3.5 stars.
Richard Kagan's exploration of 16th-century Spain through the 415-odd dreams of a middle class woman in Madrid is a lot of fun. It starts out seeming like just a bit of an oddity: a young woman who has increasingly strange dreams, winds up predicting the defeat of the Spanish armada and becoming increasingly explicit in her criticisms of King Philip II, and winds up creating quite a stir in the upper class court society of her day. The dreams themselves are fascinating and often unsettling. Most of the imagery comes from a mixture of traditional apocalyptic thought, current gossip, and the architectural surroundings of Madrid, but more than anything else they read like some kind of whacked-out Guillermo del Toro film. There are bulls and eagles and seven-headed dragons, and Lucrecia is often led through her dream visions by three men, particularly a guide who she just calls The Ordinary Man (yikes!).
One of the best aspects of the book is how Kagan ties these dreams to the current political atmosphere in Spain. Philip II was never as popular as his father and by the end of the 16th century he was coming increasingly under fire for his handling of the country which was trapped in foreign wars and economic stagnation. Lucrecia's dreams hit rather fertile ground and the context goes quite a distance in explaining why Madrid gave her such credence in the years leading up to 1590. It also raises another question: how much of Lucrecia's dreaming was honest, and how much was it made up as a political statement? And how much were the dreams her own, as opposed to the constructs of two clerics who recorded them for her, and who were wrapped up in anti-royal factions at the Spanish court?
Kagan never gives definitive answers to either (he can't, really, as it's a question that was never answered in Lucrecia's own day). He perhaps gives a bit more credence to Lucrecia's own initiative than I would, considering some of her testimony at her eventual Inquisition trial. There are also a couple of attempts at Freudian analysis that I could have done without. But she was certainly an interesting figure, and rather striking in how unique she sometimes seems. In any case it's a really interesting work, and worth a look if you're interested in prophecy, gender, or politics in early modern Spain. It also offers an interesting look at how information was disseminated at the time, even amongst those who were illiterate. It's easy to assume today that illiterate = uneducated, but there's a huge number of ways to learn and Kagan illustrates this clearly in a quick discussion of Lucrecia's impressive visual memory.