THE PERCEPTION, UNDERSTANDING, AND USES OF COLOR―EXPANDED AND REFRESHED Understanding Color is an essential resource for those needing to become proficient in color for business applications. The peerless treatment of this critical subject is beautifully illustrated with real-world examples. Designers have turned to this guide for nearly a generation for its authoritative and accessible instruction. The knowledge contained in this book sets you apart from other designers by enabling you Full-color images showcase real design examples and a companion website features a digital workbook for reinforcing color concepts. From theory and practical implementation to the business and marketing aspects, Understanding Color helps you gain a deep and discriminating awareness of color.
This book does as it says – understanding colour. Colour interests me as I continue to stretch my artistic voice.
I really liked how this was easy to follow, even when it got a bit sciencey to explain the development of colour theory. I think a big reason for this is how the book is organised from chapter to chapter.
I also liked how it plotted a journey showing how colour theory has developed starting from the ancients to Newton to Goethe to Josef Albers). And it was helpful how it showed colour working with different materials and mediums.
As books go, this is more a text book than a leisurely or interesting read, I didn’t mind this as the ground it covers gave me enough of a foundation to keep building my understanding of how colour works.
This book isn't really about design. It is more of a color theory book with some parts on color reproduction. So, there aren't many examples of how colors are used in design projects, and there is very little discussion about the psychological effects and symbolic or associative meanings of colors. If you're hoping to learn more about those things, then this book is not the one you are looking for.
One note--there is a section on the digital reproduction of color. The examples of the color selection tools are from the 2010 version of Photoshop, which is a bit dated. Also, there are some examples of digital art that look old as well. Perhaps it is time for the publisher to print another edition of this.
This is the text for my Color Theory class, it is a good introduction to the basic information of additive and subtractive color mixing. Covers more than just the fundamentals by discussing business, science, physiology and vocabulary. Her writing style can be a bit redundant and often over explains concepts which can become confusing for my students. Overall, I like it as a beginning text that can reach the variety of majors I teach: fashion, interior design, fine arts, art therapy, art education, and graphic design.
An enjoyable and thorough introduction to color for any application: clearly written, illustrated, and designed for maximum readability and focus on content. The author's voice is both professional and conversational.
Hard to rate, as it's sorta more a utility than a learning text - about as engaging as reading the dictionary, but if you sit down, focus, and parse through the dry language, it's going to tell you exactly the facts. Lot of good here, and would, I think, be a good classroom resource or reference guide.
I did, as a note, read this as an eBook so many of the example images were lost on me - An interesting exercise reading a book about color in black and white, but not one I'd suggest if you can avoid it.
If you’re looking for an overarching explanation of colour and the theory of colour, then this might be the book for you. However, if you’re looking for something focusing on the application and technical use of colour, I would look elsewhere.
Understandably, colour is a massive topic, so this book just skims the surface. It does a good job explaining the history of colour, a basic intro to the colour wheel, colour mixing, and it’s use in certain industries, but I would recommend investing in colour theory books specific to your industry first.
This was a really weird mix of massively useful information and over-the-top pedantry. The prose is basically terrible, with most paragraphs comprised of stacks upon stacks of simple sentences written in an identical brain-lulling rhythm. The content bounced right off when it didn't put me to sleep, but then she would randomly slip into a conversational mode for a few lines and everything became fascinating again. (It should not have taken me so long to finish this.)
The book was great and informative in a lot of ways. But don't call it a book "for designers" unless you're going to use the professional color methods used in commercial printing = Cyan Magenta Yellow Black. I couldn't use this book to teach color theory to my design classes because of this incorrect use of designers' vocabulary and industry standards.
This is an easy read, well organized, but is now(2015) a little out of date. I have reviewed newer editions and the author seems to have gone off the deep end trying to make it more complete. Love this book.
I found it interesting, but I probably would have enjoyed it more if I hadn't been reading it on a Kindle without colours! Just something to keep in mind if you're looking to read this on an e-reader -- you won't be able to see any of the examples.