Allegra Goodman's first set of short stories introduces readers like me, who are traveling largely backwards through her collection, to familiar places, cultures and characters. The very first story, "Onionskin," is an excerpt out of Paradise Park. Our beloved Markowitz family, featured in their own collection of short stories published a decade later, are included, through the perspectives of the two brothers, in "Young People" and "Wish List." Other, new characters crop up in different stories- often changing from protagonist to vague background character, like with the case of Ginnie in "Fait'" and the titular piece, "Total Immersion." Sometimes it feels like a cheat, considering that Goodman doesn't have to introduce us to the characters all over again, and the reader may be filled with biases from the old story. But this is perhaps superseded by the metaphor behind Total Immersion- we are "totally immersed" in the worlds Goodman has created, viewing them from all different sorts of angles.
To me, the most fascinating recurring culture centered around the Hawaiian Jewish community. This is a hybrid enclave--siphoned off not only by it's religion, but by the heavily Pan-Pacific influence on the islands. I love watching the Jews, both natives and "haoles" from the mainland, interact in this rich landscape, complicated by their attempts (and often inability) to find religious, cultural and familial fulfillment.
One complaint I have about Goodman is that she often writes about dry academics, and it can get a little stuffy and pretentious from time to time. That being said, brothers Henry and Ed Markowitz, a flamboyant Oxford culturalist, and a Georgetown-ensconced professor of the philosophy of terrorism, are fan favorites.