Dorien Grey (the first Dick Hardesty mystery)
The Butcher’s Son
Untreed Reads Publishing, 2015 (first published, 2000)
Cover designed by Ginny Glass
ISBN 1-879194-86-4
Four stars
This was my first book by Dorien Grey, the nom-de-plume of the late Roger Margason. I remember his death in 2015, and how it rocked the world of fellow gay fiction writers and aficionados who knew and admired him. I had somehow missed his books, and when I came across “The Butcher’s Son” in my various ramblings through Goodreads, I decided it was time to read one. Margason was a generation older than myself, and as such should represent the first great wave of gay fiction writers. But Margason didn't start writing fiction until his career was behind him. Dorien Grey was the alter ego that let him step outside his daily life and write what was in his head.
This is the book that gave birth to Dick Hardesty, a gay detective in the 1970s, born of the frustration and anger of the early post-Stonewall era. In it, Dick is working in a marketing firm he hates, and his five-year relationship with his boyfriend Chris is dying a slow death. Dick is assigned to handle all the publicity around the campaign for the local police Chief, a blatant homophobe and friend of Dick’s boss. His work on the Rourke campaign, and his presence at a horrific fire at a local gay bar, become the twin threads of the mystery that will transform Dick from ad-man to private eye.
Grey’s writing was, not surprisingly for his generation, literate and accomplished. He had been the chief editor of The Advocate, America’s major gay news magazine, and brought his editorial skills to fiction writing. Dick Hardesty is an out gay man – but only as out as he comfortably can be in the 1970s. This is the era I came out, and I remember that constant tension between being comfortable in your own skin, and being hesitant when confronted with the straight world. Grey beautifully demonstrates this tension as Dick confronts his idiot boss, the homophobic and charmless police chief, and the chief’s tall, handsome, ordained son Kevin.
The quiet dissolution of Dick’s longterm relationship with his college boyfriend Chris is portrayed with gentle sadness as a backdrop to the main events. It is the first time I’ve encountered such a sympathetic, wistful portrait of a failed relationship, in which no blame is given, no fingers pointed. The emergence of Dick Hardesty as a private eye is as much part of this personal event as it is tied to the larger political events in the outside world.
Most of all, Dick Hardesty is presented to the reader as part of a community of gay men who are not only friends, but also a support network in a world that is still by-and-large hostile to them. This is something that was very much a part of Roger Margason’s life, as it was for mine. Reading Dorien Grey’s books is not just a lesson in good fiction writing, it is also a lesson in gay history.