Maria Buscombe left home seven years ago. One day she was the loving wife of husband Richard, devoted mother of fourteen-year-old daughter Belinda. Then she was gone, leaving behind an angry spouse and a bewildered child. Why did she depart so abruptly? And why did she choose to live in a basement apartment isolated not only from her family but from her world? Most puzzling of all, who sent her twenty thousand dollars during each year of her exile, and why? Three lives are disrupted forever, but Richard dandy Belinda slowly resume their routines and begin to look to the future. Richard has his little store, the Jolly Shopper. Belinda, now a grown woman, is married and expecting a child. The memory of Maria remains as a deep pain that recedes a little with each passing day. Then Maria decides to come home. Belinda sees her mother at a distance but turns away in shock. The moment is lost, and before Maria can reestablish contact she is bludgeoned to death by a silent, knife-wielding intruder. Staff Sergeant Karl Alberg of the Canadian Mounties, detouring from a flirtation with early retirement, must retrace Maria’s investigation into her past to find her killer. Who was Maria Buscombe? How did she come to have a recent photograph of her only child in her possession? Who had stalked the troubled woman, and why? As Alberg becomes engrossed in the riddles, his longtime friend, Cassandra Mitchell continues to struggle with her own fears, those of loneliness and mortality. She is afraid to be alone, even in her home, and feels increasingly reliant on Alberg. Deftly weaving past and present, Mother Love lays bare the deep secrets hidden in all human relationships, and challenges notions of love, forgiveness, and what it means to be someone’s child—or someone’s mother. It is a stunning achievement from one of the most stylish and thoughtful of contemporary crime writers.
I gave her two stars just for writing the book and getting it published. The first book in this series, 'The Suspect', I liked pretty well. The second one that I read, 'A Touch of Panic', I really, really liked. This one I didn't like at all. There were no sympathetic characters in it. It was dark and dreary. The main characters, whom you read a series to follow, weren't in it much at all. The time frame jumped back and forth. Just a really poor outing for this author and series. I'll try another one, but not for awhile.
UGH! I didn't enjoy this installment of the Karl Ahlberg series. The beginning of the book took too long to start resolving the overall mystery. It was very unclear what the problem was until over 3/4s of the way through the book. The characters were well written and the story was pretty interesting once it came together. I didn't like Maria, however, and I didn't think she acted or spoke in the way that a person who just found out she was adopted would act. While my mother is still alive and I don't know how I would act, I know I wouldn't call some random woman I never met "my mother". I didn't guess the killer, though I didn't like Harry or Hamilton. Being focused on money is a big red flag, but those guys would have been really successful if they had done something legal.
I’m giving this 2 stars because the story line bounces around on the timeline of events. Not just from chapter to chapter but, within the chapter also. So it made it hard for me to focus & figure out what/who they were talking about. I had to force myself to finish the book.
This is number 7 in the Karl Alberg / Murder in a Small Town series. This one seemed very fragmented throughout much of the story – a whole bunch of disparate characters who didn’t seem to have much to do with each other, in a variety of different time periods and/or geographic locations. I was reminded of the style of the British television show Unforgotten, which is for me the exemplar of dislocated British mysteries (though I do enjoy it very much.) Anyway, it did come together in about the last ten percent of the novel.
A Canadian television series has been loosely based on some of the entries in these books. The TV characters, as usual, are much better looking than those in the novels. It does help if you read the books in order, as there are complicated back-stories running through the whole series and some details are not reiterated in later volumes.
Very disappointed in this, the 7th in L. R. Wright's Karl Alberg mystery series. There is no mystery since we are aware almost from the start who killed Maria Buscombe. The humor that lightened Wright's previous novels is lacking and I found I could not care about Maria, her daughter, her husband or her son in law. Why she did what she did and does what she does is never really made clear. I suppose one must read this one if one wants to know what happens to Karl and Cassandra. But I would have given it a pass.
This is the 7th book in a series and the author astounds me with so many well developed, amazingly different characters and intricate plots. The endings always conclude with greater understanding and pleasant satisfaction.
