My true rating for this novel is 3.5 stars, so I'm going to go ahead and give it the four, because it's in my top five favorite western novels, and perhaps my favorite Louis L'Amour novel thus far.
"Kilkenny" is the last of a trilogy about the travels and battles of Lance Kilkenny--a man desperately trying to find peace in a world that just will not let him do so. I cannot say this any plainer than this: I LOVE this character. He is the embodiment of who I would like to be as a man, and, unlike a number of contemporary Western protagonists today, Kilkenny isn't a flawed character. He is complicated, complex, conflicted, but he always makes the right choice, when the choices are not easy to make. In a small way, he is almost too perfect, but that's what I want in my male western protagonists. I don't want a wishy-washy pansy who regrets the choices he has made, or who refuses to use his gun because he's tired of taking life, or who resorts to drinking and whoring to escape his all-too-painful memories of the past. No, Kilkenny has the occasional drink, but he drinks for pleasure, not for escape. He's infinitely chaste, and when he falls for a woman, it's for one woman, and no other. He knows who he is, and accepts the life God gave him, and he values his life enough to keep his gun and fight for the cause of justice whenever necessary. Few protagonists today are like Kilkenny, and I doubt I'll ever encounter another character like him again.
In this novel, Kilkenny finally finds a home--he builds a cabin out in the mountains of the whispering wind, and plans to live out his days in peace. Of course, after making his first trek to the local town, he encounters the villains, and thus the conflict begins. Nita, his "girlfriend" who has stuck with him throughout three novels, is now running the KR Ranch. An outside outfit, the 4T ranch, ride into town with thousands of head of cattle, and attempt to bully, kill, and force the smaller ranchers off of their land. The villain is Jared Tetlow, and, of course, he has a hired gunman to enforce his malignant objectives. Sure, this novel follows the standard western formula, but with enough twists and turns and originality to keep the story truly interesting. Indeed, I was so engulfed in this novel that I read it in two days, as I just could not wait to discover how the story ended, and boy was it satisfying. Most western writers are smart enough to know that we want the good guy to win and get the girl, and the bad guy to die, but L'Amour, in addition to providing all we expect, combines that story with exceptional writing skills. Indeed, L'Amour is the finest of all the western writers I've read, and of all of them, he is the closest I would come to calling a truly literary master. Most literary snobs look down on western writers, but some of them, Charles Portis, and L'Amour, are true masters of the craft, and his ability to create a setting and transport the reader into it is masterful, and something I will not soon forget.
L'Amour's westerns aren't gratuitously violent, but they are exceptionally satisfying. I LOVE the way he extends fight scenes, for example, and every shoot out is described in such a way that I can visualize exactly what movements the gunmen are making, what positions they are in, how the shot sounds, what the smoke smells like, the sound of the bullet bursting through a man's teeth, and the visceral sensation of a nick, a gut-shot, or a blast through the head...L'Amour provides it all. I enjoyed the ending of this novel perhaps more than any other I've read. I completed it entirely satisfied. Fortunately, L'Amour wrote a few short stories involving Kilkenny, so he hasn't left my life forever, but this trilogy is one that I will return to again and again, and you just can't say that for many westerns.