In reviewing a retelling, I’m faced with the challenge of commenting on a title that is intrinsically connected to its original iteration. The problem I’m encountering, as I seek to corral my thoughts, is that I have an issue with some thematic content carried over for a young audience.
The Positives
Before I express my concern, I would like to start by saying that, in many ways, Little Pilgrim’s Progress is a charmingly delightful story.
The illustrations evoke a beauty and tenderness I don’t often see captured in longer books for children. The animal characters are so well depicted—appropriately sweet, fierce, clever or sly in perfect keeping with the narrative. Sutphin’s illustrations truly bring the story to life, and it’s the sort of artwork I wouldn’t mind having prints of. Sutphin’s artwork is also the reason the book caught my eye. Little Christian, who is a rabbit in the story, is an absolute darling!
Narratively, there are some truly beautiful lines about “the Good Prince,” which describe how He loves and cares for His little pilgrims. I also enjoyed some refreshing passages about what it means to live in a broken world. The narrator consistently reminds readers that Christian is fleeing from the city of the Wicked Prince, which I found to be an encouragement in this cultural moment.
I also appreciated little Christian’s bewilderment at points, not because he was confused, but because he was willing to look to the Good King in these moments. As an adult reader, though admittedly not the target audience for the book, I also experiences times of bewilderment. It’s good to remember that, like little Christian, I can turn to the King in any distress. This is a valuable message for readers of any age.
My Concern
As a disclosure, I’m not well acquainted with The Pilgrim’s Progress. I can recall reading the original once in college. I’m not entirely sure whether I was required to read the whole book or selected portions. I’m also aware that The Pilgrim’s Progress is a beloved classic that has endured multiple centuries.
With that said, I’m hesitant to recommend Little Pilgrim’s Progress because of the occasional characterization of the Good King as punitive.
One line that stuck out to me, in a negative way, was something along the lines of, “I hope the Good King doesn’t punish us.”
A similar instance that caused me discomfort, in the text, was when the characters hear about a pilgrim who had lost his little roll (which pilgrims must present, upon arrival at the Celestial City). After going off course, he decides to try returning to the pilgrimage, but it’s too late.
To be clear, the Good King is also, and probably more frequently, described as being gentle and helpful. However, I am wary of messages that use fear (of punishment, for example) as a motivator. I am all the more wary of this theme in a work for little children.
I recognize that these elements are derived from the original story, and are most likely “toned down” for the younger audience. It’s also fair to note that a few mentions of punishment are tempered by discussions about the Good Prince’s sacrifice.
While I see what the author is doing here, in terms of atonement, I’m still not comfortable with how this message is being conveyed to young readers. Also on the topic of subject matter, Little Pilgrim’s Progress also carries over some additional mature content from the original:
Faithful is martyred in Vanity Fair. Christian is ultimately spared from seeing this, but he knows what is happening. This is an intense scene, in general, but worsened (in my opinion) because Faithful (like Christian) is depicted as a child.
In addition to the pilgrim who was too late to finish his journey, a character named Ignorance is turned away from the Celestial City. The Wicked Prince sneers that he “should have done exactly as [the Good King] told.”
Final Thoughts
Although there is a lot I liked about Little Pilgrim’s Progress, I personally wouldn’t feel comfortable sharing it with a young reader. Between the depiction of the Good King as punitive and some of the more intense scenes, I’m not able to recommend this book for its intended audience.
Disclosure: I received a complimentary copy of the book from the publisher. Opinions expressed are my own.