An extensive and thorough study of the origins, development and usage of the glamorous two-edged knightly sword of the European middle ages, with a complete typology. Spanning the period from the great migrations to the Renaissance, this book presents a selection from a very large body of photographs and research and gives a full and detailed record of the swords of that turbulent time.
Some people think Oakeshott's "Records" is a typology. This is not really the case (it lacks clear argumentation for transitional forms) - however, it is far more useful as a tool for classifying medieval swords than, say, Ada Brun Hoffmeier's work (which is a true typology). Some people think it is a catalog - it is not, it is an attempt to systematize medieval swords. At this it succeeds admireably. I might have critizised it for its lack of academic typological systematization, but Hoffmeyer DID use that and her work is not nearly half as useful.
Great detailed records of many amazing swords, including Viking and Roman swords. I couldn't help but laugh as the author details his incorrect restoration techniques on a number of priceless swords. He chalks it up to his youth and immaturity but you have to wonder what this "expert" was doing at times.
A seminal reference for the medieval european sword scholar and an excellent read for the enthusiast or someone looking to learn more about the reality of the weapons.