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428 pages, Kindle Edition
Published March 8, 2016
We put a call to action showing Contact’s book cover and a link to get it free on the first page of the book. (If you use Scrivener, put this item inside main binder before the story begins, NOT in a “front matter” folder. On most devices, front matter is skipped when a reader first opens the book.)
The Internet has democratized much of the art world. Indies can publish on their own, without middlemen. We hear the cries of “There are no more gatekeepers!” plenty. But this isn’t true. The middlemen are gone, but there are more gatekeepers than ever: readers, viewers, listeners, and potential buyers. Get things in this chapter right, and those gatekeepers — people with the power to decide whether your art sells, how well it’s rated, and what the public at large thinks of you and your creations — move firmly onto your side. They stop being readers and turn into fans. (Kindle Locations 3018-3022).
A solid hater might come up once every thousand readers, in our highly unscientific estimation. If that were an immutable statistic (one in a thousand), wouldn’t it make you want as many haters as possible? We would. We’d be like, “Holy shit; I’m up to one hundred haters! That means I have A HUNDRED THOUSAND READERS!” (Kindle Locations 3260-3262)
This section’s lesson is to create more stuff, but that means two things: actually finishing up and shipping off what you have rather than weaseling out of it from fear, and making your time more efficient. The goal isn’t to publish ten thousand words per day or week or month or year. The goal is to publish more this year than you did last year. It’s all relative. Don’t ever compare yourself to someone else. Only compare yourself to you.
(Kindle Locations 3891-3894).