Something different about this seventh book in the series. Many characters are introduced at first and they don't seem to have any connection until about halfway through the book. Jumps years through the various chapters but the story doesn't flow together. Also, includes many scene set ups with a great amount of detail, but to seemingly no end, ie. do we really need a full page of Helen's room and why? This book is my least favourite of the series.
I quite enjoyed the book but was disappointed in the ending. It wasn’t a mystery in any sense of the word, it was obvious whodunit and why from about the 5th chapter. I also found it a bit formulaic and somewhat cliche.
Having said that, I couldn’t put it down, the writing style is flowing and companionable and it’s a good book for a rainy day.
Good read. A little bit confusing keeping track of characters back and forth in time but that is all. Different story as is typical for Wright which is what I like about her. Her grasp on human imbalances and mental illnesses is strong as usual. The way people treat and think about family always astounds me. I am blessed with mine.
Heredity insanity leads a mother to realize she needs to get away from her daughter before she does something terrible to her....someone pays her $20,000 a year to stay away for 10 years...she does so for 7 years but returns which stirs up a lot of problems for all. A very sad story.
But once I did, I enjoyed it a lot. I worried that Cassandra would be a subject. The title of the book was unclear for awhile but eventually made sense. As always, I look forward to the next one.
I’ve read the entire series but this one is a big NO. Too disjointed. Too slow. It’s all over the place and taking too long to come together. This is the only one that I’m giving up on. I hear it gets better at about the 75% mark but that’s just not good enough. Too many other great books to read.
The past and present was hard to follow and the end could have been more exciting. The main characters of the other book were almost minor characters in this. I want to read it to understand more.
This one goes back and forth in time . Maria finds out secrets before her mother dies. She searches out the truth. Then leaves her family. Very good strong characters. Storyline is good and well written.
The characters, some weird, others only strange, make for a tale that is not only confusing, but entertaining. Different new characters, make for an unusual story.
Another good murder story about Karl and Cassandra.
Such an interesting storyline--kept me engaged with the characters. The murder was very creepy and I honestly didn't know who committed the murder until close to the end. I love the TV series too.
I love the characters of Karl and Cassandra but this book spent too much time with unlikeable characters. The solution, while believable, was a bit of a deus ex machina.
I stuck with it to the end, but I'm not sure why other than it was an intentional lazy day. The inspector was an enjoyable character, but the rest were very flat. There were occasional vague memory sequences throughout the book, though not as an ongoing part of it. And they didn't really connect well or receive an explanation. There were a few memories of child abuse, seemingly from the mother. Near the end the inspector asked the daughter if she'd ever been hit/abused/I forget the exact word, and she replied sometimes. At the end the daughter's husband tells her he believes their marriage can work because he is not like her father. And that's it. No tie in. Daughter and father seemed to have a decent relationship. Lack of motivation or trite motivation for most characters.
Perhaps to avoid responsibilities or perhaps to give the author another chance I began Acts of Murder. Just don't go there. Girl kills her dog and we're on to other things. WHAT? What happened? Why? Revenge, crazy, accident? No clue and I don't trust that I would actually find out.
However much I like the writing, my opinion of a book is affected by the horror and gore I must endure to get through the book. Fortunately Wright focuses more on the pathological than on the physical anatomy of murder. This installment of the Sgt Karl Alberg, RCMP, series is well written. Although it jumps around in time and focus, in this instance I find the plot device helpful in keeping up the suspense and leading skillfully to the denouement. I love the presence of Cassandra Mitchell in the story; she is a glass of wine in the meal of Alberg's life.
This is a reread, after 15 years. I really like the sense of place in Wright's books. The Sunshine Coast with its picturesque isolation and timelessness could almost be a precursor of Louise Penny's Three Pines. Alberg, Cassandra and Sid are sympathetic, well-drawn characters. The story is less a standard mystery and more a psychological puzzle - why did Maria disappear, why did she come back, why was she murdered. The answers lie in the multigenerational impact of mental illness, greed and mother love.