The Politics of Storytelling: Violence, Transgression and Intersubjectivity

by Michael D. Jackson

Hannah Arendt argued that the "political" is best understood as a power relation between private and public realms, and that storytelling is a vital bridge between these realms - a site where individualised passions and shared views are contested and recombined. In his new book, Michael Jackson explores and expands Arendt's ideas through a cross-cultural analysis of storytelling that includes Kuranko stories from Sierra Leone, Aboriginal stories of the stolen generation, stories recounted before the South African Truth and Reconciliation Commission, and stories of refugees, renegades, and war veterans. Focusing on the violent and volatile conditions under which stories are and are not told, and exploring the various ways in which narrative reworkings of reality enable people to symbolically alter subject-object relations, Jackson shows how storytelling may restore to the intersubjective fields of self and other, self and state, self and cosmos, the conditions of viable sociality. The book concludes in a reflexive vein, exploring the interface between public discourse and private experience.

Genres: Anthropology, Nonfiction, Writing, Politics, Academic, Narrative

320 pages, Paperback

First published March 1, 2002

About the author

Michael D. Jackson (born 1940) is a post-modern New Zealand anthropologist who has taught in the anthropology departments at the University of Copenhagen and Indiana University and is currently a professor of world religions at Harvard Divinity School. He holds a BA from Victoria University of Wellington, an MA from the University of Auckland and a PhD from Cambridge University.

Jackson is the founder of existential/phenomenological anthropology, a sub-field of anthropology using ethnographical fieldwork as well as existential theories of being in order to explore modes of being and interpersonal relationships as they exist in various cultural settings throughout the world. In this way he creates an interdisciplinary approach that attempts to understand the human condition by examining the various ways in which this condition manifests itself cross-culturally. In so doing, he concentrates on concrete, individual, lived situations and attempts to recreate and explain these situations as they are perceived and experienced by the other. For example, rather than looking at what mythology or ritual may mean for a group of people, he looks at what mythology or ritual means for an individual existing in the group. In this way he is able to examine "being-in-the-world", a concept fundamental to the field of existentialism. This approach also allows him to address the problem of intersubjectivity, which has as a goal the understanding of the other in terms of the other's individual lifeworld. In this way the other's relationship with the world around them is explained in a manner not previously seen, and is fundamental to the project of understanding intersubjective existence (or the relation between two individual subjects).

A large part of Jackson's methodology is also his account of personal experiences he acquired during his fieldwork. This method of reflexivity is indicative of the current postmodern trend in the field of anthropology, which seeks to contextualize the ethnographer as a subjective participant in the field. This methodology allows him to explain very accurately his relation with the world around him, referencing frequently existential theories in the process.

His influences include: Jean-Paul Sartre, Maurice Merleau-Ponty, Martin Heidegger, Claude Levi-Strauss, Hannah Arendt, Theodor Adorno, Pierre Bourdieu, William James, John Dewey, Edmund Husserl, Bronislaw Malinowski, Richard Rorty, Paul Ricoeur, Marcel Mauss.

He is in no way related to the famous singer, also named Michael Jackson.

Reviews

[Lisa · Rating 3 out of 5]

It’s definitely about the politics of storytelling—I think the Arendt connection seemed like a strange way to bulk up the text. It read as if it were two different works that had been stitched together.