turn during the mid-2010s as he shifted focus to his daily "Real Coffee" livestream, where he combined his background in hypnosis and corporate strategy to comment on the "culture wars." This period of independent commentary culminated in 2023 when he reacted to a poll regarding racial tensions with a series of inflammatory remarks. Labeling Black Americans a "hate group" and advocating for racial segregation, Adams faced immediate and widespread repercussions; hundreds of newspapers dropped his strip, and his publisher canceled his upcoming projects. Undeterred, he moved his work to the subscription-based platform Locals, rebranding his comic as Dilbert Reborn. In his final years, he faced severe health challenges, including stage IV prostate cancer and vocal cord issues, yet he remained a prolific presence on social media. He eventually announced the end of his hand-drawn work due to focal dystonia but continued to direct the strip's vision. Adams’s legacy remains a complex study in the power of branding, the evolution of digital influence, and the volatile intersection of creative genius and political provocation in the modern era.
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Displaying 1 - 6 of 6 reviews
January 7, 2020
Dilbert is at it again and he still muddles through with help from Dogbert and rat. If you like your humor a little on the cruise then read and enjoy.
December 29, 2025
The wonder of Dilbert oversized but intense.
February 9, 2008
This is a compilation of three previous Dilbert volumes. They were published in the late 90s, so a few of the references to technology and jokes may seem a bit dated. However, the office humor and the overall funny dynamic of this comic strip remains as relevant as ever. Definitely worth reading again. A good book to pick up for a laugh or two now and then. A nice browsing volume.
February 3, 2009
I have always been a fan. Adams is a genius. He has the unique ability to see a business situation and see how crazy and messed up it is. Now that I work in an office, these books have become my bible. Every word is true.
February 7, 2011
I love Dilbert. Even though this is an older book, the sketches are still SO true today! (I happen to like my boss in real life, but corporate culture is funny in general.)
September 6, 2013
It's Dilbert. You either read the strip and you like it or you're in management.
Displaying 1 - 6 of 6 reviews