A phantasmal antithesis of Gothic and logic....
Set amidst the backdrop reminiscent of a mid-19th century England, Diana Greene's Miss Ridley & the Warlock, molds itself starkly, into a contrasting disposition by pairing a scientifically developed society with the fantastical elements of Gothic literature. Where we find, hidden alcoves of dark, unresting secrets, deep wooden trails leading into mysterious woods, dark magic clashing with elemental ones, legendary creatures of cataclysmic powers, the paranormal raven turned squire, and a land pulsing with as much magic as it's dwellers.
This is a book where the heroine Miss Ridley, represents the developing mindset of an educated society, where women have just started learning and their influence and position were fast spreading in the new era of cultural revolution. Standing on the verge of this mindset, Gemma Ridley is shown as an educated young woman whose dire circumstances have forced her to take a governess job at Rook Hall. A pure city girl with a logical mind she remains unconcerned of the ghostly rumors surrounding Rook Hall, and daringly treads into the evening forest to reach her destination. Though her first contact with magic is removed from her memories, but her disturbing dreams questions her sharp intellect. In addition, the unusual warnings by the housekeeper and the sudden mysterious disappearances of the squire for reasons unknown, and certain unnatural incidents looms sharply over her consciousness. Although Gemma tried to remain deliberately obtuse to such signs, it was Allan's soulful plea for help in his raven form that forced her to confront the truth of situation. Finally, before they get their happy ending, Allan has to defeat his long time foe Lord Deven, to save Gemma and release Caroline's soul from captivity.
Another charming facet of this book is the presence of Allan's two children. While nine year old Edwina showcases headstrong characteristics with strong magical abilities, which she uses to help rescue Gemma, six year old Matthew is a darling child, happy and boisterous in his appeal.
The character of Allan, is portrayed as a man, a warlock, chained by circumstances, unable to escape and, yearning for solace in his slowly deserting consciousness.
On the other hand, Gemma, is a strong character, hardened by life after loosing her prestigious job at Hawthorn Academy due to her father's thesis, she represents the new educated middle class woman emerging in the society, rational, logical, intelligent, capable and most importantly, independent in their own right.
Though the book cover is beautiful, it doesn't fully justify the Gothic appeal of the suspenseful tale.
The dual point of view gives the readers a chance to visualize the churning in both the protagonists' mind. Also, the portrayal of Deven's point of view in Italics is a genius stroke as it provides a new level to the novel. The plot is two dimensional, shifting between Rooks hall where the main plot takes place, to the fey world and sometimes to Lord Deven's house which provide the necessary sub plots to the novel.
Lastly, the author is dexterous as ever in her appeal, shifting dimensions, and scripting warlocks and intellectual maidens into a fantastically suspenseful tale, of mutual respect, admiration and ultimately, love.