The battle against Crowley Eusford rages with all the cursed gear and power being no match for the vampire noble, ending with tragic consequences. Not that Yuichirou Hyakuya is willing to accept them. He’s willing to give his body and soul to Asumaru to save Guren, pressing Crowley hard enough that the vampire is simply itching to drain Yu dry. Neither Guren nor Yu’s teammates are willing to let Yu make this sacrifice, any more than Mikaela Hyakuya, who is getting closer and closer to finding his lost Yu.
This volume was loaded with action and character development, focusing mostly on the mentorly relationship between Guren and Yu, showing Guren can be a really good papa, even if he isn’t willing to admit he’s anything of the sort at first, both of the action of the main plotline and the flashbacks from when Guren first took Yu in. This reader got the impression that Guren needed Yu as much as Yu needed Guren. Both of them were caught in an emotional crisis, or suffering the backlash of them, having lost Mahiru and Mika. The scenes of Mika dying at Ferid’s hands get more dramatic each time Yu recalls it, with Ferid actually picking Mika up and carrying him away from Yu before biting him. This is more and more removed from what actually happened, showing how memory is altered by a rage for revenge, becoming not only a motivation to kill vampires but to keep his distance from everyone. Yu isn’t keeping it from Guren, whose own regret is embodied by an image of a faraway Mahiru, standing on top of a pile of bodies, remote and out of reach. The memory of her is becoming more distance, yet it still haunts him. Perhaps Guren’s memories of Mahiru would have been as visceral and warped by feelings of loneliness and loss as Yu’s are, if he hadn’t had Shinya, Sayuri, Shigure, Mito, and Norito, friends to put some distance between himself and his tragic lost love, giving him someone else to devote himself to. It’s clear that Guren sees much of himself in Yu, understanding how much this boy needs someone else in his life to fill the emptiness left by the loss of Mika. In fact, he sees with a father figure’s worried eye that Yu still has a loving heart and he doesn’t wish to see it warped by his child’s darker impulses. All of this was depicted beautifully in the art work and the story, for which Kagami-sensei, Yamamoto-sensei, and Furuya-sensei should all be very proud. The characters who stood out most besides Guren and Yu were Kimizuki and Crowley. Kimizuki acts on the same impulse which drives Yu to save Guren in one of the most dramatic action sequences in this volume, along with some of the most emotionally charged ones, trying to save Yu from himself. Right before that is a very different scene where we see how much Crowley is driven to seek out what’s entertaining, a crucial need in an immortal. This is why he follows Ferid Bathory, this is why he’s tempted to drain Yu dry every time they meet. He’s a little more capable of reason than many other vampires, such as Chess and Lacus, yet Crowley lives for fun. Asumaru provided some intriguing insights in his quiet moments with Yu, when Yu finds himself torn between a demon’s power and the mysterious seraph’s, building up the intensity and mystery of the ongoing plot. All of this was depicted in exquisite art work, giving me the impression that the author, artist, and story boarder all outdid themselves in this particular volume. For all of these things, I give this five stars.