While the history of musical instruments is nearly as old as civilization itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustical measurements. Indeed, for many musical instruments it is only within the past few years that musical acoustics has achieved even a reasonable understanding of the basic mechanisms determining the tone quality, and in some cases even major features of the sounding mechanism have only recently been unravelled. This book describes the results of such acoustical investigations ss intellectual and practical exercises of great fascination.
Neville Horner Fletcher FAA FTSE AM (1930-2017) was an emeritus professor of the University of New England and a Visiting Fellow at the Australian National University. He received his B.Sc. in Sydney in 1952, his M.A. and Ph.D. from Harvard in 1955, and his D.Sc. in Sydney in 1973. He was also an adjunct professor at The University of New South Wales, visited the acoustics lab regularly, and collaborated with us on a number of projects.
As a physics/mathematics major who also plays stringed instruments, this was a fasinating eye-opener to the complicated physics of real-world instruments, their construction, and tuning theory. Amazing amounts of information that you would be hard-pressed to find anywhere else.
Νομίζω είναι αδύνατο να βρεις κάποιο βιβλίο που να μην έχει δανειστεί όχι απλά μερικά στοιχεία, αλλά ολόκληρα γραφήματα, τύπους, ακόμα και κεφάλαια από αυτό. Είναι τελικά η βίβλος της ακουστικής των μουσικών οργάνων.