"Don't expect sense from these poems, in which grief, politics, literary theory, and sexuality interweave. But do expect language surprise and beautiful metaphors. . . . When [Akilah] Oliver presents her experiences in metaphor-rich language, the reader feels what she incredible loss, infinite pain."— Library Journal “An extraordinary gift for everyone.”—Alice Notley Written for her son, Oluchi McDonald (1982–2003), Akilah Oliver’s poems incorporate prose, theory, and lyric performance into a powerful testimony of loss and longing. In their journey through the borderlands of sorrow, they grapple with violence, find expression in chants, and, like the graffiti she analyzes, become a place of public and artistic memorial. “If memory is the act of bearing witness,” she writes, “then the dream is a friend driving us somewhere.” Akilah Oliver is the author of the she said dialogues , recipient of the PEN/Beyond Margins Award. Born and raised in Los Angeles, she currently lives in Brooklyn and curates the Monday Night Reading Series at the Poetry Project.
Although there are a few poems that feel a bit over-written, this collection is still exceptional. Oliver's ability to write about the passing of her son, graffiti, and a variety of other social issues- both public and private make this an extraordinary and important collection. This is definitely a book I will read over and over.
A courageous gift of such honesty and beauty that it sometimes reads like Akilah was channeling. One of the most graceful and mystical books I have ever read.
This is a beautiful book full of simultaneities, repeated textural themes, laments, and prayers that unfold into something almost like a body in the in-between-ness of subjectivities - there is tension counter statement, movement as above and so below.