Viscount Winterton's cousin asked him to pick up his mistress him for him, and bring her to the countryside where he is recovering from a broken leg. Winter figures it'll be no big deal and goes to collect the woman, except he gets the wrong one. He discovers this approximately five minutes before her father finds them, shoots him, and leaves him for dead.
Despite nothing happening and the short amount of time she spent with him, Florentia is ruined, and spends the next six years in Kent painting. She has created a false name for herself, Frederick Rutherford, and has been selling her paintings under that name. Her agent wants her to come to town, and when her sister asks the same of her, she decides to go incognito. Disguised as Frederick, Florentia discovers that the man who ruined her life is still alive and arranges to paint him in order to learn about the man who ruined her life.
Both Florentia and Winter are broken people. Winter was a spy during the Napoleonic Wars and was captured and tortured, and then he kidnaps Flora and almost dies. After recovering from his wounds, he goes to America, but he is still burdened by guilt and tormented by various traumas of his past. All he wants is to find Flora, apologize to her, and learn if there is anything he could do to make her forgive him. Flora has built a kind of life for herself, but she is deeply lonely and isolated, and when she takes on the role of Frederick she enjoys the freedom he has. She is also tormented over the death of her twin brother, and her role in it. As she paints him, the two of them fall in love, even though Winter doesn't know she is a woman, and they begin to heal from their various wounds. This is a fairly angsty story, and I liked the tortured aspects of both characters.
Florentia was one of the best crossdressers I've read. Most crossdressers in fiction just seem to throw on a pair of pants and bind their breasts, but she actually puts in a lot of effort. She gets a wig, fake facial hair and glasses, puts lifts in her boots, and stuffs cotton in her mouth all to change her appearance and make herself more masculine. It's one of the few times I actually believe the crossdressing could be pulled off.
I didn't care for the subplot revolving around Winter's father. It felt strange and a bit like a deus ex machina. The resolution was lackluster as was that of the Heron family. I wish they had retained their villainous role and added more conflict to the story. Despite the guilt and agony between the two leads, there isn't a lot of conflict in the story.
I also didn't like how Winter went off to America for a few years. If he was so guilty over what he had done, I feel like as soon as he was able, he should have tried to find Florentia and tried to make it up to her, not gone off to get rich in America.
There was also a point where someone asks why Florentia would marry the man that ruined her which felt weird to me because that would have been more expected than her not marrying him. This is a really small point, but it just stuck out a lot to me.
I liked the concept of this story, but a weird subplot dragged the story down as did some questionable character choices.