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348 pages, Kindle Edition
First published November 15, 2016
"Books are mere kindling for fires intended to burn people"
(ARC received in exchange for honest review at www.netgalley.com)
Emmie Mears’ ’Look to the Sun’ is more than just genre fiction - it’s a condemnation of fascism and bigotry, set against a fantasy backdrop. The city of Sanmarian is awash with protest over the National People’s Voice’s authoritarian regime, and amid the chaos Rose loses a precious memento that belonged to her father. When her despair is caught on camera by local photographer Beo, their fates become intertwined as they bond over their shared obsession with a novel the NVP despises. When the city burns and the revolution begins, Rose and Beo find themselves at the heart of a storm about to change everything…
Make no mistake, ‘Look to the Sun’ is political at its core. Mears doesn’t disguise the NVP as anything but an allusion to Naziism, or perhaps even the turbulence of the United States during the Trump Era. In making these parallels, she ties her story intrinsically to the emotions past atrocities evoke, lending power to her narrative and uniting her readership in revulsion as the NVP’s inhumanity becomes the crux of the book’s conflict. Mears confronts the horrors of Fascism head on, permeating her story with book burnings, executions, ethnic cleansing, abuse and depictions of suicide. However, she doesn’t revel in this darkness - she also dabbles with romance and the normalisation of queer culture, infusing the story with humanity that balances the barbarism on display with a message of hope. Mears’ political commentary never feels overbearing, working in tandem with her world-building and her characters to create a tension that propels her narrative to new heights.
All that being said, I’ve got some admissions to make. Whilst I can acknowledge the strength of Mears’ storytelling and message, her style of writing never quite worked for me, and in my experience with ’Look to the Sun’ I couldn’t shake the feeling that it all just felt a little prosaic and dreary. Specifically, her tendency towards lifeless prose actually took some of the impact out of the more emotional passages, stylistic choices that hindered immersion. I also had issues with the city itself, which felt rather bland by fantasy standards, perhaps because of the colour palette chosen or simply down to the humdrum technology on offer. I’m not entirely sure how much my own preferences colour these criticisms, to be truthful. However, I still feel a more lively style of writing would have been beneficial when tackling some of the more poignant plot points.
In conclusion, ‘Look to the Sun’ is a fantastic novel. It’s bizarre hybridisation of fantasy and political thriller serves as a stark reminder to be mindful of our past, lest it creep up on us once more. Though I never felt entirely comfortable with Mears’ writing, the merits of her story more than make up for any unfortunate literary quirks. I definitely recommend you pick this up when it releases October 28th - it’s absolutely worth it.