From the first “talkies” to modern blockbusters, The New York Times Guide to the Best 1,000 Movies Ever Made collects the original reviews of the most popular and influential films exactly as they appeared in print, creating a fascinating history of nearly a century of cinema. Written by such acclaimed critics as Vincent Canby, Janet Maslin, Elvis Mitchell, and others, the film reviews featured in this indispensable volume cover black and white classics, Technicolor musicals, widescreen extravaganzas, genre favorites, art films, and foreign masterpieces with honest and thought-provoking assessments that reflect the eras in which they were initially released. With critiques of beloved European and Asian films by directors such as Truffaut, Fellini, Almodovar, and Kurosawa appearing beside Hollywood milestones from Kubrick, Spielberg, Hitchcock, and Welles, this book traces the careers of these groundbreaking filmmakers, and encapsulates the evolution of the medium and film criticism―making this an invaluable resource for any movie fan. Special Features and Extras Include: * Full cast and production credits for every movie * “The 10 Best” lists for every year starting in 1931 * Genre index: action/adventure; animated; comedy; crime/mystery/suspense; documentary; drama; horror; musical; mystery; science fiction; western * Foreign language film country of origin index
The New York Times is a daily newspaper published in New York City and distributed internationally. Founded in 1851, the newspaper has won 112 Pulitzer Prizes, more than any other news organization. Its website receives 30 million unique visitors per month.
Read all the original reviews of 1000 great movies as they were published in the New York Times. You may not agree with their picks, and some of the older reviews are awfully smug, but that's the fun of this kind of book. Not all of these reviews are positive, as even they changed their minds, sometimes! They limited their picks to movies with sound, so you won't find any Charlie Chaplin or Buster Keaton here. That doesn't mean you shouldn't watch them, though! See if your favorites are included!
I'm a fool and fall guy for a classic movie. The fun and profit of this book is in upgrading your taste in movies and disagreeing with some of the greatest film critics who ever penned a review, Bosley Crowther, Vincent Canby, Janet Maslin and other NEW YORK TIMES eminences, on what constitutes a great film and which directors are likely to endure in film history. This compendium is unusual in that the reviews of the 1,000 best movies are all contemporary. If a movie came out in 1946, say THE BEST YEARS OF OUR LIVES and ANNA AND THE KING OF SIAM, we get the review published in the TIMES. No second-guessing or "time has vindicated this film". This can be a dangerous practice, and misleading. Alfred Hitchcock's PSYCHO opened to terrible reviews in 1960, but today is considered, by me anyway, his masterpiece, especially compared to the Oscar Best Picture winner that year, Billy Wilder's THE APARTMENT. On the flip side, Bernardo Bertolucci's LAST TANGO IN PARIS from 1973 was hailed for having "changed the face of an art form", yet it is little viewed, much less praised, today. Here's an infuriating item on this list. The TIMES critic hated THE GODFATHER PART II, calling it a shallow, nonsensical rehash of the original. He even profanes the one gem most critics spotted in this sequel, Robert DeNiro's performance as the young Vito Corleone; "he seems to be doing a nightclub imitation of Brando". That made me go out and watch GF II again, for the sheer pleasure. Silent films always need a rescue for modern audiences, and I'm glad THE GENERAL, BATTLESHIP POTEMKIN and all of early Chaplin is here. Americans require a reminder now and then that local manufactures are only a small part of global film output. The masters of foreign cinema earn their stars from the TIMES; Kurosawa, Ozu, Fellini, Herzog, Wenders, Visconti, Bergman, Truffaut, Godard and Bresson. My one complaint about this list of all-star films is that small budgets are under-represented. Where are WHEN FATHER WAS AWAY ON BUSINESS, DETOUR, GUN CRAZY, WITHNAIL AND I, and I WALKED WITH A ZOMBIE? Though 1,000 BEST FILMS is too high-brow I still recommend this thick volume for a launching pad into world cinema.
First off this is a really good diverse list of films. I went through and read all the reviews for the films I had seen. Which is only about 1/4 of what is contained in this massive volume. Now I have a long list of great films to go through when I am stumped for something to watch.