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Word.: On Being a [Woman] Writer
From Barbara Kingsolver to Dorothy Allison, Isabel Allende to Nawal El Saddawi, some of the world’s most famous literary voices meditate on what it means to be a woman writer.
Despite their increased visibility, women who write are still thought of as different—sometimes celebrated, sometimes viewed with suspicion and condescension. Here, writers from all over the world explore, defy and embrace “the woman writer”: an indispensable muse to some, a troublesome burden to others; a defiant, even life-threatening identity to others still. Taking nothing as given, these writers explore the varied pleasures and dangers of writing as woman in the contemporary world.
The choice to write is rarely considered free of consequences. For some of the writers in this collection, it has meant prison or exile; for others, it has required a defiance of traditions and expectations and a re-creation of identities and communities. For most, it demands a balancing act among family, practical needs and the undeniable will to create.
In essays that are deeply personal and fiercely political, these writers topple all fixed ideas of “the woman writer,” revealing themselves as utterly individual and powerfully interconnected authors of the written word, of the human heart, of what we dare to imagine as possible.
Contributors include: Diana Abu-Jaber, Isabel Allende, Meena Alexander, Dorothy Allison, Gioconda Bellí, Pat Califia, Judith Ortiz Cofer, Tsitsi Dangarembga, Shashi Deshpande, Assia Djebar, Jessica Hagedorn, Joy Harjo, Barbara Kingsolver, Maxine Hong Kingston, Taslima Nasrin, Erica Jong, Rita Dove, Alia Mamdouh, Toni Morrison, Daphne Patai, Nawal el Saadawi, Patti Smith, Wislawa Szymborska, Yvonne Vera, Alice Walker and Rebecca Walker.
Jocelyn Burrell is an editor at the Feminist Press at CUNY, as well as a writer and performance poet.
Despite their increased visibility, women who write are still thought of as different—sometimes celebrated, sometimes viewed with suspicion and condescension. Here, writers from all over the world explore, defy and embrace “the woman writer”: an indispensable muse to some, a troublesome burden to others; a defiant, even life-threatening identity to others still. Taking nothing as given, these writers explore the varied pleasures and dangers of writing as woman in the contemporary world.
The choice to write is rarely considered free of consequences. For some of the writers in this collection, it has meant prison or exile; for others, it has required a defiance of traditions and expectations and a re-creation of identities and communities. For most, it demands a balancing act among family, practical needs and the undeniable will to create.
In essays that are deeply personal and fiercely political, these writers topple all fixed ideas of “the woman writer,” revealing themselves as utterly individual and powerfully interconnected authors of the written word, of the human heart, of what we dare to imagine as possible.
Contributors include: Diana Abu-Jaber, Isabel Allende, Meena Alexander, Dorothy Allison, Gioconda Bellí, Pat Califia, Judith Ortiz Cofer, Tsitsi Dangarembga, Shashi Deshpande, Assia Djebar, Jessica Hagedorn, Joy Harjo, Barbara Kingsolver, Maxine Hong Kingston, Taslima Nasrin, Erica Jong, Rita Dove, Alia Mamdouh, Toni Morrison, Daphne Patai, Nawal el Saadawi, Patti Smith, Wislawa Szymborska, Yvonne Vera, Alice Walker and Rebecca Walker.
Jocelyn Burrell is an editor at the Feminist Press at CUNY, as well as a writer and performance poet.
256 pages, Paperback
First published May 1, 2004
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Displaying 1 - 6 of 6 reviews
May 7, 2022
Got this one out of the university library specifically to read the essay by Luisa Valenzuela. Am so happy that I checked it out as many of the essays are informative, enjoyable, and engaging. Enjoyed the one by Valenzuela, as well as the ones by Atwood, Vera and Nasrin. Loved the one by Atwood so much, that I'll make sure I get back to her and read some of what I missed.
February 12, 2018
this is a really lovely & diverse collection.
February 20, 2013
I've bought and given this book away twice. It is that good. If you read one essay from this collection read "the woman who sleeps with one eye open".
The whole collection is a watershed of support and shared personal depth of women's experience writing.
The whole collection is a watershed of support and shared personal depth of women's experience writing.
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March 15, 2007okay... so'm bias, but so is the media... as peter would say ... eat it... or suck it. this book is the bomb... so eat it... or suck it.
June 3, 2011
So good I dragged it half way around the world with me. Cling to it.
June 16, 2014
I gave it four as opposed to three because of essays written by these ladies: June Jordan, Jeanette Winterson, Margaret Atwood.
Displaying 1 - 6 of 6 reviews