"Stefan Heyms grandiose Abrechnung mit dem Stalinismus" (Hamburger Abendblatt) führt mitten hinein in das Jahr 1956. Illusionslos und doch voller Poesie erzählt Heym die Geschichte des Stararchitekten Arnold Sundstrom, der seine ästhetischen Ideale längst verraten hat und baut, was die Partei will. Doch die berühmte Geheimrede, in der Chruschtschow mit den Verbrechen Stalins abrechnet, bringt auch Sundstroms Lebenslügen zum Vorschein. Seine junge Frau Julia, überzeugte Sozialistin, begreift, dass ihr bewunderter Ehemann ihre Eltern in den Tod geschickt hat. Heym erzählt, wie Menschen am Verlust einer sicher geglaubten politischen Moral zerbrechen, während andere sich längst aller Werte entledigt haben.
I picked this up in Daunt books in Marylebone, seeing a pile of copies of it superbly merch'd on a table in the corner, emblazoned with TLS quotes about its brilliance.
What a peculiar choice for a reprint. At best, it's an interesting GDR artifact, set in a pretty fascinating period (post *that* 1956 speech). At points, it has the potential of a low level thriller. It's also obviously strong on the public vs private, the tight political game of favourite and out-of-favour and the ghastly charade of socialist realism.
So far, so good.
What I struggled with was the morality. Stefan Heym isn't satirising or trying to deflate the overarching idea. Stalin's bad, sure - and, comrades, awful things were done by him. But the revolution and the dictatorship of the proletariat - that's fine. Forget ye not: this writer went back to the GDR. All of which left me cold and actually irritated me at times for its careful posturing and, frankly, hypocrisy.
Odd on the language front too. He wrote it in English, but it's full of idiosyncratic Germanisms that soon set you bemoaning an imagined sloppy translater. 'Mishmash' instead of 'chitchat'; 'no skin off my back'; 'stop yammering', etc. Ganz komisch.
The novel is set in the Deutsche Demokratische Republik (German Democratic Republic or East Germany). The characters in it are a team of architects working to rebuild post war Berlin. There is a lot of discussion of what type of architecture is politically correct for a socialist republic, which shows that every decision had a political element at that time. There is a lot of sexual and professional jealousy among this so-called team and an historical incident dating back to when the older architects were working in the Soviet Union after fleeing Nazi Germany.
If you are at all interested in what life would have been like in the GDR (East Germany before the fall of the Cold War) then you should give this book a read. It's a love square between 4 different architects set slightly before and after Kruschev's speech denouncing the Stalinist regime with the 4 architects taking different aspects of the socialist state - whether they are people who profess to agree with the positions of the regime for status and power, or have been imprisoned in Russian Concentration Camps and can see some of the hypocrisy of the regime.
At times, it does seem like there will be a very large denouement by the end of the story, but the reason why Laura's parents and Wollin were imprisoned in Russia are very small and commonplace - which is probably more true to life. The reason why it doesn't get 5 stars is that some of the characterisation runs a little odd - to get the plot going some of the characters act in ways that are slightly out of sorts.
Still, a fascinating read into ideas about architecture and living in a Communist state.
I find it difficult to explain why I liked this book. I suppose it comes down to the political intrigues and descriptions of communist GDR. I did find some of the architectural stuff a little boring but on balance I am glad I continued to read.
Fascinating historical novel about 1950s East Germany a period of history I knew little about. Difficult to emphasise with any of the characters though - bit frustrating.
Beklemmende roman over hoe het wereldbeeld kantelde in Oost-Duitsland 1956, voor maar vooral na de toespraak van Chroetsjov verteld door de levens van 4 architecten